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Greyling, Willfred J.
Sinclair & Coulthard Revisited: Global- and
Local-Allocational Turn-Taking Mechanisms in the
Language Classroom.
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28p.; In: Pragmatics and Language Learning. Monograph
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Evaluative/Feasibility (142)
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MF01/PCO2 Plus Postage.
Behavior Patterns; *Classroom Communication;
Discourse Analysis; Foreign Countries; Group
Dynamics; *Interaction; Interpersonal Communication;
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Language Instruction; Second Language Learning;
*Second Languages; Student Behavior; Teacher
Behavior; *Teaching Styles
*Turn Taking
ABSTRACT
A study examined global- and local-allocational
preselection mechanisms for turn-taking in the language classroom,
using two corpuses of classroom discourse illustrating both accuracyand fluency-based modes of language teaching. It was found that
teacher-directed accuracy work yielded Initiation-Response-Feedback
patterns governed by local-allocational projection mechanisms for
turn-taking, while the fluency-based work was characterized by
global-allocational preselection mechanisms for turn-taking, which
allow learners to produce multiple-utterance responses. The two
corpuses of data display typical discourse features that are related
to restricting or facilitating learner initiative, single-utterance
versus multiple-utterance learner response, and form versus content
feedback. It is shown that these typical discourse features may be
used as evidence to confirm or invalidate teacher claims about their
modes of language teaching. It is suggested that teachers who are
aware of theses features may generate and test specific predictions
about their interactions with learners. A set of if-then predictions
is generated for each corpus. Data excerpts are appended. Contains 27
references. (Author/MSE)
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SINCLAIR & COULTRARD REVISITED:
GLOBAL- AND LOCAL- ALLOCATIONAL TURN-TAKING MECHANISMS
IN THE LANGUAGE CLASSROOM
Willfred J. Grey ling
One of the aims of this paper is to outline global- and local- allocational
preselection mechanisms for turn-taking in the language classroom. For this
purpose, theoretical sampling was used in collecting two corpuses of classroom
discourse. Adopting the fluency-accuracy interface, we collected both accuracyand fluency-based classroom discourse. It was found that teacher-directed accuracy
work yielded Initiation-Response-Feedback patterns governed by local-allocational
preselection mechanisms for turn-taking, while the fluency-based work was
characterised by global-allocational preselection mechanisms for turn-taking which
allow learners to produce multiple-utterance responses. The two corpuses of data
display typical discourse features which are related to restricting or facilitating
learner initiative, single-utterance versus multiple-utterance learner responses, and
form versus content feedback. It is shown that these typical discourse features may
be used as evidence to confirm or invalidate teacher claims about their modes of
language teaching. Indeed, teachers who are aware of these discourse features may
generate and test specific predictions about their interactions with learners. It is
proposed that teachers cast such predictions in the if-then format in which the ifclause specifies conditions, and the then-clause encapsulates the lingual action or
experience which may subsequently occur. A set of if-then predictions is generated
and discussed for each corpus of data.
INTRODUCTION
The fluency-accuracy interface in ELT (Cf. Finocchiaro & Brumfit, 1983, p. 98;
Brumfit, 1984, p. 52 and 57) and second language acquisition studies (Cf. Larsen-Freeman
& Long, 1991, pp. 323-325) formed the basis for collecting two corpuses of classroom data.
It was argued that these data types would display typical differences. The main aims of this
paper are, first, to show that the two modes of language teaching are founded on distinct
preselection mechanisms for turn-taking in the language classroom; second, to fuse elements
of Personal Construct Psychology and Sinclair & Coulthard's model in generating a
discourse-based construct system for predicting the occurrence of distinct Initiation-ResponseFeedback sequences in accuracy- and fluency-based teaching; and finally, to indicate that an
awareness of these typical IRF patterns, and a concomitant construct network, may promote
teachers' decision-making in the classroom.
These aims indicate that the focus is not only on studying classroom discourse for its
own sake, but also on how these findings may be used to empower teachers in their decision-
making and to promote their awareness of classroom processes. The teacher may use the
discourse-based construct system in generating if-then predictions for accuracy- and fluencybased activity, and then, in the interactive phase of the lesson, the teacher may confirm or
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20
Willfred J. Grey ling
invalidate these predictions (Cf. Gribling, Koole, Ten Thije & Tromp, 1983, pp. 50-69 for
the distinction between the proactive planning and the interactive emergence of lessons). Both
processes of confirming or invalidating our predictions may lead to diversification of our
construct systems. For a detailed outline of how constructs are created and modified, see
Kelly's theory for more information on the experience, construction, modulation,
fragmentation and other corollaries (Kelly, 1955, pp. 72-77 and p. 83; Hergenhahn, 1984,
pp. 271-276).
METHODOLOGICAL ORIENTATION
A selected sample of Initiation-Response-Feedback exchanges was taken from both
accuracy-based and fluency-based lessons collected at primary and secondary schools, and
tertiary institutions in Bloemfontein from 1987 to 1990. The IRF exchange was found to be
overwhelmingly present in both corpuses of data. The following criteria were used in
classifying exchanges as either accuracy- or fluency-based.
Accuracy-based interactional exchanges display the following features:
a)
b)
c)
d)
e)
a metacommunicative focus (i.e., teachers and pupils talk about language)(Cf.
Stubbs, 1976, p. 83; Widdowson, 1978, pp. 12-15);
teacher control of the discourse (i.e., the teacher takes two out of three turns;
or insists on pupil bids as floor seekers, or employs nominations to identify
next speaker; or activates a preselection system which is locally managed
from one turn to the next);
learner responses are single utterances;
learner non-responses are followed by one or more teacher clues, directives,
re-elicitations, informatives, and/or extended IRF sequences (Cf. Sinclair &
Coulthard, 1975; Sinclair & Brazil, 1982; White & Lightbown, 1984, p. 235;
Mehan, 1985, p. 122); and
the teacher provides form feedback which focuses on the accuracy of learner
responses (Cf. Harmer, 1983, p. 202).
Fluency-based interactional exchanges display the following features:
a)
a communicative focus which requires reciprocal language activity (i.e.,
pupils are required to solve a communication problem or task as found in
information gaps, reasoning gaps, and opinion gaps) (Widdowson, 1978, pp.
b)
c)
22-32; Prabhu, 1987, pp. 46-47; Hoey, 1991, p. 68);
the teacher structures an interactional space in which communication-gap
activities have to be completed (Cf. Stevick, 1980, p. 20; Maze land, 1983,
p. 100;
learner answering moves consist of learner-learner exchanges across several
turns-at-talk, and if the teacher becomes a co-producer of discourse in a
response, he/she abandons his/her authority relationship as a teacher to
assume the role of co-communicator;
3
Turn-Taking
d)
21
the teacher's role in case of learner difficulties in dealing with a
communication task is to facilitate the learners' construction of effective
e)
messages within a preselection system which is globally managed (i.e., with
multiple learner-learner exchanges preselected by the teacher) (See appendix
4 for an excerpt); and
the teacher provides content feedback which focuses on the effectiveness of
learner communication as goal-directed, reciprocal language activity (Harmer,
1983, p. 202).
The selected exchanges were then analysed in terms of the columns specified in Sinclair
& Coulthard (1975; 1992).
Moreover, a methodological procedure from Personal Construct Psychology was used
in identifying constructs for the interpretation of different discourse manifestations of the IRF
exchange pattern. Kelly (1955) claims that we create reality in accordance with our construct
systems. In fact, our construct systems allow us to make predictions about future events, and
our subsequent experiences will then allow us to confirm or invalidate these predictions. If
we hope to function within the domain of conscious choice, we have to become aware of our
construct systems; and, indeed, this also applies to practising teachers who have to know
why they do what they do.
For this reason, it is important to clarify the concept 'construct' and the procedure for
identifying constructs. Kelly (1955, pp. 8-9 and p. 12) defines a construct as follows:
Man looks at his world through transparent patterns or templets which he creates
and then attempts to fit over the realities of which the world is composed ... Let
us give the name constructs to these patterns that are tried on for size. They are
ways of construing the world ... we consider a construct to be a representation of
the universe, a representation erected by a living creature and then tested against
the reality of that universe. Since the universe is essentially a course of events, the
testing of a construct is a testing against subsequent events. In other words, a
construct is tested in terms of its predictive efficiency.
This would imply that if the teacher is able to generate if-then predictions in terms of
a set of discourse-based constructs, he/she may confirm or invalidate their predictive
efficiency against the discourse evidence from the language classroom.
Next, Kelly (1955, pp. 59-61) states that a construct is dichotomous, and that a
continuum of possibilities exist in between the poles of a construct. The procedure for
identifying the poles of such a construct is the following:
If we choose an aspect in which A and B are similar, but in contrast to C, it is
important to note it is the same aspect of all three, A, B, and C, that forms the
basis of the construct ... In its minimum context a construct is a way in which at
least two elements are similar and contrast with a third.
22
Willfred J. Greyling
Given the methodological orientation, both a language practitioner and a registered
psychologist/academic assisted in triangulating the classification and analysis of the data in
terms of the guide-lines outlined above (Cf. Van Lier, 1988, p. 13). Then discourse-based
constructs were generated for making if-then predictions in the proactive planning of lessons
within these modes of ELT. These constructs were used in generating if-then predictions for
both an accuracy and a fluency activity. The discourse collected during the interactive phase
of the lesson seemed to validate the predictive efficiency of the construct system.
SIMILARITIES AND DIFFERENCES
IN INITIATION - RESPONSE - FEEDBACK EXCHANGES
The methodological procedure is applied in the analysis of three excerpts of data:
(1)
(The teacher is discussing describing words with learners.)
Exchange
type
Opening move
(Initiation)
Answering move
Act (Response)
inf (NV raises
eliciting The tall man
hand)
stands in the
hand)
garden. Now
Tall
what is your
describing word
el
in that
sentence? Yes. nom
(2)
Follow-up move
Act
(Feedback)
Act
bid It is tall. The
acc
tall man.
(The teacher is asking closed-type questions about the words in a poem. The
aim is to negotiate an understanding of the term paradox. See appendix 1 for
the extended sequence of IRF interactions.)
Exchange
type
Opening move
(Initiation)
Answering move
Act (Response)
eliciting Shimmering
surely applies
to which of our
senses?
el
NV
Follow-up move
Act
(Feedback)
(NV:various
hands)
bid
Eyes.
rep Eyes. Right.
Act
nom
Yes.
5
acc
23
Turn-Taking
(3)
(Pupils have prepared several dialogues. Pupil 1 (P1) plays the role of Peter
Jacobs, an employee of Mr Pieterse, who is played by pupil 2 (P2). Pupils
have to produce utter-utter sequences. Abbreviations: m =marker; ms=
metastatement; dir =directive; rep=reply; nom =nomination; acc =accept)
Exchange
type
opening move
(Initiation)
Answering move
Act (Response)
eliciting Right Now ...
good. Your instruction is to
practise this
dialogue with a
friend and then
to put together
three more dialogues in which
Peter Jacobs
first succeeds
and then does
not succeed in
making a definite appointment
with Mr Pieterse. Good.Choose
a friend and
then you start
practising.
m
eliciting Right
Let's hear how
it goes with
three of these
dialogues.Let's
hear what these
guys have done.
Let's hear what
it sounds like.
Pay attention.
m
Pl:Mr Pieterse,
I want to talk
to you about my
salary right
el
now.
Follow-up move
Act
(Feedback)
Act
ms
el
(Pupils are
practising)
rep
el
el
el
el
In:[Hatters:0h'
nom It's old Jacobs
again.] Yes,but
dir I don't have
dir much time. I'm
very busy at
the moment.
PI:[Mutters:The
egghead! I know
that he isn't
busy.] You must rep
postpone. I'm
very serious.
P2 :[Mutters: oh
dear! I can't
get away from
him.] Yes,sure.
Come to my
office right
Good.
now.
it.
6
That's
acc
24
Winfred J. Grey ling
When these IRF exchanges are compared, they are similar yet different. In exchanges
(1) and (2) the IRF pattern emerges from one turn to the next with the teacher taking every
second turn, while in (3) the IRF pattern spans six turns of which the pupils take four.
Exchanges (1) and (2) are founded on a local-allocational preselection system of turn-taking
in which the teacher as the dominant participant self-selects and/or selects next speaker. It
would seem that the recursive rule system proposed by McHoul (1978, p. 188) can
adequately deal with such teacher-dominated accuracy-based data. However, in exchange (3)
current speaker, the teacher, selects a configuration of next speakers for what turns out to
be four utterances that constitute an answering move. The teacher not only directs
speakership, but employs a global-allocational preselection system of turn-taking in his
initiation which allows us to predict how turns are going to be taken by the learners. The
teacher specifies the learners' interactional space, their roles, and the pattern of interactional
exchange. The teacher sets up a learner response which consists of several learner-learner
exchanges. Within this global design, learners are required to produce what Hoey (1991, p.
68) refers to as free pairs, or from a turn-allocation point of view, are required to engage
in a learning experience which appears to simulate the local-allocational system for turntaking in ordinary conversation (Cf. Sacks, Schegloff & Jefferson, 1974).
The teacher initiations in (1), (2) and (3) may be interpreted along the same lines. The
aspect of similarity is that these teacher moves are initiations. While (1) and (2) are similar,
they differ from (3) because in the former the teacher restricts learner initiative to their
giving a minimal response. However, in the latter initiation the teacher maximises learner
initiative because learners are expected to cope with an interactional pattern which has been
prespecified by the teacher. We could argue that in (1) and (2) the teacher engages in an
initiative-minimising initiation, while in (3) the teacher embarks upon an initiativemaximising initiation. In both cases the teacher exerts control over the discourse process.
Paradoxically, it appears that the teacher may structure learner freedom to take initiative in
the classroom. Indeed, the teacher seems to be a designer of speech exchange systems that
may promote language development in the learner. Put in the words of Stevick (1980):
As far as I can see, "control" by the teacher is legitimate even in "progressive,"
or in "humanistic" education. ... Seen in this way, "initiative" and "control" are
not merely two directions along a single dimension. That is to say, "control" on
the part of the teacher does not interfere with "initiative" on the part of the
student: when the teacher tightens her "control" of what is going on, she need not
cut into the student's "initiative"; often, in fact, she will actually increase it
(Stevick, 1980, p. 17 and p. 19).
Later Stevick (1980, p. 20) reiterates this view:
In exercising "control," then, the teacher is giving some kind of order, or
structure, to the learning space of the student. In encouraging him to take
"initiative," she is allowing him to work, and to grow, within that space.
Similarly, we may argue that in (1) and (2) we encounter single-utterance learner
responses, while in (3) we find multiple-utterance learner-learner exchanges functioning
as a response. In addition, (1) and (2) contain form feedback in which the teacher judges
7
25
Turn-Taking
the accuracy of the learner responses, while in (3) the teacher provides content feedback
in which he comments briefly on the effectiveness of the learners' communication in
response to his initiation.
In sum, we may argue that accuracy-based data in this study are characterised by a
local-allocational preselection system for turn-taking, initiative-minimising teacher initiations,
single-utterance learner responses, and form-focused feedback. Clearly the teacher exerts
very tight control over turn-taldng and turn content. Indeed, when the teacher encounters a
non-response to a teacher initiation, he/she may embark upon a re-elicitation, informative,
directive, clue or extended sequence of interactions to circumvent the short circuit in the
interaction. These aspects of control are evident in the extended sequence of IRF exchanges
in appendix 1.
The fluency data are characterised by global- allocational preselection mechanisms for
turn-taking, initiative-maximising teacher initiations, answering moves that consist of
multiple-utterance learner-learner exchanges, and content feedback in which the teacher
evaluates the effectiveness of learner-learner communication in producing an appropriate
response to his initiation.
These observations may be summarised in the following construct network:
(4)
FLUENCY
ACCURACY
-Global-allocational
Local-allocational
Preselection mechanisms
in IRF exchanges
*The teacher self-selects.
*The teacher selects next speaker.
*The student can only select the
teacher as next speaker.
*If the student does not select
next speaker, that student may
self-select, or the teacher may
self-select as superordinate.
*Student non-responses are followed
by elicitations, clues, directives,
informatives or extended IRFs
Initiativeminimising
*The teacher self-selects.
*The teacher selects a configuration
of next speakers.
*The configuration of students
has to implement the speech
exchange system specified by
the teacher.
*The teacher may structure a speech
exchange system in which current
speaker (a student) selects another
student as next speaker.
*During or upon completion of the
response, the teacher may self-select.
Teacher initiations
Single- utterance
Learner responses
Initiativemaximising
Multiple-utterance
learner-learner
exchanges
Content
Form-focused
Feedback
8
Winfred J. Grey ling
26
RULES FOR FLUENCY-BASED CLASSROOM TALK
From a conversation analysis perspective, the rule system proposed by McHoul (1978)
may be supplemented by additional rules. In the subsequent paragraphs, the relevant rules
from McHoul are listed with additions to accommodate the normative orientations
encapsulated in the fluency-based data:
(5)
(I) For any teacher's turn, at the initial transition-relevance place of an initial
turn-constructional unit:
(A) If the teacher's turn-so-far is so constructed as to involve the use of a
'current speaker selects next' technique, then the right and obligation to speak
is given to a single student; no others have such a right or obligation and
transfer occurs at that transition-relevance place (McHoul, 1978, p. 188).
The problem with this rule is that it does not account for the teacher selecting a
configuration of learners who have to perform a communicative task in a prespecified
interactional space. For this reason, the rule has to be supplemented by at least the following
rule:
(6) Rule 1 (a) fluency: If the superordinate selects a configuration of next
speakers, the so-selected configuration has to implement the preselected turn-
taking system within the interactional space specified.
McHoul (1978) also refers to the normative mechanisms governing the taking of turns
subsequent to a student turn:
(7) (H) If I(A) is effected, for any student-so-selected's turn, at the initial
transition-relevance place of an initial turn-constructional unit:
(A) If the student-so-selected's turn-so-far is so constructed as to involve the
use of a 'current speaker selects next' technique, then the right and obligation
to speak is given to the teacher; no others have such a right or obligation and
transfer occurs at the transition-relevance place (McHoul, 1978, p. 188).
This rule implies that the student can only select the teacher as next speaker. The
fluency data in excerpt (3) contradict this rule because current speaker (student in the role
of Jacobs) selects next speaker (a pupil in the role of Mr Pieterse). The rule proposed by
McHoul (1978, p. 188) has to accommodate the notion that the teacher may direct
speakership, and specify the pattern of participation for learners in a subsequent interactional
exchange:
(8)
Rule 1 (b) fluency: If the so-selected subordinates engage in the preselected
turn-taking system within the interactional space specified, the subordinates
will select next speaker in accordance with the superordinate's preselected
and prespecified speech exchange system.
9
Turn-Taking
27
In addition, a rule would have to be included to account for switching from one mode
of language teaching to the other. This would probably require a rule of the following kind:
(9)
Rule 1 (c) transition from fluency to accuracy modes: If the superordinate
self-selects upon the completion of a response produced by a configuration
of learners, he/she may, but does not have to, re-activate rules 1 (a) and 1
(b) above, or use the rule system proposed by McHoul (1978) as normative
orientation to change the mode of language teaching.
It is clear that these 'rules' derive from the teacher's design of speech exchange
systems: the teacher is able to specify different configurations of next speakers and determine
the rules governing such speech exchange systems.
MAKING AND TESTING IF-THEN PREDICTIONS
Kelly (1955, pp. 122-127) claims that construct networks are used to make predictions
about experiences; so, if this construct network is consistent with our experiences of specific
modes of language teaching, then we should be able to make predictions about the discourse
in those contexts of learning. Kelly (1955, pp. 122-127) proposes the if-then format for
generating predictions. The if-clause contains reference to a set of conditions, while the then-
clause specifies the behaviour or experience that may occur. Such prediction systems are
found in communication rules research (Shimanoff, 1980), conversation analysis (Sacks et
al., 1974), learner strategies research (O'Malley & Chamot, 1990), and computer
programming (Riley, 1987). However, human action is not wholly predictable; indeed, when
experiences contradict our predictions we may have to generate new predictions, re-interpret
the experience, and/or modify our constructs.
What kind of predictions may teachers generate in terms of the construct network
outlined above? The following sets of predictions may be formulated:
(10.1) If the teacher engages in accuracy-based teaching, then
(10.1.1) the teacher exerts control over turn content and the floor through
a local-allocational preselection system of turn-taking,
(10.1.2) the teacher embarks upon initiative-minimising teacher initiations,
(10.1.3) learners produce single-utterance responses, and
(10.1.4) learner non-responses are followed by one or more teacher clues,
directives, re-elicitations, informatives, and/or extended IRF sequences,
and
(10.1.5) the teacher embarks upon form feedback in which he/she
comments on the accuracy of learner responses.
BEST COPY AVAILABLE
10
Wilfred J. Greying
28
(10.2) If the teacher engages in fluency-based teaching, then
(10.2.1) the teacher structures learner freedom by means of a globalallocational preselection system of turn-taking,
(10.2.2) the teacher embarks upon initiative-maximising teacher initiations,
(10.2.3) learners engage in multiple-utterance learner-learner exchanges
which function as responses to the teacher initiations,
(10.2.4) the teacher's role in case of learner difficulties in dealing with a
communication task is to facilitate the learners' construction of effective
messages within a preselection system which is globally managed (i.e.,
with multiple learner-learner exchanges preselected by the teacher), and
(10.2.5) the teacher embarks upon content feedback in which he/she
comments on the effectiveness of learner exchanges as goal-directed
discourse.
Given these sets of predictions, we employed theoretical sampling in eliciting data to
confirm or invalidate these hypotheses. It was argued that if these predictions were true, we
would be able to elicit discourse evidence to confirm them. The following activities were
categorised as accuracy- and fluency-based: the first emphasises the metacommunicative
focus and control exerted by the teacher in the accuracy mode, while the second seems to
fall within the realm of fluency work:
(11) Step 1: Deal with the following tense: The Simple Past Tense, which is used
to refer to events that were completed in the past.
Last week I went to Kimberley.
In 1948 two veterans completed the race.
The men walked all the way to town.
The girl sang a song.
(12) Picture-stimuli - Story-telling
Level:
Purpose:
Materials:
Procedure:
Intermediate, advanced
Practising narrative skill
Producing coherent spoken and written texts
Focusing on learner-learner interaction
Pictorial cards (at least ten per pair)
Learners are asked to pair off. They are handed their cards.
The cards have to be put down so that the pictures face down.
Learner 1 picks up a picture card and tells a story based on
the picture. Learner 2 picks up the next picture, continues
with the story told by learner 1, and has to link the story to
the second picture. They take turns until all the cards have
29
Turn-Taking
been used up. Learner 2 ends off the story. After the oral
phase learners have to write out a coherent text based on the
pictures.
In appendices 2 and 3 classroom discourse is found which was collected with a view
to confirming the if-then predictions emanating from the construct system.
In appendix 2, the predictions for accuracy-based data are confirmed. The teacher
embarks upon a local-allocational preselection system in which the IRF pattern evolves from
one turn to the next. The teacher selects next speaker, and upon the completion of the
student turn, next turn reverts to the teacher. It is clear that the teacher embarks upon
initiative-minimising initiations, while learners produce single-utterance responses. The
teacher then provides form feedback.
Similarly, in appendix 3 the predictions for fluency-based data are confirmed.
Diagrammatically the global design of the IRF exchange in the data may be represented as
follows:
(13)
Turn 1
Turns 2
to 87
An initiative-maximising teacher
initiation
Initiation
Multiple-utterance learner-learner
exchanges per pair or group
Response
(Simultaneous lingual activity in all groups)
Turn 88
Content feedback
Feedback
INVALIDATING CONSTRUCTS AND DIVERSIFYING CONSTRUCT SYSTEMS
Confirming one's predictions is only half the story; what happens if one's classroom
experiences contradict one's predictions? Several possibilities exist, according to construct
psychologist George Kelly. First, one may reinterpret, perhaps distort, the experience so that
one's construct network and predictions are confirmed. Second, one may decide to abandon
one's predictions, and generate new predictions. Third, one may create a new set of
constructs, and proceed to test their predictive efficiency. The following diagram explains
the process of testing predictions:
12
30
Wilfred J. Grey ling
(14)
Selecting a construct
or constructs
Confirm predictions
Utility of construct
4---
1
Use the same
construct:
make new
predictions
Select a new
construct
Devise a new
construct
Making predictions
Invalidate
predictions
and utility
of construct
1
Testing predictions
against classroom
experiences
To create intersubjective or shared meanings, the discourse evidence and the construct
systems we use for prediction purposes have to be made explicit. Because human actions
including those in the classroom cannot be cast in a strait-jacket, it seems reasonable to
presume that the dynamic interface between experience and the normative dimensions of
classroom discourse precludes our defining the final rule or construct system for
participation in the classroom. However, permeable and changeable constructs will allow us
to see different dimensions of classroom discourse, and to interpret/reinterpret the discourse
evidence.
CONCLUSION
If teachers are supposed to make informed decisions in the classroom, then it seems that
a discourse-based construct system, which may yield testable predictions about the interactive
phase of lessons, may be useful in promoting teacher awareness of what they are doing.
Teacher decision-making and empowerment are at the heart of the prediction system outlined
in this paper. The teacher is able to direct speakership and design speech exchange systems
consistent with his/her views of language teaching and learning. And teachers should be
aware of their choices, and teacher-training should, as Bowers (1987) has suggested, promote
teachers' perceptions of classroom processes; otherwise, as Stubbs (1986, p. 6) has claimed,
teachers may become victims of unprincipled imitation.
THE AUTHOR
Willfred J. Grey ling is an Associate Professor in Applied Language Studies at the
University of the Orange Free State, Bloemfontein, South Africa. His main interests include
the study of discourse in contexts such as the classroom, psychotherapy, and newspaper
13
Turn-Taking
31
language. The corpuses of classroom data used in this study, as well as a longer version of
this paper, are lodged with the author, whose E-mail address is fgwg@engl.uovs.ac.za
REFERENCES
Bowers, R. (1987) Developing perceptions of the classroom: Observation and evaluation,
training and counselling. In ELT Documents 125: 138-179.
Brumfit, C.J. (1984) Communicative Methodology in Language Teaching: The roles of
accuracy and fluency. Cambridge: Cambridge University Press.
Finocchiaro, M. & C.J. Brumfit. (1983) The Functional-Notional Approach. From Theory
to Practice. Oxford: Oxford University Press.
Gribling, M., T. Koole, J. ten Thije & P. Tromp (1983) "En de leerkracht knikte Petra
glunderend toe." In H. Mazeland & J. Sturm (eds.), Onderwijs als Interactieprobleem,
2B: 50-69.
Harmer, J. (1983) The Practice of English Language Teaching. London: Longman.
Hergenhahn, B.R. (1984) An Introduction to Theories of Personality (2nd edition). New
Jersey: Prentice-Hall.
Hoey, M. (1991) Some properties of spoken discourses. In R. Bowers & C. Brumfit (eds.)
(1992), Applied Linguistics and English Language Teaching. Bristol: MacMillan.
Kelly, G.A. (1955) The Psychology of Personal Constructs. New York: W.W. Norton &
Company.
Larsen-Freeman, D. & M.H. Long (1991) An Introduction to Second Language Acquisition
Research. New York: London.
Mazeland, H. (1983) Openingssequenties van lesbeginnen. In H. Mazeland & J. Sturm
(eds.), Onderwijs als Interactieprobleem, 2B: 95-121.
McHoul, A. (1978) The organization of turns at formal talk in the classroom. In Language
in Society, 7/2: 183-213.
Mehan, H. (1985) The structure of classroom discourse. In T.A. van Dijk (ed.) (1985),
Handbook of Discourse Analysis: Discourse and Dialogue. Vol. 3: 119-131.
O'Malley, J.M. & A.U. Chamot. (1990) Learning Strategies in Second Language
Acquisition. Cambridge: Cambridge University Press.
Prabhu, N.S. (1987) Second Language Pedagogy. Oxford: Oxford University Press.
Riley (Jr.), J.H. (1987) Programming Using Turbo Pascal. Boston: PWS-KENT Publishing
Company.
Sacks, H., E.A. Schegloff, & G. Jefferson. (1974) A simplest systematics for the
organization of turn-taking in conversation. Language. 50/4: 696-735. Republished in
Schenkein (1978): 7-55.
Schenkein, J. (ed.). (1978) Studies in the Organization of Conversational Interaction. New
York: Academic Press.
Shimanoff, S.B. (1980) Communication Rules: Theory and Research. Beverley Hills: Sage.
Sinclair, J. McH. & D. Brazil. (1982) Teacher Talk. Oxford: Oxford University Press.
Sinclair, J. McH. & R.M. Coulthard. (1975) Towards an Analysis of Discourse. The English
Used by Teachers and Pupils. London: Oxford University Press.
Sinclair, J. McH. & R.M. Coulthard. (1992) Towards an Analysis of Discourse. In M.
Coulthard (ed.) (1992), Advances in Spoken Discourse Analysis. London: Routledge.
itir
32
Winfred J. Greyling
Stevick, E.W. (1980) Teaching Languages. A Way and Ways. Rowley, Massachusetts:
Newbury House.
Stubbs, M. (1976) Language, Schools and Classrooms. London: Methuen.
Stubbs, M. (1986) Educational Linguistics. Oxford: Basil Blackwell.
Van Lier, L.A.W. (1988) The Classroom and the Language Learner. London: Longman.
White, J. & P.M. Lightbown. (1984) Asking and answering in ESL classes. In The
Canadian Modern Language Review, 40/2: 228-244.
Widdowson, H.G. (1978) Teaching English as Communication. Oxford: Oxford University
Press.
15
33
Turn-Taking
APPENDIX 1: AN EXTENDED SEQUENCE OF INTERACTIONS
In this excerpt the teacher and his pupils negotiate an understanding of the term paradox.
Exchange
type
opening move
(Initiation)
Answering move
Act (Response)
eliciting Isn't there
something else? el
Did you find
anything else? el
eliciting Let me ask the
the question
this way:Oosty, nom
what does
'shimmering'
el
mean? That's
unfair, isn't
it? Be didn't
even work on
the poem and I
am asking him a
question. What
does shimmering
el
mean?
eliciting Somebody, give
me an example
of where you
have seen something shimmer? el
Act
Follow-up move
(Feedback)
Act
(dispreferred
non-response)
(dispreferred
non-response)
Sun on water.
rep Sun on water.
acc
ev
eliciting Another
example.
el
Is it like
shake?
Is it like
rep shake?
eliciting Is it like
milkshake?
el
No, vibrating.
rep Vibrating. Yes,
perhaps you
could use it
ev
that way.
eliciting But we had sun
inf
on water. Can
That kind of
you give me anshimmering that
other example?
you see in the
el
Anybody.
I'm
distance, which
driving through
is a mirage,and
(Students offer
the Karoo on a
bid which, in a
cl responses)
hot day.
Mirage ... the
way, makes you
think,you know,
mirage.
that the road
disappears into
ev
water.
BEST COPY AVAILABLE
16
34
Willfred J. Grayling
Exchange
type
Answering move
Act (Response)
Opening move
(Initiation)
when you are
having a braai
- above the
eliciting
braai.
eliciting But, hang on,
Warren. What is
she (the poet)
talking about? el
The swallows.
eliciting We have just
been discussing
inf
shimmering.
Shimmering
surely applies
to which of our
el Eyes.
senses?
eliciting So now you can
see a sound.
You switch on
the radio and
say,'Look at
that great
(Feedback)
Act
Yes, there's an
ideal example.
The heat waves
ev
rep that you get
above the fire
of a braai you can see the
heat waves
shimmering.
rep Come on.
ev
rep Eyes. Right.
acc
rep Both.
acc
inf
inf
hits'
Is the poet
going moggy or
are we?
informing Reed totally
disagrees.
Follow-up move
Act
Both
el
inf (laughter)
rep
informing Its really
tough to convince him that
poetry is -pshsomething else
and for normal
inf (laughter)
people.
rep
'
17
35
Turn-Taking
Exchange
type
Opening move
(Initiation)
Answering move
Act (Response)
eliciting Come on.what is
that shimmerel
ing sound?
What would we
el
call it?
informing Maybe you are
going to learn
a new word
there. Ever
heard of
paradox?
eliciting Somebody try
and spell it.
(Feedback)
Act
(dispreferred
non-response)
No. (Muffled
responses)
Some people
think they
might have. we
haven't used
rep the word
'before.
Para...?
el
inf
el
Follow-up move
Act
ev
el
eliciting
informing Paradox.
el
Paradox.
rep Paradox.
acc
eliciting Go, Gary.
el
P-a-r-r/
rep Uhm-hu (No)
ev
P-a-r-a-d-o-x
rep Right.
acc
eliciting
eliciting what's a para- el
dox? You gentle
-man with the
You're on the
nom (NV activity as
dictionaries,
right track;
they look up
what's a parayou are just
el the word)(mands
dox?
bid struggling to
go up). Someexpress it
nom thing oppositeYea.
there.
saying something opposite. rep
ev
eliciting well, let's see
what the dictionary says.
somebody got
it? Yeah.
Johny.
(Bell rings)
It's break
already.
el
nom A statement
which seems
absurd or selfinf contradictory,
but may be
true.
Alright.
A statement
which seems
absurd or selfcontradictory;
in other words,
rep contradicting
itself, but
which may be
true.
18
BEST COPY AVAILABLE
ev
36
Willfred J. Grey ling
Exchange
type
Opening move
(Initiation)
eliciting Now does this
seem absurd:
"shimmering
sound"?
Answering move
Act (Response)
el
Follow-up move
Act
(Feedback)
Act
rep
Yes, it does.
acc
rep
A very highpitched trill. ev
No.(solitary
bid)
eliciting Does this seem
absurd at first
sight?
el
Yes.
(Various bids)
eliciting OK. It seems
absurd, but can inf
it be true?
el
A shimmering
sound - what
kind of cry do
(Dispreferred
swallows make? el response)
eliciting Come, you
nature boys.
el
A very high
pitch.
eliciting And what is a
trill?
el
(Dispreferred
non-response)
eliciting A sound that
almost ...?
el
shakes.
eliciting And what is the
major feature
of a shimmering
image?
el
It vibrates.
rep vibrates.
A sound that
almost vibrates ev
It seems to
rep vibrate.
acc
Upon the occurrence of dispreferred or non-responses by pupils, the teacher may reinitiate and provide clues in facilitating student responses. Alternatively, the teacher may
overcome short-circuits by using an informative act. However, the teacher may embark
upon what Mehan (1985, p. 122) and White and Lightbown (1984, p. 235) refer to as an
extended sequence of interactions in negotiating common ground:
... if the response is not immediate or if it is incomplete or incorrect, the teacher
begins to work at getting it (the preferred response) through a series of repetitions
and rephrasings. What may result is an extended sequence of interactions during
which the student does not really answer the teacher's questions, but rather
together, the teacher and the student create the student's answer. This is only
possible, of course, if the teacher knows what answer he/she is creating... (White
and Lightbown, 1984, p. 235)
19
37
Turn- Taking
APPENDIX 2: ACCURACY-BASED DATA
Exchange
type
Opening move
(Initiation)
Boundary
So, firstly,
then, we are
going to look
at the Simple
Past Tense.
Informing On the board I
have four
sentences.
1
would like you
to take a look
at these
sentences.
The
first one is
*Last week I
went to Rimberley'; the second, 'In 1948
two veterans
completed the
race'; the
third, 'The men
walked all the
way to town';
and the fourth,
'The girls sang
a song'.
Eliciting Now, I would
like you to
identify the
verbs in those
sentences.
(5.2 seconds
wait-time)
Yes.
Eliciting In the second?
(4.2 seconds
wait-time)
Yes.
Follow-up move
Act
(Feedback)
Act
m
ma
inf
dir
inf
inf
inf
inf
m
el
'Went' in the
nom first one.
In the first
one, the verb
rep is 'went'.
acc
rep 'Completed'
acc
rep
acc
el
nom
Eliciting In the third?
(2.33 seconds
wait-time)
Yes.
Answering move
Act (Response)
'Completed'
el
nom 'Walked'
BEST COPY AVAILABLE
20
'Walked'
38
Winfred J. Grey ling
Exchange
type
opening move
(Initiation)
Eliciting And in the
fourth?
Eliciting I would like
you to take a
look at these
verbs ... so
these are the
verbs. (NV T
points at the
verbs). Would
you agree that
these are past
tense verbs?
verbs).
Answering move
Act (Response)
Act
(Feedback)
Act
el
rep sang. Fine.
acc
Sang.
Follow-up move
dir
inf
el
nom Yes.
Eliciting Why? Is there a el
clue in the
first sentence
to suggest that
'Last week'
a past tense
verb should be
used?
(3.2 sec el
wait-time). Yes nom
rep Yes.
The words 'last
week' suggest
to us that we
rep should expect
the past tense
to be used.
acc
Note:
The single-turn IRF exchange is the predominant pattern in this
lesson. For this reason, only turns 1 to 14 are quoted.
21
39
Turn-Taking
APPENDIX 3:
FLUENCY-BASED DATA - DESIGNING A SPEECH EXCHANGE SYSTEM
Exchange
type
Opening move
(Initiation)
Answering move
Act (Response)
TURN 1
ML_
la
TURNS 2 TO 87
Follow-up move
Act
(Feedback)
Act
TURN 88
Turn-by-turn transcription
Teacher initiation
Boundary in discourse
Opening moves
1
T:
Right
Class, today we are going to do uhm we're going to have a story-telling
session, and we are going to use cards in the story-telling session. So what I
expect you to do is I would like you to work in groups or in pairs uhm and
then you have to do the following. I'm going to give you some cards (NV
Teacher takes out several picture cards from the middle of the pack). I'll take
them out over here and I'm going to put them down like this (NV Teacher
packs cards on table with pictures facing down)... in other words, the actual
picture is going to be is going to have to face down. Now, I don't know what
this picture is. So what you do is, you pick up the first picture, and you tell a
story based on this on the picture and student 1 will then begin the story and
will a tell a story focusing on this particular picture. The picture here is of a
young lady in jeans, long hair ... and now I'm student 1 ... 'It's a little thing
that happened the other day. When I got up at about six o' clock in the
morning, I had to go outside because I noticed that someone was sitting on the
lawn. I went to her, took a good look at her, and I knew that something was
amiss. She wouldn't say a word. I walked around her, once, and then I noticed
... I noticed that on her left ear there was some kind of redness. (Laughter
from students) And I knew that something was wrong.' Now, learner 2 has to
extend the story, and has to link it to the next picture. And this is a picture ...
well, it's a picture of a painting. 'And I should've known that she was an artist
(Laughter from students) because the redness on the ear was paint... and I
knew that there was I had to do something for her (laughter) because the
redness on the ear distracted passers-by and there was a car crash...my
neighbour took a look at this ear and he was so perplexed that he crashed into
the concrete wall uhm alongside his driveway.' And now student 3 has to
continue with the story, and has to link the story has to extend the story and
link it to the next picture. 'But, of course, the women in the street were not
pleased about her presence ...' Okay, you've got the idea? (Muffled yes
responses). In other words, what I want you to do is in your groups and in
your pairs I would like you to take a pack of cards, and I would like you to tell
22
Winfred J. Grey ling
40
a story along these lines, and I'll come and listen to you and uhm I will
probably ask some of you to respond right at the end. (NV Teacher hands out
cards). Once you've got your cards you may start.
Learner response to the teacher initiation
11
Si: Kan ek maar uitdeel? (NV student hands out cards).
S2: Moenie kroek nie.
S3: Moet een maar begin en dan goon ons aan en aan.
S2: Goed, begin.
Si: Maar onthou jy mag the na die kaartjie kyk nie.
S2: I suppose we have to speak English.
Si: I think so too.
S2: OK, maybe you should start.
S3: Aren't we supposed to put them all down on the table?
S2: Are we supposed to look at them only when we start the next turn?
12
13
14
S2: Heidi, will you start?
Si: Uh (NV she looks at a picture of a woman with long hair). This is the woman
2
3
4
5
6
7
8
9
10
T:
Yes.
with the longest hair in the world, and she decided that uhm she decided that
she was a little girl that she was never going to cut her hair but at this stage her
hair got so long that it was hanging on the ground and she cannot get her hair
to be combed out, so she cannot look anybody in the eye she walks straight up
with her nose in the air all the time/
15 S2: (NV picks up next picture) And this poor women, because she cannot turn her
head or let it come down forward, she cannot look in the mirror. And once she
won a whole batch of make-up a whole kit because she entered a competition
for beautiful hair, but now she won all this make-up and she can't use it
because she can't bring her head down to see her nails to put on cutex or look
in the mirror to put on eye-shadow or lipstick... so I think it is quite tragic
about this woman/
16 S3: (NV picks up next card: picture of a frog). This woman actually wanted to be
and actress and she portrayed the role of Rapunzel. Do you know that story
about the woman with the very long hair? But unfortunately, when she acted in
this play, because she couldn't wear any make-up and she couldn't look her
lover in the eye, he couldn't fall in love with her.
17 Ss: (Laughter)
18 S3: And because he couldn't fall in love with her, she couldn't kiss him, so the
frog couldn't turn into a prince. And so the love story turned into a tragedy and
the poor woman is very very depressed, and now she lives all alone in this
house. And then these two people they look after her and uhm this little car
come past every day and it takes her for a drive and then she looks for that
lover of her because she is looking for her to kiss him but she can't kiss him
because she can't look down.
19 Ss: (laughter)
20 51: She's really got a problem.
21 S3: Yes, she is. Yeah, she's looking for her lover, her friend. She's alone/
23
Turn-Taking
22
23
24
S2: Yeah (NV picks up the next card) Uh/
25
Ss: (laughter)
S2: to turn one into a prince, she ended up on a bench, and she decided/
26
27
28
41
Si: She's found him.
S2: Ohhh and the woman as she was driving in that little car you mentioned,
running around kissing frogs/
S3: On the beach?
S2: Uh yes, on the beach, and it was a lovely sunset, clouds of pink, and she
decided that is going to go for a walk, and uhm there she was right into the
water/
29
30
S3: Shame/
Si: (NV picks up the next card) And because she has such long hair, she didn't
drown, she actually floated on top of the water/
31
Ss:
32
Si: Like a coconut, you know that is the reason why coconuts can float on the
water because it has got a hairy surface!
S3: Oh like hair?
33
34
35
Ss:
(laughter)
(Laughter)
Si: And that is why they the coconuts land on islands and they can grow into
coconut trees, so this poor woman uhm floating on the sea actually landed up in
Greece/
36
37
38
S2: Ohh/
where she met an old man who had a donkey and on the donkey there was
baskets tied with rope and this baskets he carried flowers and fruit and wine
and everything that he should take to the village to sell to the people, and
actually this woman starting up in London with her long hair ended up in
Greece/
S3: (NV picks up the next card) Ohh and then when she was in Greece then she
met this adorable man he was hiding in the middle basket on the donkey/
S 1:
(laughter)
39
40
41
42
Ss:
43
44
Ss:
45
S 1:
46
S3: a gondola, yes they were riding on that, and then she was about to meet the
phantom of the opera/
Ss: (laughter, and an unintelligible comment)
S2: (NV picks up next picture). As she met the phantom he decided to show her a
movie, but unfortunately this is a very very horrible phantom, this is not the
real actually nice phantom of the opera, she met the wrong phantom, and uh he
showed her movies her movies in his chambers down below the opera house,
and he showed her a movie/
47
48
S3: but he was actually a genie, at least we think he was a genie/
Ss:
(laughter)
S3: and then he had this magic potion, and then he kissed her, she didn't have to
kiss him, and then her hair got all curly and lovely and wonderful/
(laughter)
S3: And when her hair was all curly and wonderful and lovely, she went to Venice,
and there in Venice, they were riding on those little boats ... do you know
what you call them?/
Gondola/
24
Wilfred J. Grey ling
42
49
50
51
52
53
54
Si: (NV picks up next picture) of a mudslide/
S2: of a mudslide (unintelligible) and this woman decided that she cannot stand this
any longer and that she has to go home because faint faint feeling that
something is going to happen/
Si: (NV picks up next card) And because she wanted to escape from this phantom,
she ran out of his chambers and she just ran down the street, and then suddenly
she found herself in the circus, and in this circus she saw something that she
has never seen in her life, something from England and landing up in Greece
and Venice, she has never in her life seen an elephant/
Ss:
Ohhh/
Si: and she was so excited about this elephant and all the things that it could do
that she decided that she was going to look for the elephant in wild-life, and
then she heard that the elephant lived in Africa, and she decided that she was
going to Africa/
S3: (NV picks up the next card) To get to Africa she got onto this big boat with the
army boys, and with her curly hair she began to sing like Lily Marlene/
(laughter)
55
Ss:
56
S3: and she became very famous and very popular and on this army boat she met
this Arabian sheikh/
57
58
Ss: uhm/
S3: yeah, she met him and as they got to Africa this man was there and then he
59
60
61
62
63
64
65
Ss: oeh/
seduced her/
S3: he seduced her/
S2: Good grief man/
Ss: (laughter)
S2: Was he in the army?
Ss: (laughter)
S2: (NV picks up the next card) Like you said she was on the army ship and the
sheikh's (unintelligible) so one of the sailors was actually in love with her as
well, and once he heard about the seduction he jumped into this thing I don't
know what you call it/
Ss: A tank/
S2: No/
68 Ss: A tank/
69 S2: A tank, yes/
66
67
(laughter) and he decided to go to her rescue to rescue her/
70
Ss:
71
Ss: Wow/
72
SI: (NV picks up the next card) Ohh ... that night as they were sleeping he crawled
into her chambers and he grabbed her and then they eloped on bicycles/
73
74
Ss:
75
S3: (NV picks up the next card) And that unknown destination wasn't so unknown,
they rode all the way to the Lost City in South Africa/
76
77
Ss: (laughter)
S 1:
(laughter)
and no one knew where they were because they got onto bicycles and they rode
off into the sunset to an unknown destination/
S3: and there in the Lost City he was so romantic he leaves her a diamond ring her
BEST COPY AVAILABLE
5
Turn-Taking
78
79
80
81
82
83
84
85
86
87
43
engagement ring he leaves it between all the money and stuff, and then they
were playing this game and just as she was about to throw the dice she picked
up this dice and then when she opened her purse diamond ring!
S2: (NV picks up the next card) But unfortunately the excitement/
Ss: (raucous laughter)
S2: became too much for her lover and he got tied down in a strait-jacket ... he got
totally totally mad because her perm went out and he saw how long her hair
actually is/
Ss: (laughter)
S2: and he just couldn't take it and he went totally mad and they had to drag him
away by his feet in a strait-jacket
Si: (NV picks up the next card) That caused the poor woman to also go out of her
mind because she was seduced and abducted and everything that happened to
her, she went into a frenzy and she actually caused/
S2: a whirlwind/
Si: oh yes and now uh/
S3: a cyclone/ a cyclone
SI: to come onto the people who did her so much wrong and she wanted to get
them back, and she had this magic power that she didn't even know about and
nobody knew, and when she was all (unintelligible), the cyclone came over the
people/
Teacher content feedback.
Evaluate and comment
88 T: OK, let's stop it there.
Right ladies and gentleman, your attention please... your attention please, you
have now ... that was good uhm I think it is difficult to bridge the gaps in
between let's say what one person has said and what you want to say; in other
words, there is a gap and you have to bridge the gap, you have to extend the
story, you have to link it to the next uhm picture. In other words, you actually
created a coherent story and of course while you sat there you nodded there
was laughter there were on-line signals indicating that a message was being
conveyed and not only conveyed you actually decoded the message.
Now I want to go into the next phase of this session....
26
Wilfred J. Grey ling
44
APPENDIX 4:
THE TEACHER AS CO-COMMUNICATOR
OR FACILITATOR OF COMMUNICATION
In the next excerpt it is shown that the teacher initiation is followed by studentteacher interaction in which the teacher suspends the feedback move, and communicates
as if he is a student:
Initiative-maximising teacher initiation
Opening move
Teacher selects a configuration of learners
Teacher: Right, this morning we're going to work in pairs again. I'm going to give you
three statements, and in pairs you have to state whether you agree or disagree
with them. You also have to give reasons for your point of view. Here are the
three statements. The first one is, "I think all medical treatment should be
free"; the second one is, "It seems to me that the country is going to the
dogs..." and the third one, "Young people today have too much freedom and
too much money." (T repeats the statements.) Once you have discussed the
statements, write out a paragraph on each, in which you express your point of
view.
Multiple-utterance learner-teacher exchanges functioning as a response
SEQUENCE 1 (Student-teacher interaction in which the student dominates, the teacher
suspends form feedback moves, and contributes towards the discourse through
encouragers and two relevant next turns in turns 15 and 17. In turn 19 the teacher reverts
to the authority role.)
2
T:
3
S12:
Right
May I interrupt? I would like you to tell me ...uhm... whether you agree
or disagree with the first statement.
Uhm ... in some way I do disagree 'cause I think underprivileged people
that ... like pensioners and things like that, should get medical treatment
free. I take our laboratory, for instance, ...uhm... the doctors there get
their treatment free, but the pensioners and things like that, they have to
pay for it. I don't think that's fair. The doctors can afford to pay/
4
5
T:
S12:
7
T:
S12:
8
T:
6
Uhm-hu.
R100 for a test, but the pensioners who get a R100 a month, they must
pay. I don't think that's fair/
Uhm-hu.
and medicine too, it's extremely expensive to give antibiotics and things
like that and I think it's unfair that underprivileged people should pay that
much/
Uhm-hu.
27
Turn-Taking
9
10
11
12
13
14
15
16
17
18
19
S12:
T:
S12:
T:
T+S:
S12:
T:
S12:
T:
T+S:
T:
but medical schemes do/
Yes. Do they pay out?
Yeah, they do pay out.
Uhm-hu. Yes. Fortunately.
(laughter)
Fortunately.
I tell you if I didn't have a medical aid I would have had financial
problems long ago.
Yes, you see.
I would have had cash flow problems.
(laughter)
Okay, you have to put those ideas into written form now, I have to listen
to the others too.
(After several interviews, the teacher goes onto the next phase of the lesson.)
Feedback and re-initiation
Teacher: Right, class. I listened to all the pairs, and you expressed very interesting
ideas. Let us list some of the ideas you mentioned, before I give you the
writing task.
28
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