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5<br />

THE<br />

STUDENT'S MANUAL<br />

I<br />

1\<br />

\.<br />

I<br />

I<br />

• ,_


Lo~mos<br />

l'nIXTED IlY SPOTTISWOODE Ar-."D co,<br />

:t.""E\V·STREET SQUARE:


THE<br />

STU·DENT'S MANUAL<br />

DUNG<br />

AN. ETYMOLOGICAL AND EXPLANATORY<br />

VOCABULARY<br />

ill'<br />

WORDS DElUVED FROM THE GREEK<br />

BY<br />

R. HARRISON BLACK, LL.D.<br />

CI So many of our most expressive words arc derived Crom tho<br />

Greek, that without some Imo\Vlcdge of that language, or at least<br />

of the compounds adopted from it, we lose aU the beauties and<br />

ingenuity of our terms of art or science; which, for want of the<br />

interesting associations which a knowledge of their origin would<br />

create, appear to us a mere jumble of letters tlllmcaningly put to.<br />

gether, and of arbitrary sounds."<br />

NEW<br />

EDITION<br />

J,ONGMA.N,<br />

LONDON<br />

GREEN,· LONGMA.N,' AND ROBERTS<br />

1861


,<br />

- ~I, ~ 1<br />

..<br />

, ,


PREFACE<br />

TO<br />

THE FOURTH EDITION.<br />

IN the preceding editions of this little book,<br />

the words were not given in the Greek characters,<br />

because it was intended for the use<br />

of young persons, particularly' ladies, who<br />

were not likely to pursue the study of that<br />

language; and who, when writing to a Mathe..<br />

matical Instrument Maker for a Telescope or<br />

Microscope, would not require to write 'rEAE­<br />

,n~Cl.l'7I'E or1""1f...E-o-KQ7rE:Cl.', l\r')'~J(J(]'x.C,Jn£ or IVIntS'0~-ery.OT.'ElrJ,<br />

but the plain English letters. The Author<br />

has, however, since been honoured by communications<br />

from several gentlemen engaged<br />

in teaching the Greek language, suggesting<br />

that if the Greek characters were added, the<br />

book-might be advantageously employed as an<br />

introduction to the knowledge of the Greek<br />

A 3


vi<br />

PREFACE.<br />

language.- Although this was a use not ori~<br />

ginally contempiated by the Author, still he<br />

feels very happy in complying with the suggestion.<br />

He returns his sincere thanks to<br />

those correspondents, and is IlighlJ gratified _<br />

that the book has been thought worthy or<br />

being so applied.


·EXTRACTS<br />

FROil!<br />

THE PREFACES TO THE PRECEDING<br />

EDITIONS.<br />

THE following little volume was originally<br />

compiled for the use of a young female<br />

.relative, and is now published with the hope<br />

of being gemirally useful; more especially to<br />

young ladies, whose mode of education precludes<br />

them from an acquaintance with Greek,<br />

and consequently, to whom the etymological<br />

knowledge in Johnson's Dictionary is inaccessible,<br />

- that is, so illr as it relates to the<br />

Greek language, whence our own has derived<br />

almost all its scientific words: the English<br />

letters have therefore been employed instead<br />

of the Greek characters. The thought of<br />

arranging the words !mder distinct heads, as<br />

well as putting them into alphabetical order,<br />

originated from perusing the observations<br />

which Locke makes on the association of


viii EXTRACTS :;"ROM THE PREFACES<br />

ideas, and from having frequently remarked<br />

that terms of science are much more readily<br />

retained in the memory when so arranged,<br />

than when they are arranged simply in an<br />

alphabetiCal order. vVhen several words are<br />

deri:,ed from the same root, such as mathe-'<br />

matics, sub., mathematical, ael):, mathematically,<br />

adv., mathematician, s;tb., generally,<br />

only one of them is inserted, and the readers<br />

are left either to form the rest themselves,<br />

or to consult their dictionary, to which this<br />

vocabulary is simply an appendage. Many<br />

words, inserted in this book, arc not of classical<br />

authority, though so frequently employed by<br />

modern writers as to have found their way<br />

into several of our dictionaries. It is to be<br />

observed, that names and titles of bool,s,<br />

engines, instruments, &c., are arbitrary, and<br />

the authors and inventors make no scruple of<br />

coining new words when there are no old ones<br />

which they consider p()rfectly expressive.*<br />

'$ The words l1. Paneurnatlda" and " Paitlopldlean"<br />

will serve as examples.<br />

" PANEUMATIlI.\. or a New l\Ietho,1 of Knowledge,<br />

capable of universal application in Literature and the<br />

Sciences." - The term Pan-eu-mathia is formed of


TO THE PItECEDING EDITlOI'S. ix<br />

The Author has to acknowledge the receipt<br />

of a communication in which the writer<br />

" observes, " that deriving the English word<br />

, enthusiasm' tj'om 8EG" God, ~yjll very much<br />

limit the sense of the word, and in some degree<br />

oppose the rules of orthography. An<br />

enthusiast is not only a zealot in reHgion,<br />

but- he may be 0l1e in love, ambition, glory,<br />

honour, or study, about whatever scheme his<br />

ardent mind is employed, whatever business<br />

or mode of life he pursues, in war, or peace,<br />

in virtue or vice. Deriving it from 8""<br />

naturally confines the sense of the 1vord to<br />

religion alone; hut if we derive it from 'Ju.',<br />

(el'veo, it will bear all the senses I have above<br />

pointed out, and it will also remedy the perverseness<br />

of the sentence."<br />

If further consideration be given to the<br />

subject, the writer 0,£ the above remark will<br />

find that many words deviate considerably<br />

pan, " all, universal," eu," good," and mathia, "know..<br />

ledge."<br />

"PAIDO·PHILEAN System of Education, or a System<br />

which is the friend qf children," For" notice 01' a<br />

work under this title, see page 112.


X EXTRACTS FROM THE PREFACES, ETC.<br />

from the original orthography, and lJa\'c<br />

greatly extended their primitive signification;<br />

in consequence .of his observation, however,<br />

the word has been more amply illustrated in<br />

this edition.


PRELIMINARY REMARKS.<br />

To Instructors who employ this little Work in<br />

Tuition, the Author would suggcst that it be occa­<br />

~ionally used in the following manncr:-<br />

Let the Pupil be directed to seek for the words<br />

Tele-scope and Geo-graphy,<br />

Philo-sopher and lUis-anthropy,<br />

Ortho-dox and Calli-graphy,<br />

Chrono-meter and l\iytho-logy;<br />

and then be required to give, without seeking<br />

furthcr into the Vocabulary, the Etymology of<br />

Telc-graph-Phil-anthropy- Ortho-graphy - and<br />

Chrono-logy.<br />

Thc Greek alphabet has no lettcr It, and ccrtain<br />

vowels, instcad of being prcceded by that lettcr, are<br />

mm-ked by an aspirate or rough breathing; but, in<br />

the present case, for the sake of pcrspicuity, thc<br />

lettcr It is substituted for the aspirate. In Grcck,<br />

the letter g is pronounced like an n, when it precedes<br />

g, k, or c, as Aggelos, an Angel, is pronounccd<br />

as if written Angelos, and for this reason<br />

a 3


xvi<br />

PRELIMINARY<br />

1L is placed over the g, when it is to be so pronounced.<br />

It is also to be observed, that the English letter<br />

y is here used for the Greek letter v (upsilon).<br />

THERE are a number of words frequently used in tile'<br />

Englisb language, which by some are said to be derived<br />

solely from the Arabic, and by others to be compounded<br />

partly from the Arabic ~nd partly from tlie Greek;<br />

these the Author has judged right here to class together:<br />

for the et)'mology of most of which he is indebted to<br />

Dr. J. BORTHWICK Gn,CHRlsT.<br />

AL, EL, or UL, as an Arabic noun, denotes" God, heaven,<br />

divine;n as an Arabic particle, it-is prefixed to words<br />

to give them a more emphatic signification, signifying<br />

much the same as our particle tile, as in AlcoranJ<br />

"The Koran:" and in the Arabic Astronomy we<br />

have Al Thllraiya, "The Pleiades."<br />

Alcahest, or alkahest, perhaps from ul, "the," and<br />

qusd, "project," or q'llssut, " a plaster," qissut, "an<br />

affair ;" also kalzislz, or kast, "diminution, alloy. n A<br />

liquor ,vhich has the power of resolving all things into<br />

their first principles. 'Vith the secret 01 preparing<br />

this extraordinary liquor Van Helmont" professed<br />

j'<br />

,. Helmont was born at Brussels in 1577. He acquired<br />

such skill in natural philosophy, that he was<br />

accounted a magi


OBSERVATIONS,<br />

xvii<br />

himself to be acquainted, and solemnly affirmed he<br />

once had some of it in his possession. That these<br />

pretcnsions should gain credit, when it is so evident<br />

that no such liquor could cxist, may appear wonderful<br />

(for no yessel can contain that which is capable<br />

of dissolving all things); but when we reflect on the<br />

cxtreme ignorance of thc agc, with respect to physical<br />

science, and on the extensive utility of such an al.<br />

kahest, if attainable; and when we also reflect that<br />

" what men wish they easily believe," we shall be less<br />

surprised at the avidity with which this, and other<br />

equally absurd notions, such, for example, as the<br />

" Philosopher's Stone·," were propagatedandreceived.<br />

• The Philosopher's Stonc, During a long series of<br />

ycnrs a subst:mce was eagerly sought for, which was to<br />

convert lead, mcrcury, and other metals, into gold, and<br />

which unknown substance was termed the Philosopher's<br />

Stone, King Henry VI. gmnted letters patent to certain<br />

per~ons, who undertook to find the Philosopher's Stone,<br />

and these letters were to free them from the penalties of<br />

n former statute made against attempts of n like nature.<br />

It app('nrs that mnny of those persons, who made the<br />

Philosopher's Stone an object of their search, wcre well<br />

skilled in sleight of hand, and hence often performed<br />

tricks which coul,r not fail to impose upon the great<br />

bod)' of those who witnessed them; and in this way<br />

must lIcnr)· Vr., and other so\'ereigns who granted si ..<br />

nlilar protections, have been imposed on. In the present<br />

dal' it would be a waste of time to enter into an)' minute<br />

detcction ofsuch impositions or absurd pretensions. "'e<br />

now know with tolcmble decisiveness that ever)' distinct<br />

metal is a simple subslnnce, as differcnt from eveT)' other<br />

metal as fire is from frost, ond Ihal a cT)'slal nla)' as soon


1'1·<br />

j<br />

xviii<br />

PRELIMINARY<br />

Alchymy: This word is compounded, acconting to<br />

some writers, of the Arabic particle 'ttl, " the," nnel the<br />

word keemiyu, or seemi!Ju, " chemistr)' ;" or otherwise,<br />

as some authors imagine, from the Greek verb elmo,<br />

" I melt." The objects of Alchymy were two-fold:<br />

1. The art of making gold from any other metal, including<br />

the search after the" Philosopher's Stone,n<br />

which was to effect this transmutation; nnd, 2. The<br />

discovery of a panacea or mcdicine for the cure of a1l<br />

diseases to which the human body. is liable. 'This<br />

study was pursued for many centuries, notwithstand.<br />

ing the failurcs, the disappointments, and the losses,<br />

which those who gavc way to it sustaincd. ,Tllis<br />

delusion scems to havc commenced about the fourth<br />

ccntury, appears to have .reached its greatest height<br />

about the eleventh or twelfth, and to have prevailed<br />

with unabated energy till the sixteenth.<br />

Some of the Alchymists in Germany, who had the<br />

unfortunate reputation ofpossessing the Philosopher's.<br />

Stone, were imprisoned, and furnished with apparatlls<br />

be converted into a seed, as lead .into mercury,· or mercury<br />

into gold. Dr. Lmvis, speaking of Commerce, says,<br />

" This is the true Philosopher's Stone, so much sought<br />

after in former times, the discovery of which has beenreserved<br />

for genius, when studying to improve the<br />

mechanic arts. Hence, a pound of raw materials is converted<br />

into stuffs of fifty times its original value; and the<br />

metals too nre not converted into gold - they are more;<br />

for the labour of man has been able to work the baser<br />

metal, by the ing'enuity of art, so as to become worth<br />

more than manY,times its weight in gold."


OBSERVATIONS.<br />

xix<br />

.~. ;<br />

I I·<br />

till they should have purchased their liberty by producing<br />

a certain quantity of Gold; but ~ot an ounce<br />

was ever produced by this method. Though the pursuits<br />

of A1chym)' were the most preposterous that can<br />

be conceived, yet th~ ardour with which they were<br />

followed, and the amazing number of experiments that<br />

were made in consequence, contributed to the discovery<br />

of many facts to which chymbtry, even at this<br />

day, is highly indebted; and thus the activity of error<br />

was eventually favourable to the cause of truth.<br />

Alcohol, from ai, "the," and koohi, "a substance ap_<br />

plied to the eye, or adjoining parts." Koohl is a general<br />

term. The substance used as a paint for the<br />

eyebrows is principally composed of a metal termed<br />

Antimony, reduced to a most subtle powder, and is<br />

called simply al koohl, "that is " tile cohol." From<br />

this powder the name was trausferred to other impalpable<br />

powders, and afterwards to ardent spirit, or as<br />

it is commonly called, highly rectified spirits of wine.<br />

'Dr. Shaw, speaking,of the ,~omen in Barbary, says,<br />

" None of them cOllsider themselves dressed till they<br />

have tinged the edges of their eyelids with a1 coho1."<br />

Lady lIfontagu takes notiee of the eustom among the<br />

eastern women, and, in her sprightly manner, supposes<br />

our English ladies would be ove,joyed to know<br />

the seeret.<br />

A1coran, ttlqooran, from the particle ttl, "the," and the<br />

sub:luntive cO"'an, which is derived from the verb earaa,


xx<br />

PRELIMINARY<br />

or kaJ"{ta, " I read." Thus it lneans the reading, or<br />

rather that which ought to be read. l\fahomet gave<br />

his book this title in imitation of the Christians, who<br />

call their selection of sacred writings the Bible. Sec<br />

,}<br />

BIBLE.<br />

Alembic, from the Arabic particle ttl, "the," .and<br />

ttmbeeq, corrupted from the Greek word alllbix, "a<br />

kind of cup." A chemical vessel used for distilling.<br />

Algebra, from 11l, "the," jubr, " force, consolidation,"<br />

whence ttljubr'll, our word.<br />

Algebra is the term applied to a geneml metho,] of<br />

computation; wherein certain symbols and letters arc.<br />

made usc of to represent numbers or any other qnantities.<br />

Numbers were originally expressed by their<br />

names at full length ; afterwards, these were abridged,<br />

and the initials of the words used instead of them.<br />

Alkali, from ai, "the," and "ali, "the name of a<br />

plant." The word was first applied to a salt obtaine,l<br />

from the ashes of burnt "ali, and is now.a general<br />

term for an order of salts of great use and importance<br />

in chymistry.<br />

Almanaek. Some derive the word from the Arabic<br />

particle, ai, "the," and the Greek word men, "a<br />

month;" others from the two Arabic words, ai, and<br />

11lanQch, "the diary or journal."<br />

Carat, is a bean, the fruit of an Abyssinian tree, called<br />

Kuara. This bean, from the time of its being<br />

gathered, varies very little in its weight, and seems to


OBSERVATIONS.<br />

xxi<br />

have been, in the earliest ages, a weight for gold in<br />

Africa. In India it is med as aweight for diamonds.<br />

The Arabic words arc 'l0orl, 'liral, 'lirml, converted<br />

by Europeans to " carat."<br />

-"<br />

I<br />

'I i


THE<br />

STUDENT'S<br />

MANUAL.<br />

PART 1.<br />

WORDS DERIVED FROM THE GREEK,<br />

ARRANGED UNDER. DISTINCT HEADS.<br />

" ,," The words placed at the head of each class, are<br />

i intended to show the termination of the words which are<br />

,I arranged under them: for example _ Ert-S-oDE is compounded<br />

of epi, upon, and ode. [The letter s being<br />

added for the sake of euphony.] MON-OllY, of monos,<br />

single, and ode. PALIN-ODE, of palin, again, and ode ..<br />

and so on with the rest. The repetition was omitted<br />

.,,' from a double motive; to confine the work within a<br />

small compass, and to accustom those who read it to<br />

aluilyse compound words.,<br />

", A:!;:IDO, AEl8." I sing. - ODE, 08'i, a song, or<br />

poem, intended to be recited or sung.<br />

'I CO't-EDY, «OJP:1/, kume, a village. A dramatic repre.<br />

sentation of the foibles of mankind, intended to make<br />

vice and folly ridiculous. Comedies were originally<br />

represente


A E I<br />

was c311ed ep-ode concluder! the song, so the name<br />

was afterwards applied to a short "erse, whic11, being<br />

placed after a long one, concludes the period, and<br />

finishes the sense which is suspended in the former<br />

verse. - Epi-s-odc; A digression in a poem, separable<br />

from the main design, yet rising naturally<br />

out of it.<br />

Mon-ody, ~ovos, m~nos, single. A poem in which one<br />

person only is introduced as speaking.<br />

Mel-ody, s; from f


A E I<br />

from the Latin word stare, to rest; because every stana'<br />

ought to form a complete sense.] Sec also STROPIIE.<br />

P(\lin~ode, 7t"ai\JV, palin, again. Change in " contrary<br />

direction. A declaration of a change of opinion, a<br />

recantation.<br />

Parcody, "'apa, para, like. A kind of writing, in which<br />

the words of an author, or his thoughts, are taken,<br />

and by a slight change adapted to somc new purpose<br />

Pros-ody «', from 7rPOi, prus, togctl~r with, and ode, that<br />

is, a song sung in concert with SOlnc musical in..<br />

3<br />

* " Prosody is a term applied to that modulation produced<br />

by the mixture of long and short syllables in a<br />

verse; which wc call thcir quantity, although "'poO"'I'o'a<br />

signifies the accent of syllables. For the proper modulation<br />

of speech, it is necessary that onc syllable in every<br />

word should be distinguished by a tone, or an elevation<br />

of the .voice. This elevation docs not lengthen the time<br />

of that syllable, so that accent and qllantity are considered<br />

by the best critics as perfcctly distinct, but by no means<br />

inconsistent with each other. _ In our language, the<br />

distinction between accent and quantity is obvious; the<br />

accent falls on the antepenultimate equally in the words<br />

liberty and library, yet in the former the tone only<br />

is elevated;- in the latter, the syllable is also lengthened.<br />

The same difference will appear in baron and bacon, in<br />

tevel and lever, in Reading, the name of the place in<br />

which these observations are written, and the participle<br />

reading." Valpy's Greek Grammar. [Penultimate, from<br />

the Latin words, pene, almost, and ultimus, the last, is<br />

a term applied to the last syllable bllt one in a word,<br />

and alltepenultimate (ante, before) signifies the last<br />

'syllable bllt two.]<br />

An ingenious author distinguishes accent from quantity<br />

thus: "The beats of a drum," he says, "may_represent<br />

quantity, which, because of the monotony in that<br />

instrument, admit only the changes of long and short.<br />

B 2


=---~~~.-.------_.<br />

ALG<br />

struments. In an enlarged sense it implies alI that<br />

can affect articulated harmony in verse or prose: it<br />

is common, therefore, to include under this term,<br />

accent, emphasis, quantity, pause, tone, and the laws<br />

of versification.<br />

Psalm-ody, !/Ja?"fLos, psalm';)s, a psalin. The- art or<br />

practice of singing psalm,s. 0<br />

lthaps-ody, is used to denote '_' an incoherent jumble o-f<br />

ideas;" it originally meant any number of parts joined<br />

together without necessary dependence on natural<br />

connection, from pa:rr-I'''', rhapto, I sew, or joiJ.1 to":<br />

gether. - Rhapsodist was a name-given- by the Greeks<br />

to persons who sung or recited, in public, detached<br />

parts of the poems of Homer, or other poets. They<br />

performed on the theatres; and sometimes strove for<br />

prizes, in contests of poetry, or of singing.<br />

AGO, AYI


ARC .5<br />

Cephal-algia, ItEep"7\'1, klJphalii, the head, the head-ache.<br />

. Cephalic, is a term given to a pal1ieular kind of snuff<br />

for the cure of the head-ache.<br />

Odont-algia, OOOVTOS-, owntos, gen. of ODOUS, OcWllS, a<br />

tooth. The tooth.ache.<br />

Ot-algi~,. OOTor, utos, gen. of ous, OtiS, car. The car-ache.<br />

ANTHROPOS, AvOp"''''o"<br />

ANTHRorO-rllAGr, ep,,:yw, phago, I cat.<br />

men-eaters.<br />

l\Iis-anthropy, p,(l'EW, miseo, I hate.<br />

a man.<br />

Cannibals or<br />

Hatred of mankind.<br />

Phil-anthropy, o/'7\EW, philifii, I love. Love of mankind.<br />

The-anthropos, ~EOS, th'f6s, God. A title of our Saviour<br />

being God and man.<br />

ARCHE, Apy"'1' government.-ARCHOS,ApY..o"<br />

a chief.<br />

A-N-ARC,llV, a" a, not, without.<br />

Chili-arch, X,7\IOI, clliWJi, 1000.<br />

men.<br />

'Want of government,<br />

A commander of 1000<br />

Gene-arch, 'YfVECC, g~nl!a, a generation. A chief of a<br />

tribe or family.<br />

Hept-archy, «hrTa, h..'iJpta, seven.<br />

seven chiefs.<br />

A government under<br />

Hier-archy, [epas, ll-ieros, holy. An ecclesiastical government.<br />

IVlon..archy, p.ovos, mon'6s, one. A government under<br />

one chief. .Anti-mon.arehieal; against government<br />

by a single person.<br />

Myri-areh, pvplas, mltrias, 10,000. A commamler of<br />

10,000 men.<br />

Olig..archy, OAlj'OS, oligils, few. Thatform of govcrll­<br />

D 3<br />

I<br />

'\ I I 1<br />

'~<br />

j<br />

~.'


6 BIO'<br />

ment in which the supreme power is' pl~~ed in the<br />

hands of a few.<br />

I'atri-arch, "'''T7)p, patiir, a father.<br />

or tr;be.<br />

The ruler of a family<br />

Tetr-arch, TfT'pets, t'Etras, .. four. A Roman governor<br />

oycr four provinces.<br />

BAPTIZO, Bet"'T'S"" or BAPTO, net....,.."<br />

I dip.<br />

ANA-BAPTIST, ava, ana, again. One wlIo baptizes a<br />

second time.<br />

Baptism.' A rite or ceremony by which persons are<br />

initiated into the profession of the Christian ReIigi-on.<br />

Sec l.£att. xxviii. 19. "The washing with water, or<br />

dipping into the water, was probably intended to re.<br />

present the washing away or renouncing the impuritic:i<br />

of some former state, vito the sins that had been com.<br />

mitted, and the vicious habits that had been contractco.<br />

n<br />

I'",do-baptism, Pedo-baptism, ",,,,oos, p"icMs, gen. of<br />

...,,'s, pais, (v. Pedagogue) a child. Infallt baptism.<br />

BIOS, BIOI", lift.<br />

A"rltI-mous, "I"IJI, amplli, both, double. A term appliod<br />

to animals that live in two elements, air and<br />

water.<br />

Dio-grapher, 7P"¢"', grapl,o, I write. One who relates<br />

the actions of particular persons.<br />

Bio-Iogy, s. See LOGOS, p. 13. The science of life, i. c.<br />

" the acth'c state of the animal structure."<br />

Ceno-bite, «OlVOS, k'Uini)s, commOn. ~ A name given to<br />

monks who live i~l common societJ".<br />

Lychno-bite, AVXVOS, luclm~s, a candle. Onethat transacts<br />

business by night, and sleeps by da~"


nox 7<br />

CHRONOS, Xpwo" time•<br />

. Al\'"TI... CllR01USM, CWTt, anti, against, contrary LOt - A<br />

wfong computation of time.<br />

I<br />

t Ana...chronism, ava, ana, back. An anachronism is an<br />

error hi the date of events, which nrc stated to have<br />

occurred sooner than they reallydid;-and nrc therefore<br />

thrown back or more distant from the presenttime.<br />

Iso.~hronous, "TO', is~s, equal. Ferformed in equal time.<br />

Pnra-chronism, lI"apa, para, beyond. An error in chronology,<br />

by which an event is placed Intcr than it ought<br />

to be. The contrary of Anachronism.<br />

Pro-chronism, lI"pO, pr", before. The act of dating II<br />

thing before it occurred.<br />

S~'n-chronism, (J'tJJ', sun, with. A concurrence of events.<br />

DEMOS, A"/}[J.0" people.<br />

DE:\I-AGOGUE, tt'Y(J;, ago, I lead. The lcadc~ of a faction.<br />

Demo..cracy, "pctTOS, h;ratos, power. That form of go...<br />

\'Crnment in which the power is lodged in the colleetivc<br />

body of the people.<br />

En-demic, EV, en, in. A term applied to diseases<br />

peculiar to a country.<br />

Epi-demic, E1i'l, epi, upon or among. A tenn applied<br />

to contagious discases.<br />

Fnn-demic, lI"av, pan, all..<br />

Incident to a whole people.<br />

nOXA, Aoga, opiniM, glory.-nOKEO, Ao",."<br />

I perceive.<br />

DOXO-LOGY, 7\o,,/OS, 109'i$s, a discourse. A form of giving<br />

glory to God.<br />

Hctero-dox, hEpos, h-~ter1is, dissimilar. -Deviating from<br />

established opinion.


8 GEN<br />

II.<br />

Ortbo-dox, opeos, ~rthus, correct. Soundness in opinion<br />

and doctrine.<br />

Para-dox, 1rapa, para, contrary to. A seeming con.<br />

tradiction.<br />

. Pseudo-dox, 1J1EV~7/S, ps~udes, false.<br />

GAMOS, faV-.', a marriage. -:-- GAMEa,<br />

fap.'''', I marry, I mia::.<br />

A-GAlIt!..!ST, a, a~ not. An unmarried person.<br />

Ama-l-gam, ap.a, ama, togetber. A mixture of metals.<br />

Bi-gam..ist, f3tS, bis, twice. One who marries a second<br />

wife wbilst tlle first is living.<br />

Miso-gam-ist, P.IG'E"', mis~o, I bate. One who dislike,vs, p~llls, many. The state of having<br />

several whes.<br />

./' GENa, r.v"" I become. - GENNAD, rEvva;',<br />

Iproduce.<br />

HYDRO-GEN, {/8c.Jp,lt-udUr, water. A gas so named, because<br />

wben combined witb oxygen, water is produced.<br />

Oxy-gen, o~vs, ~xus, an acid. A gas so called, on<br />

account of the property it possesses, of cJmnging n<br />

great number of substances witb which it unites into<br />

the state of acid. Vital air.<br />

G:ENOS, rm" ldnd, nature, or race.<br />

I-IET.F.RO-O:ENE0l!S, ~TfPO~ 'H-et'ifr'Us, dissimilar. :Having.<br />

contrary qualities.


:'1<br />

-.'1 I) jj<br />

., I<br />

GR.A. 9<br />

l-!omo.gCI1COUS, ~p.os, "-~mlls, the same. Having the<br />

~l same nature.<br />

GONIA, r,ma, an angle.<br />

DECA-GON, 5EKet, d'iJl,a, ten. A figure having ten equal<br />

sides and angles.<br />

Dia-gom,l, 5"", dia, through or across. Applied to a<br />

line drawn from angle to angle.<br />

Dodeca.gon, 5w5EKet, dijdl!ka, twelve. A figure haying<br />

.twelve equal sides and angies.<br />

Endeca.gon, I-Iendcca-gon, ~J!oEKa, h-'ifllr1iJka, cleven.<br />

/<br />

IIepta-gon, E7M"a, h-epta, seven.<br />

I-Iexa,;,gon, ~~, h-~.r, six.<br />

Octa-gon, OK"O, okto, eight.<br />

Penta-gon, "'EM'e, p'iJnt'iJ, fiye.<br />

Tetra-gon, ..e"pets, tiJtrets, four.<br />

Tri-gon, -rpE1S, treis, three.<br />

GRAMMA, TPetp.p.et, a letter, a character.­<br />

GRAMME, rpetp.p.'I), a line, any writing.<br />

AGRA1I1MA-TIST, ee, el, without. An unlearned man.<br />

Ana-gram, ava, ana, again, back. The transposition of<br />

the letters of a name, so as to compose some other<br />

word.<br />

Chrono-gram, Xpovos, chr'i5nus, time. A verse or inscription,<br />

in which the numeral letters, joined together,<br />

show the date of the year, or ofsome event.<br />

Dia-gram, lilet, diet, through. The delineation of a<br />

geometrical figure.<br />

Epi-gram, E"', epi, upon. A ~bort poem on one subject.


10


GRA 11<br />

Chryso-graphy, xpvaos, chrus~s, gold. Writing in,letters<br />

of gold.<br />

Cosmo-graphy, KO(fP.OS, kosm~s, the world. Description<br />

of the entire world, or the science which teaches the<br />

structure, the form, and position of the worlll, relative<br />

to the other parts ofthe universe.<br />

Crypto-graphy, "purrT"', krupto, I hide. 'Writing in<br />

secret characters.<br />

Ge-o-graphy, '}'77, ge, the earth. Description of the<br />

surface of the earth according toits several divisions.<br />

Hagio-grapha, &'}'lOS, h-agt6s, holy. The Jews divide<br />

the Old Testament into three parts. I. The Law,<br />

which comprehends the five books of 1\loses; II.<br />

The Prophets; and }II. The Writings, termed by<br />

them Cetubim, and by the Greeks Hagiographa,<br />

whence the word has been introducer} into the Euglish<br />

language. The Cetubirr{ comprehended the books. of<br />

Psalms, Proverbs, Job,. 'Daniel, Ezra, Nehemiah,<br />

Chronicles, Ruth, Lament:ltions, Ecclesiastes, and<br />

Esther. The Hagiogl'apha were distinguished from<br />

the prophecies because the matter contained in them<br />

was not received by the way of prophecy, but simply<br />

by direction of the spirit.<br />

Horo-graphy, wpa, h-ora, hour. The art of dialling.<br />

1-1ydro-lnetro-graph, from oooop, h-udZh', water, and p.erpov, ­<br />

nletron, a lneasurc. An inrltnllTICnt for measuring<br />

and recording the quantity of water or other fluid<br />

discharged in a given time.<br />

Ichno-graphy, 'xvos, icl!1l~s, a mark.<br />

Ichthyo-graphy, 'X8vs, ieMl",s, a fish.<br />

fish. I<br />

The gronud plot.<br />

A description of<br />

. Icon~-g~aphy, EUi"'V, eikon, image or picture. A descnptioll<br />

of statues or images.<br />

Ker.amo-graphic, frOnlIiEpap.ts, keramis, a slate. A name<br />

g,ven toa globe lately invented uy 1\1r. Addison;


12 GRA<br />

l'\ . (I<br />

,<br />

i<br />

j<br />

which may he used as a slate, whereon pupils arc'<br />

able to _delineate their exercises.<br />

Lexico-grapher, A'~l/


LOG '13<br />

KOSMOS, Koo-p.o" the UJorld.<br />

IIIACIlO-COSM, l'aKpor, 71lakrl!S, large. The whole world.<br />

·In opposition to microcosm.<br />

l\Iega~cosm, J1.ryas, megas, great. The great world.<br />

Miero-eosm, I"Kpor, 7Ilikrlls, little. The little world.<br />

Man is so called as representing the world in miniature.<br />

KRATOS, KPCl.T~;,power.-KRATEO, Kpam' J<br />

, I rule.<br />

.\<br />

ARISTO:CRACY, aptUTOS, arist'6s, the best or noblest.<br />

That form of government which places the supreme<br />

power in the nobility.<br />

Auto-erat, aUTor, alltos, self. One who governs by<br />

himself. Au absolut~ monarch. The autocrat of<br />

Russia.<br />

. Demo-craey, ~71I'Or, demos, people. A form of government<br />

in which the common people have the chief<br />

power. ..<br />

Gynmeo.·eraey, "(wa'Kor, gunaikos, gen. of "(vV7), gw';;,<br />

a woman. Female governmerit.<br />

Ochlo-crncy, OXAOS, oc!lTos, a multitude.<br />

- DE~lOCRACY. '.<br />

The same as<br />

Theo-cracy, :JEor, t"';fOs, God. A government like that,<br />

of the J eW5, under .the immediate direction of the<br />

Divine Being.<br />

LOGOS, Aoyo" a word, discourse, reason, ratio<br />

- L:EGO, l ....y"', I say, I tel!, or I speak.<br />

:1 AEIlO-LOGY, U71P, aer, the air. A discourse relating to<br />

the nil'.<br />

Amphibo_logy, ul'pllloAor,'amp"ibo!os, doubtful. A<br />

:' discourse. of uncertaiu menning. Ambiguity of ex­<br />

C


14' LOG<br />

pression. It is distingnished from equivocation, which<br />

means the donble signification of a single word.<br />

Ana-logr, ava, ana, with. An agreement or resem ...<br />

blance.<br />

Antho-Iogy, aveos, anth~s, a flower. A description of<br />

flowers; figuratively, a collection of beautiful passages<br />

from different authors.<br />

Apo-loguc, mro, apo, from. An allegorical discourse<br />

contrived to teach some moral truth. - Apo-logy, an<br />

excuse.<br />

Astra-logy, aU7pov, astron, n.. star. The science· which<br />

pretends to forctel events from the appearance of the<br />

stars, an altnow exploded. See l\1ANTEIA, p. 19.<br />

Bio-Iogy. See BIOS, p. 6.<br />

Bronto-Iogy, {3P0V'T7/, brontii, thunder. A discourse on<br />

thunder.<br />

Cata-Iogue, "aTa, kata, down. A list of things one after<br />

the other.<br />

Chiro-logy, XElP, chitir, a hand.<br />

signs lnadc WIth the hands.<br />

The art of talking by<br />

Chrano-logy, xpovos, cll1"onos, time. A discourse relating<br />

to time. ~<br />

Cranio-logy. Sec Cr.ANIOSCOPY.<br />

Dacty-logy, oalCTvAos, daktulos, a finger. The com.. (<br />

munication of our thoughts by signs made with the<br />

fiugers. ~<br />

Deca-logue, o,,,a, ditka, tcn. The teu commandments.<br />

Dia-logue, 01, di, two. A discourse between two<br />

persons.<br />

Doxo-logy, oo~a, aoxa, glory. A form of giving glory<br />

to God.<br />

Ee-logue, Etc, ek, from, or Qut of. A selection, a choice;<br />

thus the Eclogucs .of Virgil are a selection from his<br />

Bucolics, or !'astoral Poems. Sec BUCOLICS


:1<br />

i<br />

LOG 15<br />

Entomo-Iogy, EVTOP.C., ent()ma, insects. A treatise rclath-°c<br />

to insects: EVTop.a, from EV, en, in, or into, and<br />

TEJ1.VW, temn;:;, I cut, because insects nrc nearly cut<br />

into two parts.<br />

Epi-logue, E1I"l, epi, upon, at the end of. A speech at<br />

the end of a play. The opposite to prologue.<br />

Etymo-logy. The derivation or origin of words. "There<br />

exists, in the most ancient languages of the East, a<br />

word, which, if written in Roman characters, we<br />

should prononnce TUM, or Tnt. It signifies, literally,<br />

perfection, and figuratively, truth or justice. This<br />

word, united among the Greeks to the article E, and<br />

lengthened by the syllable os, became the adjective<br />

ETU!L0S, E-tum-'ds, nncl signified true or just. The<br />

Greeks afterwards connecting this adjective with the<br />

substantive Logia (knowledge or discourse), formed<br />

the word E.iumo-logia, and which, consequently, signified<br />

perfect knowledge, and they designated by it, the<br />

knowledge of the origin and value of words. 1Vc are<br />

far removed from the wisdom of the Greeks, when we<br />

consider Etymology:is a frivolous kind of knowledge,<br />

we confound the thing with the abuse of it." See<br />

]J[onde Primitifanalyse et compare avec Ie 11fonde ]Jfodeme.<br />

Par ]Jf. Court de Gebelin. Tom. III. Chap.lO.<br />

Eu-logy, Eli; ell, well.<br />

Praise, panegyric.<br />

Genea-Iogy, j'EJlEa, genea, a generation, origin. Tho<br />

enumeration of the descendants of a family.<br />

Genethlia-Iogy, 'YE.


16 LOG<br />

Ichthy-o.logy, 'X8us, icllthus, a fish. A treatise on the<br />

lIature and properties of fish.<br />

Log-arithm, from ap16j.tos, arithm'&s, nurilbcr, signifies<br />

" the ratio of numbers," or a number in proportion<br />

with another. Logarithms are numbers in arithmetical<br />

progression, which answer, term for term, to other<br />

numb,ers which arc in geometrical progression.<br />

Logo-griphus, i'ptrpos, griph'&s, or 7pl7rOf, gripos, a net.<br />

A kind of riddle, proposed to students for solution,<br />

in order to exercise and improve the mind.<br />

Logo-metrical, from 7\0705, [j)gos, a ratio, and J1.ETpOV,<br />

melron, a lneasurc'. The logometrical scale is a scale<br />

fer the measuring of ratios.<br />

lIfeno-logy, /-''lV, men, a month. A register of months.<br />

Meteoro-logy. Sec METEOR. : ;J['I~ /' fJ . -<br />

l\:lono.loguc, p.ovos, munos, single. A soliloquy; the<br />

part of a drama in which a person speaks to himself.<br />

lIfono-poly-logne, 'lI"OAVS, p~lus, many. The title given<br />

by Mr. Matthews to an entertainment in which he<br />

performs several characters.<br />

lIfytho-logy, /-,u80s, mutMs, a fable. An explanation of<br />

the fabulons history of the heathen divinities.<br />

Necro-Iogy, v."pos, ntfkr~$, dead. An acconnt of persons<br />

who are dead.<br />

Nco-logy, PfOS, n{f()s, new. The formation of new words.;<br />

or a new application of old words.<br />

Noso-Iogy, from "ocros, n~s~$, a disease, signifies literally<br />

a treatise or discourse on diseases. The term;<br />

however, has been appropriated to a methodical<br />

arrangement of diseases.<br />

Dno-logy, avos, vn~$, an ass. A foolish way of talking.<br />

Onto-Iog)~, 01lTOS, ()lltos, gen. of '-'v, on, a being. The<br />

science which considers the various distinctions and<br />

affections of beings.


LOG 17<br />

Ornitho-Iogy, opu.90s, ~rnitM9, gen. of 0PUIS, ~rnis, a<br />

bird. A description of birds.<br />

'Philo-logy,


18 MAN<br />

Sy].]ogism, lTVV, (sui, for) sun, with. Reasoning. An<br />

argument composed of threcpropositiol1s or reasons.<br />

Tauto-logy, Tavro, tauto, the same. The repetition of<br />

the same words.·<br />

Theo-Iogy, I'1EOs, th'if6s. God. The science which in_<br />

structs us ill the knowledge of Ged and divine things.<br />

Zoo-logy, twos, ~oos, living. A treatise on living creatures.<br />

The description of the animal kingdom, as<br />

botany is that of the vegetable, and mineralogy that<br />

of the fossil kingdom. Natural history, properly<br />

speaking, embraces the whole of this department of<br />

knowledge, though occasionally but improperly restricted<br />

to the first. Sec' LOGos, p. 13.<br />

MACHE, MaX'1, afight.<br />

ALECTORO-MACIIY, a}.£/ITO!p, ali!kti.ir, a cock. Cock-fighting.<br />

Alcclron is from a, from, and At;ICTpOV, l?kt1'o1l,<br />

a couch or bed, because the cock rouses men from<br />

their beds.<br />

Logo-machy, "A07os, lfJg'tJs, a word. . A contention about<br />

words.<br />

l\fono-machy, p.apas, monos, single. A single combat.<br />

Nau-machy, pews, naus, (whence navis, Latin, and nayr,<br />

naval, etc., English) a ship. A sea-fight.<br />

Pan-stereo-machia, from 1Tav, pan, aU, (F'UpfOS,. stereos,<br />

solid. The name given by 1\1r. Bullock to a repre_<br />

sentation of the celebrated battle of Poictiers, consisting<br />

of upwards of 1500 solid figures, modelled with<br />

the strictest regard to historical truth in appropriate<br />

costume and arms.<br />

MANIA, Mav,a, 'l1!adne.~s,or folly•<br />

.\NTHO-lIIANIA, aJl8os, anth'6s, a flower.<br />

fondness for /lowers.<br />

An extravagant


MET 19<br />

Biblio-mania, {31€i1l.0S, bibZus, or {31€i1l.10V, bibli~n, a book,<br />

The rage of possessing scarcce!Jr curious books.<br />

MANTEIA, Mavwa, divination, or magic.<br />

See ApPENDIX.<br />

MANTHANO, Mayeay"" I learn. - MA­<br />

THESIS, Mae~crl" learning.<br />

Opsr-MATHY, o'fe, ~ps1!, late. An education begun late<br />

in life.<br />

Philo-math, pl1l.e"" pltil1!;:;, I love. A lover oflearning.<br />

Poly_mathy, ,,"o1l.us, p~lus, many. The knowledge of<br />

several sciences.<br />

MARTUR, MapTvp, a witness.<br />

MARTYR, one who by his death bears witness to the<br />

truth; one who suffers death for the cause of virtue<br />

or religion.<br />

Proto-martyr, ""P"'Tos,priit~s,the first. The first martyr;<br />

a name given to St. Stephen.<br />

Pseudo-martyr, l/teuo'lS, ps1!udiis, false. A counterfeit<br />

martyr, or false witness.<br />

,.<br />

METRGN, 'M'Tpov, a measure. -<br />

M'Tp'''', I measure.<br />

METREO,<br />

ANEMO-1\tETER, -o.VE}J.OS, anem(Js, ·-the wind. An instrument<br />

to measure the force and velocity of the wind.<br />

Al'reO-lneter, apc1,loS', araws, thin. An instrllmc~t ~ to<br />

measure the density of fluids.<br />

Daro-meter; f3apos, bar~s, a weight. An instrument to<br />

. measure the weight of the air.<br />

j,<br />

I i'.<br />

I,<br />

!


20 MET<br />

ChronO-lucter, XPOVOS, chr'dnos, time. An instrument<br />

for the exact n1cnsuration of time.<br />

Dia-meter, a"., dia, through. The line that passes<br />

through the centre of a circle.<br />

Dynamo-meter, from ouVafUS,. dunamis, power. An<br />

instrument by which is measured the comparative<br />

strength of men and animals. It is in use at the<br />

American gymnasiums for ascertaining the relative<br />

powers of the gymnasts and the increase of power<br />

gained by exercise.<br />

Eudio_meter, EtJOtct J eudia, 'purity of air. An instrument<br />

to measure the purity of ai~ .<br />

Ge-o-metry, )'11, ge, the earth. Geometry' signified,<br />

originally, the art of measuring the earth: at present<br />

it is used to denote the science of extension, or ex...<br />

tended things, that is, of lines, surfaces, and solids.<br />

The Egyptians are asserted to have been the first<br />

inventors of Geometry, and the annual inundations<br />

of the Nile to have been the occasion; for that river<br />

bearing away all the bounds and landmarks of men's<br />

estates, and covering the whole face of the c~untry,<br />

the people were obliged to distinguish their lands, by<br />

the consideration of their figures and quantity; and<br />

thus by experience and habit formed a method or art<br />

which was the origin of Geometry.<br />

Hydru-meter, t\awp, It-ltdor, water. An instrument to<br />

measure the specific gravity of water. a~d other fluids.<br />

Hygro-meter, tJ/,pos, ll-v..gr'&s, moist. An instrument to<br />

measure the degrees of mo'isture in the air.<br />

Mano.meter, /Aavos, manos, thin. An instrument to·<br />

show the rarity or density of the air.<br />

:I!'Hctrc, from /AETpOV, 71lel1'On, a nieasurc~ Speech confined<br />

to a certain' number of harmonical syllables.<br />

Rhythm respects time only, and comprehends music<br />

and dancing as well as poetr)": metre respects the


NOM 21<br />

I<br />

llime and the order of the syllables, and only extends<br />

to verse.<br />

Photo-meter,


22 aNa<br />

nomy was so called, because this last part of the<br />

work of 1\1oses comprchends a repetition, or recapitulation,<br />

which that legislator made to the Israelites<br />

before his death, of 'the law he bad before delivered<br />

to them at large.<br />

Eco-nomy, O'ITOUS, a, a, not, without. Nameless., Being<br />

Witllout signature.<br />

l-!om-on),ny, Jp.os, !l-omos, similar. A term applied<br />

to words similar in their orthography, but of different<br />

Incanings; as "spring, a fountain; n " spring, a season<br />

"of the )'cor; 11 " spring, a leap," &c.


OR·A 23<br />

l\fet-onymy, p.ETa, "wla, change. A figure of speech<br />

in which one word is put for another, as the cause for<br />

the effect.<br />

Onomato-preia, from OVO}.'ctTOS, tlnomatos, tlIe genitive<br />

of ovop.a, onoma, and '1fDlEW, jJoieo, I make. A figure<br />

of speech, by which a name is made to imitate the<br />

natural sound of the thing it signifies, as "cuckoo."<br />

The South Sea islanders cal1ed a gun a tick-tic-hoo.<br />

Par~onymous, 'lrapa, para, ncar. A term applied to<br />

words which 111'C near, or which resemble each .other<br />

in sound, but differ in their orthography and signification,<br />

as " heir, air, woe."<br />

Patr-onymic, 'lraT'lJP, paler, father. Derived as a name<br />

from ancestors.<br />

Syn-onymy, (fUV, sun, with. 'Vords of the same signification.<br />

I<br />

,ORAMA, Opo,f


ORA<br />

the building in negen!'S Park, it has been supposed<br />

the term is formed of BIr, dis, twice, and Drama. But<br />

it is to be observed, that, if several paintings of the<br />

same kind were exhibited, each painting would constitute<br />

a IJiorama. To the first meaning, however,<br />

it must be confined when only one scene is presented,<br />

as in an ingenious toy made at Brussels.<br />

Cosm-orama. The exhibition thus named consists of<br />

several distinct paintings (seen through a magnifying<br />

glass) of different places in each quarter of the world<br />

(/cOUIlOS, k~sm~s, signifiesf.~~e wOJld), ,<br />

- tIL. r. J .<br />

I\Iyri-orama. (Sec I\IrRIAD.)'i' The 1\1yriorama consists<br />

of sections or fragments of'landscapes on 24 cards,<br />

so ingeniously contrived, that any two or more<br />

placed together will form a pleasing view. ,The<br />

variations which may be produccd by these 24<br />

cards, amount to the almost incredible nnmber of<br />

620,448,401,733,239,439,360,000, the magnitude of<br />

'i:hieh cannot be better illustrated than by the following<br />

observations: - Supposing it possible to effect<br />

one of these changes every minute, night<br />

and day, to produce them all it would require<br />

1,180,457,385,337,213,545 years, 75. days; that is<br />

to say, if all the inhabitants of this globe (computing<br />

them at 1,000,000,000, of which, according<br />

to common calculation, they fall considerably short)<br />

were employed in the task, it would take them<br />

1,180,457,385 years to complete it: which is more<br />

than 196,742 times the period which has clapsed since<br />

the Creation of the 'VorJd." Supposing the space<br />

occupied in length by each of these landscapes<br />

(when the whole of the cards arc employed) to be<br />

a yard (and it is nearly donble), they "'ould, by<br />

being placed one after the other, cover the length<br />

of 352,527,500,984,795,136,000 miles, that is,<br />

" Taking it at 6000 years.


PHA 25<br />

14,101,100,Og9,g91,805 times the circumference of<br />

the globe":. to travel ovcr which, a man.._walking<br />

at the rate of four miles an hour, ,vould reqnire<br />

10,060,716,gS2,gOS,768 years, 26g days, and 8 hours."<br />

Since the publication of the 1\1yriorama there have<br />

appeared four other pictures.of the Same kind.<br />

IIyper-myri-orama, from V7rfP, ll-up'€r, above, or superior.<br />

" The advantage (says the pUblisher) which<br />

the Hypermyriorama has over other works of this<br />

kind, is, tl~at the views arc selected from nature."<br />

Marin.:.orama, from the Latin word 1narinus, "be..<br />

. longing to the sea."<br />

Pan-orama-copia, from the Greek .".av, l>«n, all, ami<br />

the Latin copia, abundance.<br />

Cho~i-orama, from XWptOV, c!lorwn, a place.<br />

PASCHO, IIM%""Isuffer, orJeel.-PATHOS,<br />

rr"e." feeling.<br />

JEI-PA'I'llY, aEl, llei, continuat<br />

Anti-path)', aVTl, ~nti, against.<br />

A-pathy, a, a, not, without•.<br />

feelhig.<br />

A continual passion.<br />

Au aversion or dislike.<br />

Insensibility or want of<br />

Sym.pathy, qVV, (S.'Im) sun, with. A fellow or mutual<br />

feeling.<br />

Patho-gnomy, -yIV",qlC"', ginijskij, I know. Sec PHY-<br />

SIOOcNOltlY". ,. ".)<br />

/-:..! t<br />

PI-iAGO, ,,1''''' I eat.<br />

ACRIDO.PItAGl, alCpl~os, akrid6s, gen. of alCols, ams, a<br />

locust. People who feed on locusts.<br />

• Taking the circumference at 25,000 miles.<br />

D


26 SKI<br />

Ade-phagy, ao'lV, aden, much. Greediness.<br />

Anthropo-phagi, avOp"'''os, antTn'opos, a man. Canni.<br />

bals or men-eaters.<br />

illso-phagns, OL~, oW, I carry. The gullet or tube that<br />

reaches from the mouth to thc stomach.<br />

Ichthy-o-phagy, 'XUvs, ic1LtTl1Is, fish.<br />

eating fish. .<br />

The practice ot<br />

Sarco-phagus, (fapKOS, s""leos, gen. of cr"p~, sarx, flesh.<br />

A name given to a tomb, bccause the flesh is consumed<br />

therein.<br />

PHONE, (D""1], speech, or sound.<br />

A-I'HONY, a, ", not, withont. The loss of speech.<br />

Caco-phony, «"KOS, 1cak'tJs, bad. Bad pronunciation.<br />

Eu-phony, ,v, Ifu, well, good. An agreeable sound, a<br />

graceful flow of words; the contrary to harshness.<br />

Sym-phony, (fUP, (s!lm) sun, with. Harmony of sound;<br />

that part of a tunc which is snng or played between<br />

the words of a song.<br />

N<br />

PHTHOGGOS, (DOoyyo"<br />

a sound.<br />

Dr.PIITIlONG, 0'5, dis, twice, double. The coalition of<br />

two vowels in one sound, as ai in praise. .<br />

Tri-phthong, -rpm, trlfis, three. The coalition of three<br />

vowels in one sound, as eau in beauty.<br />

SKIA, ~KLCt, a shadow.<br />

A"PIlI-SCII, a,.,." amphi, on both sides. The inhabitants<br />

of the torrid zone; so called, because their<br />

shadow falls sometimes to the north, and sometimes<br />

to the south, according to the position of the sun.


SICO 27<br />

Anti-scii, ~V'T" anti, opposite. A name given to the<br />

people who inhabit the same meridian, in opposite<br />

hemispheres, and therefore whose shadows at noonday<br />

fall in contrary directions.<br />

A-scii, a, a, without. The inhabitants of the tropics;<br />

so called, because, at a certain time of the year, they<br />

have no shadow at noon.<br />

Hetcro-scii,' ETfPOS, 'l-eterus, another, different. The<br />

l,eople who live between the tropics and the polar<br />

eireles; so called, because those on the north have<br />

I . their shadows always in an opposite direction to those<br />

on the south, and vice versa.<br />

Peri-scii, 1repl, peri, about, around. The inhabitants of<br />

\,! the earth within the ,polar cireles; so called, because<br />

their shadows turn all round them in the space of one<br />

of their days, or rather during the six months that<br />

the sun remains on their horizon. -.,.<br />

[,<br />

'I<br />

1"<br />

r<br />

SKOP:tt,O, :S"orrEI


--,<br />

28 . SKO<br />

Epi-scopal, from cpi-skopos (Errl, 'i!pi, oyer, upon), which<br />

in its primitive acceptation denoted any inspector or<br />

overseer: it was afterwards applied to a Bishop, that<br />

is, one whose duty is to overlook, or take Care of, a<br />

Christian church or congregation.<br />

Helio-scope, 1]7\IOS, "·iiZiils, the sun. An instrument to<br />

look ut the sun without offence to the eye.<br />

Horo.scopc, &pa., h-ora, an hour. The configuration of<br />

the planets at any particular time, such as the hour of<br />

one's birth.<br />

H )'gro-scope, {rypos, ".ugr'1ls, moist. An instrument to<br />

show the different degrees of moisture in the air.<br />

Ral-cido-scope, I


STE 29<br />

with considerable felicity: some of the figures stanti<br />

out well from the laudscape, and the whole performance<br />

is highly creditable to the ingenuity and industry<br />

ofthe inventor, who is, we understand, a young lady."<br />

Courier, July, 1824. [SELENa-scorIA is formed from<br />

O'fA7]V7], s~liJnii, the moon, and O'K07rla, sk~pia, objects<br />

seen.]<br />

Tele-scope, '1"7]11.., ti!i~, distant. An instrument to view<br />

~istant objects.<br />

The contmll­<br />

Urano-scopy, ovpavos, ouranos, heaven.<br />

pIation of the heavenly bodies.<br />

SPHAIRA, };(jJlXlplX, a sphere, or globe.<br />

ATMO-SPHERE, a'1"p.os, atm~s, vapour. The body of<br />

vapour that surrounds the earth.<br />

Hemi-sphere, ~,."O'vs, h-iimisus, half. The half of a<br />

globe.<br />

Plani-sphere, 'lrAavvs, planus, plain. Therepresentation<br />

of one of the spheres on a plain surface. /<br />

STELLO, };'1"EAAOl, I send. - STELLOMAI,<br />

};.,.fAAo/-,,,a, I convey myself.<br />

ArO-STLE, e:t1l"0, apo, from. A messenger; onc of the<br />

twelve men our Saviour sent forth to preach the<br />

Gospel.<br />

Epi-stle, E7rl, ~pi, upon, to, unto, a written communi..<br />

cation sent to a person at a distance. An epistle, in<br />

'conveying our thoughts, in a manner conveys our-.<br />

selves to another.<br />

Pseudo-~postle. ""EvollS, ps(fudes, false.<br />

D (\<br />

A false apostle.


so<br />

TEC<br />

STICHOS, ~"""O;, a rank or rOto;· order, a lme<br />

or verse.<br />

ACRO.STIC, aKpos, a~..rl5sJ the top, extremity. A short<br />

piece of poetry, of which each verse commences by a<br />

letter ofthe name of the person or object which forms<br />

the subject marked by order of the extremities.<br />

Di-stich, 01, di, dis, two, twice. A couplet.<br />

Hemi-stich, fJlJ.lCTVS, It-;;niisus, half. HaIfa verse or line.<br />

1\Iono.stich, P.OIl0S, monos, single. A composition ofone<br />

single verse. .<br />

SULLABE, ~vi.A",f:~, a syllable.<br />

Sn-LADLE, (sul, for) sun, with; and labi!, AaflfJavw,<br />

[ambano, I take together. A syIlable is properly thc<br />

letters which are comprised (taken together) in a<br />

single emission ofthe voice.<br />

Dis-syIlable, 0,,·di, two. A word of two syIlables.<br />

lVlono-syIlable, flovos, m~n~s, single. A word of one<br />

syIlable.<br />

Poly-syIlable, ",oAv" p~lus, many. A word of several<br />

syIlables.<br />

Tri-.yIlable, "'pElS, trl!is, three. A word of three<br />

syIlables.<br />

)<br />

T.f:CHNE, T,,,v~, art, or science.<br />

ARITIIJ\l-E-TlC, apt(Jf'0r, arithm~s, and TIK1], like, a contr'action<br />

of 'UXII1J, techne, an art, a number. The<br />

science of numbers. - Arithmo-meter. "A French<br />

.artist has lately obtained a patent for a machine so·<br />

caIled. A person unacquainted with figures may,<br />

by. this machine, be made to perform all the rules of<br />

arithmetic. The most complicated calculations are<br />

done as readily and exactly as the most ·simple; and<br />

.,j


THE 3]<br />

I<br />

,I<br />

sums in multiplication and division, of seven 01' eight<br />

figUl'es, rcquire no more time than those of two or<br />

three. 11<br />

Technical, belonging to arts.<br />

rtlnteo-techny, P.a.TCl.IOS, matalos, yain. A vain or un·<br />

profitable seience.<br />

Poly-technic, ,,"o;\ur, p~lus, many. Relating to several<br />

arts, as the Polytechnic School in Paris."<br />

Pyro-technic, 'I1"Up, pur, fire.<br />

TH't~OS, €lEo"<br />

Relating to fire-works.<br />

G~d.<br />

Aro-TIlEoSIS, "'11"00,061, ap~th1f(jii, I deify, I rank among<br />

the gods. A deification or addition to the number<br />

of the gods.<br />

A-theist, ", a, not, without. One who believes" there is<br />

no God.<br />

En-thnsiast, .v, en, in. First applied to one WllO pretended<br />

to d"'ine inspiration, and afterwards to one of<br />

warm imagination. The word is derived from tho<br />

Greek Ev8eos, entlzNJs, or Ev8ovs, enthous, divine" who<br />

has God in him - as applied to prophetic enthusiasm.<br />

~ A man animated in an extraordinary manner with<br />

the spirit" of God. 'Wheuce the verb EvOoVC1,at."<br />

~ntll'6usiaz(j, and the noun Ev8ovcru,urjAos, enthousiasmos,<br />

enthusiasm. One writer defines enthusiasm, to be a<br />

transport of the mind, whereby it is led to think and<br />

imagine things in a sublime, surprising, yet probable<br />

manner. The sublime he thinks a necessary ingredient<br />

in the definition, as being the proper effect and production<br />

of enthusiasm. This is the enthusiasm felt<br />

in poetry, oratory, music, ,painting, sculpture, &c. ;<br />

but this enthusiasm is very different from that attri.<br />

buted to the priestesses of oracles and heathen gods,<br />

which was little else than fanaticism, and consisted<br />

prineipaUy in grimaces, and contortions of the body.<br />

See PREFACE.


.'<br />

32 TlJP<br />

lIIono-theism, p.ovos, 11l~n;;s, single. The doctrine oC<br />

one God, as opposed to Poly-theism. The Jews<br />

were Mono-theists; the Gentiles, Poly-theists.<br />

Pan-theon, ".av, pan, all. A large temple at Rome, oC<br />

a drclibr form, in which the statues ofall the heathen<br />

divinities were placed.<br />

Poly.theism, ".ol\;., p~llls, many. Plnrality of Gods.<br />

Theism, lihos, tM~s, God. The opinion of those who<br />

simply acknowledge the existence of God, without<br />

believing in revealcd religion.<br />

Thco-logy. See LOGos, p. 13.<br />

Thea-cruey, «pU.T~S, krat'6s, "dominion. A government<br />

like that of the Jews, under the immediate direction<br />

of the Divine Being.<br />

Tur6s, T"""o,, that by whiclt any thing is prefigured.<br />

A printing letter.<br />

AnClIE-TYl'E, apx'1/, archii, chief. } The original from<br />

Proto-type, ",pwTos,prot~s,the first. which a thing is<br />

Pro-type, "'pw, 1'ro, belore. formed.<br />

Stereo-type, from UT€P€O


PART 11.<br />

A<br />

VOCABULARY<br />

OF<br />

WORDS DERIVED FROM 1'HE GREEK;<br />

A.<br />

A-BYSS, $. from a, a, not, without, nnll (3U(1'O'OS, bussos *,<br />

a bollom. A bottomless pit.<br />

Academy, $. from aKaO'lI''''' akadiJmia, the name of a<br />

public sehool at Athens. The word is now used to<br />

designate a society of persons, established for the<br />

improvement ofknowledge ; thus we say, "the Royal<br />

Academy." The word also implies a school where<br />

)'oung persons arc instructed in a private way.<br />

Ache, s. from axos, aeMs, pain. Continued pain.<br />

Acme, s. from aKft1), akmiJ, a point. The summit of<br />

any tl~jng, the crisis of a disease.<br />

Acousticks, $. from aKOVW, ak~uii. I hear, and ....XV'l.<br />

tcehne, an art. The theory of sounds•<br />

... From b"th~s, which also signifies" a bollom," we<br />

have taken the prefix - but - to denote the bottom or<br />

end of a thing, as when we speak of " the but-end of a<br />

guu."


AGO<br />

Acrido-phagi, s. Sec PHAGO, p. 25.<br />

Acro-spire, s. Sec AKRosp"'E. J S -._<br />

Acro-stic, s. See STICHOS, p. BO~ C.. 0.,"'.>:<br />

A-damant, s. from a, a, not, and OUj.lCX61, damao, I break,<br />

is a term applied to a stone of impenetrahlc hardness.<br />

Ade-phagy, or Aden-phagy, s. Sec Pn.'Go, 'p. 25.<br />

A-dccatist, s. from a, a, not, and OEl(aTOS, dekatos, a tenth.<br />

One who is exempt from paying tithes, or who refuses<br />

paying them. .<br />

lEgis, $. from at')'lS, aigis, a goat's skin (at~, ai:rJ a goat).<br />

The shield ofthe heathen goddess Pallas was so named,<br />

because covered with the skin of a goat.<br />

lEi-pathy, s. Sec PASC/to, p. 25.<br />

lEolus, s. The heathen god of the winds. The name<br />

seems derived from awi\os, aioRJs, various, because the<br />

winds over which he presides arc ever varying.<br />

Aero-logy, s. Sec LOGOS, p. 13.<br />

Aero.maney, s. Sec MANrEIA, p. 19.<br />

Acro-naut, $. from anp, aer, the air, and vct.UTlJS, naules,<br />

a sailor. One who sails through the air in a balloon.<br />

Acro-station, $. from· al1P, aer, the air, and laTa/.leU,<br />

istamai, I remain. TJIC art or practice of sailing<br />

through the airin a balloon." . •<br />

lEther, s. from aI071P, ait";}r, the shining air, i. e. "the<br />

. highest or purest air," and thus it differs from the<br />

. common air (aer) which is dark and heavy.<br />

lEtna, s. from alOw, ait"o, I burn. A volcano or burn .<br />

ing mountain in Sicily.<br />

A-gamist, s.<br />

See GA'roS, .1;'.8.<br />

Agonistes, s. from a'l'wv, ago", contention. A prizefighter.<br />

- Milton wrote a poem called Samson<br />

Agonistes. /


ALP 35<br />

Agony, s. from "'Y"'V, agon, contention, struggling,<br />

writhing -hence excessive pain, great distress of<br />

mind, as they produce writhing or convulsion.<br />

A-grammatist, s. See GRAM'IA, p. 9.<br />

Agrosto-graphy, s. See GRArHE, p. 10.<br />

Air, s. See lETIlER.<br />

Ake, s. See ACHE.<br />

Akro-spire, s. from ""pas, akrli!, the top, and rr"Elpc


56 ANA<br />

Amal-gam, $. See GAMEO, p. 8.<br />

A-maranth, s. from a, a, not,- and p.apcuJlw, 7lIuraino, J<br />

fade. A flower supposed never to fade.<br />

A-mazon, s. from a, a, -not, without, and I·m~or, ma~$,<br />

a breast. A nation of warlike women were called<br />

Amazons, from the practice of cntting off one of their<br />

breasts, that they might be enabled to handle their<br />

weapons better.<br />

A-m-brosia, s. fr,?ffi a, a, not, and [3poToS, br'6tlSs, mortal.<br />

The imaginary food of the gods.<br />

A ..methyst, s. from a, not, without, and p.E9u(J'U, '11lethusis,<br />

intoxication. A stone of a violet colour, so termed<br />

because, when mixed with spirituous liquids, it was<br />

supposed to prevent intoxication.<br />

A-mnesia, s. from a, not, pV1JO"IS, mnesis, fJ.VTJp.rJ, '11memo,<br />

or JLJ/7](fTU, 1nnestis, memor>". Forgetfulness.<br />

A ...mnesty, ·s. from a, not, and JlJl11UTlS, mnestis, remembrance.<br />

An act of general pardon for crimes committed<br />

against government.<br />

Amphi-bious, adj. See BIOS, p. 6.<br />

Amphibo-logy, $. See LOGOS, p. 13.<br />

Amphi-scii, $. See SKIA, p. 26.<br />

A mphi-theatre, $. from af'ept,amphi, both (on both<br />

sides, double), and ~.aTpos, theatr~$, or &eaTpov,<br />

theatr'm, a theatre. See THEATRE. A building of a<br />

circular or oval form, having rows of s~ats one above<br />

another. .<br />

Ana-baptist, $. See BAPTIZO, p. 6.<br />

Ana-chorite, An-chorite, $. from ava, ana, again J<br />

and<br />

X"'P'''', clloreo, I "eparate; A monk who leaves his<br />

convent for a still more austere life. A hermit or<br />

solitary person.<br />

Ana-chronism, $. See CH&ONOS, p. 7•.<br />

Ana-gram, s. Sec GRAllIl\tA, 1'. 9,


ANE 37<br />

, Ana-leptic, aly. from. analepsis, recovery, (from ava,<br />

, ana, again, and 7I.~'lils,.I",psis, taking, receivingj. A<br />

, term applied to medicines that ,'evive and strengthen.<br />

Ana-logy, s. See I,oGos, p. IS.<br />

Ana-lysis, s. from ava, ana, again, find l\VCIJ, lua, I dis..<br />

solve. The separation of a compound into the parts of<br />

which it consists. To analyse a compound word is to<br />

distinguish the etymon or root; the prefix,. and the'<br />

desinence 01' termination. The opposite to Synthesis•<br />

.A.n-archy, s. See ARCH';, p. 5.<br />

Ana.thema, s. from ava, ana, apart, and ;;~p.a, thema, a<br />

thing put. That which is put apart for holy purposes,<br />

3 victim for sacrifice, a person _sacrificed as a<br />

victim to' a particular cause, a curse, a person scpo...<br />

rated (put apart) as being under a curse. Anathema<br />

is also used to denote the curse 01' censure pronounced<br />

in excommunication. Excommunication is the act<br />

of excluding a pel'son from the participation of holy<br />

mysteries.<br />

An~tomy, $. frOlll'ava, ana, apart, and 'TEfJ.J/W, t~mno, I<br />

cut. . Dissection; or the nct of separating and examining<br />

the parts of animal bodies.<br />

Anchor, s. from Ct'Y"vpa., agku1'a " (IWpTOS, kurt'6s, a cUl'ved<br />

hook for ,fishing), a curved iron instrument, which,<br />

being fastened to the ground by means of a cable<br />

attached to it, keeps a ship from driving.<br />

Andro-ides, s. from avopos, andros, of a man, and flOOS,<br />

1!idOs, form. A term under which some scientific<br />

writers have classed all the Automata made to imitate<br />

the human form.<br />

A-n-ecdotes, s~ from a, a, not, and ElCOOTOS; (fkd'6t'6s,<br />

published. A circumstance not publicly known.<br />

Anemo-gmphy,s. See GRArnE, p. 10.<br />

Anemo-melel', s. See :METREO, p. 19.<br />

E


,J<br />

38 ANT<br />

Anerno-scope, s. Sec SKOPEO, p. 27.<br />

. n<br />

Angel, s. from ayy€}..}.."', agg'i!llo; I deliver a message,<br />

A spirit employed by God to manifest his will (that<br />

is, tocdeliver his orders) to human beings.<br />

A-ll..odyne, adj. f~om a, a, ~ot, and ol)uv7J, idune, pain.<br />

A term applied to substances which assuage pain.<br />

'A-nomaly, A.nomy, s. See NO>IOS, p. 21.<br />

A-n-onymous, adj. See ONO>IA, p. 22.<br />

A-n-orexy, s. from a, a, not, and 0PE~IS, orexis, appetite.<br />

·Want of appetite.<br />

A-n-osmia, $. lrotn a, a, not; and oup:t}, osme, smel!<br />

(at"', ~zo, I smell). A loss of the sense of smelling•.<br />

Ant-agonist, s. from aJ/7Z, anti, against, opposite, and<br />

a7",vIlTT11S, ag"iYnisles, a combatant. One wI", opposes<br />

another.<br />

Ant-arctic, a4i. {rDln anI, anti, against, opposite to, and<br />

apKTo', arkt~., the bear. Relatiug to the south pole.<br />

Sec ARC'l'lC. Austral-asia is the designation given<br />

in modern geography to a fifth great division of ,the<br />

globe, including New Holland and other islands,<br />

because they arc to the soutlt of Asia. Auster is the<br />

Latin word for the south wind, or the south pm't of<br />

the world;<br />

Ant-arthritic, adj. from aVTI, anli, against, and apOptT",<br />

artltritis, the gout. A term applied to medicines<br />

"gainst the gout.<br />

Ant-h.elmintics, adj. from avn, anti, against, and<br />

EAP.tv(JOS, h-elmintllos, gen. of EA/llPS, lz-elmins, a ,vann.<br />

A term applied to medicines given to destroy worms.<br />

Antho-Iogy, s. See LOGOS, p. IS.<br />

Antho-mania, s. Sec lIfANIA, p. IS.<br />

Anthro-pophagi, s. See PRAGO, p. 25.<br />

Anti.chronism, s. Sec CHltoNOS, p. 7.


APO 39<br />

Anti-dote, s. from CU'Tt, anti, ngainr,t, and ()Cl)'fU'11, datine,<br />

" thing ghoen. A medicine administered to prevent<br />

the bad e/fects of any injurious thing taken into the<br />

stomach; and figuratively, an expedient to prevent<br />

the bad tendency of any opinion or doctrine.<br />

Anti-nomy, s. Sec N~MOS, p. 21. LL L~-,~;:


I<br />

40 ARC<br />

books of the Apocrypha were cxcluded from the list<br />

of canonical books rluringthe first four centuries of<br />

thechurch; therefore hidden from the public. _H It<br />

is generally agreed, that these books were neyer<br />

admitted into the Hebrew canon: they were all com_<br />

posed after the sacred catalogue was closed: there<br />

are none of them to be fouud iu Hebrew, all of them<br />

are in the Greek; except the 2d Book of Esdras, .<br />

which is only in Latin. The Books of the Apocrypha<br />

are admitted to be read (in the church of England)<br />

for' an example of life and instruction of manners, t<br />

according to the language of our 6th article, which<br />

is an expression adopted fronl Jerome. tI - Reet'es's<br />

Bible.<br />

\ po-lague, s. }<br />

1\po-logy, s.<br />

See LOGOS, p. IS. I Ij_ •<br />

Apo-phthegm,s.from a1rO, ap~,from orforth, amI rpOE')ipa,<br />

pllthegma, utterance. A remarkable s(1ying, a valuable<br />

maxim, uttered on some sudden occasion:"<br />

Apo~stacy, s. from ct7rO, apo, from, and lU'J'7]lJl, istemi, I<br />

stand, keep away. A departure from principles once<br />

professed. - Apostate, from ap~stati:s, a deserter.<br />

Apo-slle, s. See STELLa, p. 29.<br />

Apo-~trophe, s. from a:rro,ap'd, from, and (J'TPE~N,litrcph;;,<br />

. I turn. A figure or mode of expression, in which the<br />

speaker breaks off abruptly, and·directs his discourse<br />

to some other person. In grammar, a notc of contraction,<br />

like a comma; as, tho', for though; fov'd, for<br />

loved.<br />

Apo·t1ieosis, s. See THEas, p. SI.<br />

ArICo-meter, s. See :i.\1ETREO, p. 19.<br />

Arche-type, s. See Turos, p. ·S2•.<br />

Archi-grapher, s. Sec GRArHE, p. 10.<br />

Archi-tect, s. from apxos, arcMs, the chief, and 7"


ASM: 41<br />

Arctic, adj. from apKTOS, arkt~s, a hear. Belonging to<br />

the constellation calied the Bear, which is in the<br />

northernhemisphere; hence the word A RCTIC is applied<br />

to all that relates to the north pole, as, "The Arctic<br />

Expedition." Sec f1.NTARCTIC.<br />

Areo-pagus, apew7rctl'0s, a1'';hllpagos, compounded of<br />

apews,arei'6s, and 7fa..yos, pagos, ", The hill of 1\la1's,"<br />

where .was held the supreme conncil of Athens<br />

[apeos, arl!'6s, genitive case of Ap7Js, Al"es, Mars, 7ta,,/os,<br />

pag'6s, a hill or mound]. The court of Areopagns<br />

was the most sacred and venerable. tribunal of all<br />

Greece. See Acts, chap. xvii. v. 19. In this court<br />

all causes were heard in the darl::, in order that the<br />

senators might not he influenced by seeing either<br />

plaintiff or defendant.<br />

Aristo-cracy, s. Sec KRATEO, p. 13.<br />

Arith-metic, s.. See 1\IETn>:o, p. 19.<br />

Ar-thritic, s. See ANTARTHRITIC.<br />

Aromatic, 8, from apw/U:t, a1'oma, an odour. A terlU<br />

applied to snbstances which have an agreeable spicy<br />

odour and pungent taste.<br />

Ar-rhaphostic, from a, a, not, and pa!fJ?1, "!zal'MJ, a sciun.<br />

" Patent arrhaphostic shoes" arc shoes n~ade ~rom a<br />

single piece of leather without any sea"';<br />

~-5bcstos, s. from a, a, not, and (1(JEVVl:1/-U, sb~nn1lmi,<br />

I destroy by burning. A fossil so called, because it<br />

is capable of resisting the power of fire. The ancients<br />

formed it into cloth, and it is at present used in the<br />

Eupyrion (see EUPVRION, p. 64), because it is able to<br />

resist the power of the acid employed in that preparation.<br />

,<br />

Ascetic, s. from aCTK7JT7JS, asketes, one whony emplo)'ed<br />

in cxercises of elcvotion and mortification.<br />

A-scii, s. Sec SKU., p. 26.<br />

A~mato.graphr,s. See GItArUE, p. 10.<br />

y. 3<br />

II


42 A X I<br />

Asparagus, s. from o.lT7rapal'0s, crsparag'(,s, a gcilcral tet"Th<br />

for )'oung plants, beforc thcy unfold their leavc••<br />

- Asparagus, with us, is restricted to a particular<br />

plant well known in kitchcn-gardens.<br />

A-sphyxia, s. from 0" a, not, and uepu~tS, splmxis, a pulse.<br />

That state of the body during life in which pulsalion<br />

cannot be perceived.<br />

Asthma, s. from auOp.a, asthma, a difficulty in breathing,<br />

A difficult, laborious, and painful respiration.<br />

Astro-Iogy, s. Sec LOGOS, p. 13.<br />

AHtro-nomer, s. Sec NOMOS, 'p. 21.<br />

Astro-Theology.<br />

Theology formed on the oysermtiln<br />

of the celestial bodies. Sec TIIEOLOG" i'ey L. ( .'.<br />

A. sylum, s. from a, a, not, and ","haW, sulao, I pillage.<br />

A place of safety, a place free from pillage.<br />

A-theist, s. See T,IEOS, p. 31.<br />

Atmo.sphere, s. See SPHAlr.A, p. 29.<br />

A-tom, s. from el, a, not, :lnd T


B n A<br />

B.<br />

BAPTIS'!, s. Sec BArTO, p. 6.<br />

Baro-meter, s. Sec lI1ETItEO, p. 19. New Barometer.<br />

Mr. narth of Strns!mrgh has published his discovery<br />

of a Barometer which will announce every change .of<br />

the weather 30 hours before it happens. This instrument,<br />

which, in the time of Galileo, would perhaps<br />

hnve conducted the inventorinto the prisons of the inlJuisition,<br />

will, it is asserted, give notice of thulltlerstorms<br />

12 hours before they OCcur.<br />

Base, s. from f3o.(nr~ basis, that on which any thing stands,<br />

the lJottOln of any thing; hence used in a figurative<br />

sense, as synonymous with low, mean.<br />

Basis has the same origin as BASE.<br />

naro-scope, $. Sec SKOPEO, p. 27.<br />

Bible, s. from {3'€l\os, bib[('s, or (3,€,\IOV, bibli~n, a book.<br />

The llatnC given to the sacred volume in which UfC<br />

contained the revelations of God. In" similar<br />

manner the Mahometans gh'e the title of Alcora" to<br />

lite book which contains the precepts of their religion.<br />

Alcoran is formed of the Arabic words ai, the, and<br />

kordn, book. It is well to remark that it is as erroneous<br />

to say "The Aleor:m," as it would be to say<br />

"The Thebible." Sec" The Koran, commonly<br />

calle,1 the Alcoran, of l\Iohammed," translated into<br />

English by G. SALE, London, 1734,<br />

Riblio-grapher, s. Sec GItAPnO, p. 10.<br />

!3iblio.mania, s. Sec MANIA, p. 18.<br />

Biblio-theca, s. 1!t7)~7), I"iik;:, a repository. A library.<br />

Bi-gamist, s. Sec GA'IOS, p. 8.<br />

Rio-graphy, s. Sec GnAFno, p. 10. Sec also BIOS, p. G.<br />

Dotan)', s. from (3oTaV7), bolan;:, an herb. That part of<br />

natural history which trents of plants, herbs, and<br />

nowers.<br />

Drachy-graph)', s. Sec GItAFnO, p. 10.


44 CAC<br />

Broma, fro;" fJpwila, broma, food of any kind that is<br />

masticated and not drank.<br />

Bronto-logy, s. See LOGos, p. 13.<br />

Bucolic, a(lj. frOln povr, b'6us, an ox (whence bou-kolas,<br />

a shepherd or herdsman). A term applied to poetry<br />

in which shepherds or herdsmen are represented as<br />

speaking. - In composition, bous or bou, means<br />

"large :If" or "much;" hence we have Bn-limy<br />

(linitis; hunger), which signifies an enormous appetite.<br />

- Bou-cephalus, the celebrated horse of Alexander,<br />

received its name on account of its large head. See<br />

eEl'HAI.-ALOIA.<br />

Bullet, s. from fJo7l.'I), b~le (fJCf.7I.7I.w, ballo, I throw), th~<br />

action of throwing, or the thing thrown.<br />

I i<br />

I<br />

CABAL, S. by some, is derivedfl"Om the noise made by the<br />

trampling of horses, in Greek, Kaga7l.1.1js, kaballes: by<br />

others it is said to be of true English origin, al1(l of<br />

no higher authoriW than the time of Charles II.<br />

who, according to Goldsmith, "was beset by some<br />

. desperate counsellors." The principal of these<br />

As/. 2ft V were Clifford, Ashby, Buckingham, Arlington, and<br />

. L ~ Lauderdale; a junto distinguished by the appellation<br />

the "Cabal," a word formed of the initial letters of<br />

their names.<br />

C.<br />

Cach-exy, s. from KaKOS, kak~s, had, and ~~'" h-i!xis, a<br />

habit. Such a habit of body as hinders nutrition and<br />

weakens the vital functions•<br />

.-..: CaeD-ethes, S. from Kalms, kalc'tJs, bad, and ?]611J elhe, custom.<br />

.A bad custom. The word is 'seldom used alone,<br />

but generally in combination with some other word:<br />

as, Cacoethescnrl'enrli, a rage for collecting;' Cacoethes<br />

.. In like manner, we use the word" horse," when<br />

we speak of a "horsc.. radisl)~" a ." horse.-Inugh. n<br />

•.


C A '1 '45<br />

loquelldi, a rage for speaking, II wish 01' itching to<br />

speak frequently in,public; Cacoethes scribendi, an,<br />

itch for writing. He has the cacoethes scribencli; that<br />

is, he is an arrant scribbler.<br />

Caea-phany, s. Sec PnONE, p. 26.<br />

Calea-graphy, s. Sec GRAPIIO, p. 10.<br />

Cali-graphy, s. Sec Gl~APna, p. 10.<br />

Calis-thenic, from "aXos, l({JI~s, fair, and crOeI/OS, stMfnus,<br />

strength. Calisthenic exercises, are exercises devised<br />

for giving strength and elegance to the female figure.<br />

Capno-mancy, s. See ArPENlllx.<br />

Cardi-algia, s. Sec ALGas, 1" 4.<br />

CatuNcomb, s. from Ko:ra., kala, below, nnd IWfL€os,<br />

kumblls, a hollow place. A subterraneous cavity for<br />

the burial of the dead.<br />

Cata-lague, s. Sec I,aGos, p, 1S.<br />

Cata-ract, s.. from KetTet, kala, duwn, anel fJCJ.(f(Jw, rlwsso, I<br />

. dash against. A cascade or fall of water.<br />

Cata-rrh, s. from KetTa, kala, down, and pEW, rllev, I flow.<br />

The disease commonly called a cold in tlle head.<br />

Catn-strophe, s. from fla.'ra, "'-ala, against, and (T'fpeq>w,<br />

str'tpho, I turn. The change which produces the final<br />

eyent in a dranlatic poem, or tragedy; whence it<br />

usually means nn unhappy conclusion.<br />

Catc-chism; s. A form of instruction by question and<br />

answer; or oral instruction, as distinct from 'Written<br />

instruction, and accommodated to thosc who could not<br />

rend. The word is fanned of lect"rct, kata, from side<br />

to sidC', and 71XoS, ~chus, a sound, in allusion to the<br />

noise made in this sort of exercise, or to the zenl antI<br />

earnestness with wl1ich things nrc to be inculcated<br />

into tlIe luinds of learners. .......<br />

Cntc-gol)~, s. from KCl.TCf., kala, according to, :mel Ctj'OpEW,<br />

(l:,(ih-eii, I, speak. A distinct arrnngclnent. 'rhe<br />

odjccth'c categorical is applied to whnt'is precise, a3<br />

(I a catrgOJical answer."


46 eRA<br />

Cathedral, s. from I


CHR 47<br />

Ohili-arch, s. Sec ARCHE, p. 5.<br />

Chiliast, s.f,'om X'A,as, eldlias, a thousand. One who<br />

believes that Christ will reign a thousaud years on<br />

earth before the general judgment.<br />

Chimera, $. from X'f'a,pa, chimaira, a goat. See ArrENDIX.<br />

~ _;-, 1/: ..<br />

Chiro-mancy, $. See ArPENIJIX.<br />

Chiro-Iogy, $. 'See LOGos, p. IS.<br />

Chiro-plast, s. frOln X£Lp, chfJ{r, hand) Rnd 7rAC!.r1'ff(J),<br />

plassu, I form j is the name given to n machine elnployed<br />

in order to form the hand for playing the<br />

piano-forte. 0<br />

Chir-urgy,s. The Engtish word surgery is a corruption<br />

of this word. Chirurgy is formed of XElP, eheir, a<br />

hand, and ffYYOV, ergon, a ,"ark, because surgical operations<br />

arc performed by the hand.<br />

Choler, s. from XOA.'I), cll~lii, bile. Passion. The ancients<br />

supposed that °a superabundance of bile produccd a<br />

disposition to anger. Sec lVIELANClIOLV.<br />

Choro-graphy, $. See GRAPIIE, p. 10.<br />

Christ, $. from XP'CTTOS, ehrist6s anointed. Hence used<br />

as a title of Jesus.. The Anointed, The Christ. It<br />

is of the same import as the Hebrew word :MeSsiah.<br />

So St. John expressly informs us. John i. 20., and<br />

iv. 25. ~II. The word Christ somctimes denotes the<br />

Christian. church, or that society of which Christ is<br />

the hcad, as 1 Cor. xii. 12. 27. - III. It denotes 17/C<br />

doctri"e of CIlIist. Eph. iv. 20. - IV. The ben,!!its<br />

ifChrist. Heb. iii. 14. - V. The Christian Spirit {met<br />

Temper. Eph. iii. 17., Gal. iv. 10. Parkllllr.\t.,<br />

Chromatics, s. from xpwl,a, chroma, colour. That part<br />

of optics which explains the several properties of the<br />

colonrs of light, and of natnral bodies. Chromatic is<br />

* ThewonI"Jesus" means Saviour. Seel\Tatt. i. 21.


CLE<br />

a term applied to a species of music which proceed.<br />

by several semi-tones and minor thirds. 'Why it<br />

received tills denomination is not very clear. "Xp",p.a<br />

(chrama) may, perhaps, not only signify a colow', but<br />

that shade ofa colour by which it melts into another,<br />

or what the French call nuance. Ifthis interpretation<br />

be admitted, it will be highly applicable to scmitoncs;<br />

which, being the smallest inten'al allowed in the<br />

diatonic scale, will most easily run into another. If<br />

(Ellcy.Brit.) "The ch""matic species of music is<br />

admirably fitted to express grief and affliction."<br />

Chromato-graphy, S', Sec GRAPHE, p. 10.<br />

Chronic, adj. from Xpovos, c/wonos, timc. A tenn<br />

applied to diseases which continue a long time.­<br />

The word Chronicle has the same origin.<br />

Chrono-gram, s. See GRAl\UIA, p. 9.<br />

,Chrono-Iogy, s. Sec LOGOS, p. 13.<br />

Chrono-meter, s. See l\1ET""O, p. 19.<br />

Chrysalis, s. from Xpvuos, chrusos, gold. \In natural<br />

history, a state of rest and seeming iuscnsibility,<br />

which butterflies, and several other kinds of insects,<br />

must pass through' before they arrive attheir wingeu<br />

or most perfect state. Many of the butterfly species<br />

appear superbly clothed in gold. These elegant species<br />

have obtained the names Chrysalis and Aurelia,<br />

which are deriveu from the Greek and Latin words,<br />

signifying gold; and from these all other bodies of<br />

the same kind have been called by the same name,<br />

though less or not at aU entitled to them•<br />

...J' Chryso-preia, s. from xplJdOr, cllrusos, gold, and 1rOfEW,<br />

powii, 1 make. The supposed artof making gold.<br />

Chyle, s. from XVAos, cllldils, jniee or liqnid. The<br />

milk-like fluid formed in the stomach by digestion,<br />

anu afterwarus changed into bloou.<br />

Clepsyura, s. from 1


eLI<br />

Cler"Y, from I


50 COM<br />

in the following instance: H After we have practised<br />

good actions awhile, they become easy; and when they<br />

urc casy, we begin to take pleasure in them; and<br />

when they please us, we do them frequently; and hy<br />

frequency of acts, a thing grows into a habit, and<br />

confirmed habit is a second -kind of nature; and so<br />

. far as any thing is natural, so far it is necessary, and<br />

we can hardly do otherwise; nay, we do it nlany<br />

times when we do not think of it."- Dr. 'l'illotson.<br />

~oflin, s. from HO¢WDS, kophinos, n coffer or coffin. The<br />

chest in which a dead body is usually put for inter­<br />

1nent. Being put into a coffin was by'the ancients<br />

. considered as a mark ofthe highest distinction, though<br />

with· us the poorest people have their coflim. At<br />

this day, in the East, they arc not at all made hSC of.<br />

Joseph II. Emperor of Germany,.in 1781, enacted<br />

a law by which the interment of dead bodies was<br />

prohibited; nay, it was ordered that they should be<br />

buried in bags, amI covered with qnicklime, in order<br />

to promote their pntrefaetion, and prevent the exhalation<br />

of noxious vapours. The regulation met<br />

with so universal and decided an opposition, that the<br />

monarch was speedily indnced to repeaHt.<br />

Comedy, So Sec AEIDO, p. 1.<br />

Comet, s. A heavenly body in the planetary region,<br />

appearing snddenly, and again disappearing; and,<br />

during the time of its appearance; moving in its proper<br />

orbit like a planet. The popular division of comets<br />

into tailcd, bearded, and hairy, rather relates. to the<br />

different circumstances of the same comet, than to the<br />

phenomena ofseveral._ ThuS", ",-hen the comet is westward<br />

onhe sun, and sets after it, the comet is said to<br />

be tailed, hecause·" train of light follows it in the<br />

manner lIf a tail; when the comet is eastward of the<br />

sun, and moves from it, the comet is said to be<br />

bearded, because the light is before it in the manner<br />

of a beard; lastly, when the comet and the sun are<br />

diametrically opposite (the earth between them), the<br />

I<br />

)<br />

(


COS 51<br />

train is hid behind the body of the comet, except a<br />

little that appears round it in the form of a border qf<br />

!lair; and from this last appearance the word comet is<br />

derived; the Greek word 1


52 C 11 I<br />

Cosm-orama, s. See 0 RA)lA, p. 2S.<br />

Crime, s. from "ptp.a., l.:·'l"ima, a transgression of the law.<br />

" It is a melancholy truth, that among the ,""riely of<br />

actions which men nrc daily liable to commit, no less<br />

than 160 have ueen declared by act of parliament to<br />

be felonies without benefit of clergy; or, in other<br />

words, to be crimes which incnr the penalty of capital<br />

punishment, that is, death." In distinguishing between<br />

words often esteemed synonymous, we m3)p<br />

remark, that actions contrary to the precepts of<br />

religion, arc sins,· actions contrary to the principles<br />

of morals, are called vices; and actions contrary to<br />

the laws of the state, arc called crimes. Consistentl)·<br />

with this, a sin is the object of Theology; a vice, of<br />

Ethics; and a crime, of Jurisprudence.<br />

Crisis, s. from "PIC"'S, krisis, the act of fOlming a jndgment.<br />

The sudden change of symptoms in acnte,<br />

febrile diseases, indicating recoyery or death; it<br />

denotes also the point of time at which any affair<br />

comes to its height.<br />

Criterion, s. from "pt'T'1]pfOV, kriteri~n, a mark by which<br />

any thing is judged of, with regard to its goodness or<br />

badness. . .<br />

Critic, s. from KptPw, krillu, I discern. One who is<br />

capable of judging in matters of literature, and able<br />

to distinguish the beauties and £~ults of writing; it is<br />

also used to express a person apt to find fault.<br />

Critical, adj. from KpWW, krino, I discern. Exact, nicely<br />

judicious.- CRITICAL DAYS. l\fany physicians have<br />

been of opinion, that there is something ,in the nature<br />

of fevers, which generally determines them to be of a<br />

certain duration; and therefore that their terminations,<br />

whether salutary or fatal, happen at certain periods of<br />

the disease, rather than at others. These periods are<br />

called critical days• . The critical dap are the Sd, 5th,<br />

7th, 9th, lIth, 14th, 17th, 20th.


eye 53<br />

Crypt, s. from "purrT"', leruplo, I hide. A slIbterraneous<br />

cellm', or vault, especially under" church, for the<br />

interment of particular families or persons.<br />

C"ypto-graphy, s. See GRAPHE, p. 10.<br />

Crystal, s. from "purrTCJ.1\.1\.os, lcrust"IWs, icc. The term<br />

crystal seems to have been first applied to rock crystal,<br />

for, from its hyaline appearance, and its being procured<br />

among cold mountainous regions, in which icc<br />

is to be found in all seasons of the year, it bears a<br />

much nearer resemblance- to icc than any other crystallized<br />

substance; and was at first supposed to be<br />

nothing more than water indurated by continued<br />

frost to a greater degree than COlnmOll icc, and there..<br />

fore morc permanent. The tertn was, however, afterwards<br />

used in a more extended sense, and applied to<br />

all substances, uniting, after a separation of their<br />

lJarticlcs, into a regular figure. Thus the term is<br />

used to express salts congealed in the manner of<br />

crystal.<br />

Cube, s. from "ugos, lcllb~s, a die. A regular solid<br />

body, consisting of six square aUlI equal faces 01'<br />

sides, with the angles all right, and therefore equal.<br />

- CUBES AND SQUARES OF NUMBERS. The square<br />

root of a nnmber is that which, multiplied by itself,<br />

produces the square, thus,<br />

1 1<br />

1 1<br />

1 1<br />

:; is the square root of 9, and 9 is the square of 3.<br />

The cubes oreubitnumbers arc fonned bymnltiplying<br />

any numbers twice hy themselves, thus 3 is the cube<br />

Tool of 27 (3 times 3 arc nine, and 3 times 9 arc 27),<br />

and 27 is the cube of 3.<br />

Cyclo-predia, s. from KUKXOS, kukl'6s, a circle, and '1TaIBerlT,<br />

lJaideia, instruction. A course of the sciences. The<br />

term has of late been applied to books which, without<br />

pretending to exhibit the entire circle of the sciences.<br />

F 3


DES<br />

convey a familiar and instructive exposition' of the<br />

most important of them. Of the various books published<br />

under the title of Pocket Cyclopredia, that<br />

edited by 1\lr. l\1ILLA RD is, perhaps, the best that can<br />

be named. It is' riot a lncre compilation, as, in consequence<br />

of the public situation held by the editor, he<br />

has been enabled to give an accurate and interesting<br />

view of the various branches of thesciences, either<br />

from his personal knowledge, or by the assistance of<br />

some of the first practical men of the metropolis.<br />

Cyclops, s. A race of men of gigantic stature, who<br />

inhabited the western part of Sicily. They arc said'<br />

to have had but one eye, and that in the middle of<br />

the forehead; whence their name, ''"''ADS, kuklas, a<br />

circle, and 0''''' ops, an eye. The tradition of their<br />

having but one eye originating from their wearing<br />

bucklers which had a small aperture in the middle.<br />

Cylinder, $. from "vAw5w, kulindo, I roll. A body<br />

]laving a circular form.<br />

Cynic, 8: from' ICVVllCOS, kU1Zikos, dog-like. A term<br />

applied to a critic who is too apt to find fault.<br />

D.<br />

DAeTY-LOGY, s. See LOGOS, p. 13.<br />

Deacon, s. from OlCtI{OVOS, diakonus, a minister, whose<br />

office is to assist the priest at the altar.<br />

Deea-gon, $. See GONIA, p. 9.<br />

Deea-logue, ,s, See LOGOS, p. 13.<br />

Dem-agogue, s. See AGO, p. 4.<br />

Demo-eraey, $. See KRATOS, p: 13.<br />

Demono-latry, $. from oa,p.wv,· daimon, an evil spirit,<br />

and AaTp


l<br />

D!A 55<br />

- Deutero-nomy, s. Sec NOMOS, p. 21.<br />

Diadem, s. from 0,,,01)1-''', di"diJma, a mark of royalty<br />

worn on the head.<br />

})i-reresis,from lim:, dia, asunder, and atpew, aireo, I<br />

take. The disjunction 01' separation of letters, as in<br />

the word "erial. The act of dividing.<br />

Diagnosis, ,so from ota:YWCc.lO'KW, diaginosko, I know<br />

thoroughly, signifies the distinction of the nature of<br />

one disease from that of another resembling it, by<br />

means of a collected view of the symptoms. Sec<br />

PnOGNOsIS.<br />

\<br />

Dia-gonal, s. See GONIA, p. 9.<br />

Dia-gram, s. Sec GRA]IMA, p. 9.<br />

Dialect, s., from O,a~EI('TOS, diaa!kt~s, a dialect, which is<br />

_from the verb O',,7I.E'YOf'''I, diareg~mai, I discourse.<br />

T!,e peculiar language of some province, or part of<br />

a nation,. formed by corruption of the general or<br />

national language. In Great Britain, almost every<br />

county has a dialect of its own; all differing considerably<br />

in pronunciation,_accent, and tone, though<br />

the language is the same.<br />

Dialeetics,~. (S~e DIALECT.) That branch of logic<br />

which teach~s the rules and Inodc of reasoning.<br />

. Dia-Iogue. Sec LOGOS, p. IS•<br />

.Diu-meter, s. See :lVIETRO, p. 19.<br />

Din-pason, $. from ata, dia, through, and 1rQS, pas, all.<br />

A chord in music including all the tones.<br />

Dia-phanous, adj. from 0,,,, dia, through, and


-::-.<br />

56 DIL<br />

Dia-r-rhrea, s, from Ola, dia, through, aud P~"" r!leo, I<br />

flow. A looseness.<br />

Din-stoIc, s. from ala, dia, asunder, and uTe]..]..w, slt!IUJ,<br />

I stretcb. The dilatation of the heart, the opposite<br />

to 8gstole. . .<br />

Dia-touic, aev, a tcrm signifying the ordinary s"rt of<br />

mU5ic, which proceeds by tones or degrees. It contains<br />

only the greater and l.csser tonc t and the greater<br />

semitone. Diatonic is compounded of o~a, dia, n<br />

preposition signif),jng 3 transition from one thing<br />

to another, and the substantive TOVOS', tonos, which<br />

imports n given degree of tension. See TONE.<br />

Din-tribe, s. from ala, dia, through, and "P!(Jw, irivu,<br />

I weal'. A tedious disputation.<br />

Didactic, adj, from oloaCT""', didasko, I teacb. A terl11<br />

applied to writings which inculcate moral prccepts.<br />

Dj-lemma, s. from DU', dis, twice, and A1Jfl.fl.a, lemma,<br />

an argument. An argument condsting of two or<br />

more propositions, so dispo>ed, that, grant which you<br />

will of them; yon will be pressed by the conclusion:<br />

as in the following celebrated dilemma. " A youth<br />

named Evathlus engaged with Protagoras to leal'll<br />

dialectics, upon condition that he should pay him a<br />

large sum of money the first cause he pleaded, in case<br />

lie gained the same. Evathlus, when fully instructed,<br />

refused to pay the condition. Protagoras brings his<br />

action, arguing thus: 'You must pay the money<br />

, hOWCVPT the cause go; for if I gain, you must pay<br />

, in consequence of the sentence, as being cast in the<br />

, cause; and if you gain it, )'OU must pay in pur­<br />

, sunnce of onr. covenant.' 'Nay,' Evathlns retorts,<br />

t which way soever the cause is decided, you will<br />

'have nothing; for if I prevail, the sentence gives<br />

, it that nothing is due; and if I lose, then there<br />

'is nothing due by the covenant.' It is said't1mt<br />

the court, unable to decide in favour of either party, .<br />

ordered them to appear a hundrcd years aftcrward~


DIS 57<br />

to receive judgment." The word is nOw commonly<br />

used to express a difficult or doubtful choice; a vexatious<br />

alternative.<br />

Dio-astro-doxon, s. from om, dia, through or by, acrT7/p,<br />

aster, a star, and oo~a, noxa; glory. The name given<br />

to a machine constructed lately by :1\1r. Lloyd, and<br />

intended to show the glory of the stars. See E!­<br />

DOURANlON.<br />

Dio-cese, ,5. Sec OIKEO, p. 22.<br />

Di.orama, s. Sec OnA'lA, p. 23.<br />

Di-phth~ng, s. Sec PllTIIONGOS, p. 26.<br />

Diploma, s. from onI"A"'l-'a, diploma (o'7I"AOOS, 'dipWos,<br />

double), "double thing, or that of which there is a<br />

duplicate. It was originally a letter or writing of a<br />

sovereign, conferring a title or dignity, or granting<br />

some privilege, of which a duplicate was kept. These<br />

instruments were originally written on tables of wax<br />

fohled together, whence their name. The term is<br />

now restricted to the instrument by which a legalised<br />

incorporation, as a university or college, -confers n<br />

title or dignit)·, or a privilege to practise in a learned<br />

llrofcssion.<br />

Diplomacy is the knowlellge of the relations of<br />

independent states to each other. Diplomatics is the<br />

science of diplomas, or of ancient litcrar)~mOnUlTICnts,<br />

public documents, &c. Diplomatics is now more<br />

commonly usell to denote that branch of knowledge<br />

which ought to be possessed by an ambassador to a<br />

foreign court. The art of diplomatics has been<br />

cultivated with great assiduity by every country in<br />

Europe, for many )'ears past. The principal aim of<br />

the Corps Diplomatique (as the J1I'ench term ambassadors)<br />

is to discover the movements and intentions<br />

of their brethren, and to conceal their own.<br />

Disk, s. from 01(m05, diskos, " dish, also '" quoit. The<br />

face of the sun or any planet, such us it nppcars to us.<br />

Though rach of these bodies is nearl)' spherical, it


58 DUD<br />

appears as a circular plane, an,l this is the disk. Tllc<br />

disk of a leaf is the whole surface; the disk of a<br />

flower is the central part. The discus of the ancients<br />

is sometimes called, in English, qutJit, but improperly;<br />

the game of quoits is a game of skill. [Quoit is<br />

from the Dutch word ceele, and means something<br />

which is thrown at a certain object, placed-at a great<br />

distance.] The discus was only a trial of strength,<br />

as among us is the ga~e of throwing the hammer.<br />

[The discus was a dish, as above Incntioncd; it was<br />

also a hroad piece of stone or metal used in a gymnastic<br />

exercise, wherein he was victor who threw it<br />

highest, or to the greatest distance.]<br />

Dis-syllahle, s. See SULLABE, p. SO.<br />

Di-stich, s. Sec STIClIOS, p. SO.<br />

Docimasia, s. from Bolt,par""


EeL 59<br />

iJrllo-prcdia, the title of a work lately published relative<br />

to the Druidical System of Edueatioll. [For<br />

tho meaning of" pmdia," sec ENCYCLOP.JEIlIA.]<br />

Dryads, s. from lipvs, drlts, an oak. A species of female<br />

deities, supposed by the anciellts to preside over the<br />

woods. It is probable that the origin of the preceding<br />

word Druid has been confounded with the origin of<br />

the word now under consideration..<br />

Dynamics, s. from OvvaJ.1.ts, clunamis, power. That<br />

llart of mechanics which has for its object the action<br />

of forces on solid bodies, when the result of that<br />

actiorl is Illation.<br />

Dynamo-meter, s. See lIfETltEO, p. 19.<br />

Dynast)", s. from OUVat1T1]S, clunastes, government. A<br />

race or succession of kings in the same line or famil)".<br />

Dys-pepsia,s. from livs, dllS, bad, and 1wrTW, pep/ti, I<br />

concoct. TInel digestion.<br />

Dys-pnrea, s. from livs, dlts, bad, and :1I"V'W, plleU, I<br />

. breathe. A diffieulty of breathing.<br />

E.<br />

ECCLESIASTIC, s. from EKKA1]lTtet, 'iJkklesia, the church.<br />

A person dedicated to the ministry.<br />

Echo, . s. from 71Xos, cch'tJs, n sound.<br />

sound.<br />

The return of a<br />

Ec-lectie, adj. from EIe, 'ek, out of, and AEICTOS, (Cl:t'6s,<br />

collected. One of those philosophers, who, without<br />

attaching themselves to any particular sect, took from<br />

any what they judged good. The term is now used<br />

as the title of a review.<br />

Ec-tips£.>, s. from EIC, tfk, out of, and AEf1rOO, !e,i/u, I leave.<br />

The obscuration or darkening of the luminaries of<br />

heaven. ~<br />

Ec-Iogue, s. See LOGOS, 1'. 13.


60 EMP<br />

Eco-nomy, s. Sce NOMOS, p. 21.·<br />

Ec-sbsy, s. frOlTI EK, 'ek, ·out of.' and o'Tcto'lf, stasis, a<br />

standing. An excess ofjoy. Any passion hy which<br />

the thoughts are ahsorbed, and in which the mind is<br />

for a time lost.<br />

Eid-ouranion, s. from EJ150S, eiclt)s, a form,


ENe 61<br />

laid on any word or sentence, or peculiar fOl'CC impressed<br />

by style or pronunciation. The great importance<br />

of emphasi, may be seen by the following<br />

exampIe : - Will you call on me to-morrow ? Yes,<br />

Ishall cal/. - 'Vill you call on me to-morrow? No,<br />

but I shall call On .'/ollr brother. - 'Viii you call on<br />

me to-morrow? No, but I shall call on thefollowing<br />

day. - '/Till you call on me to-morrow? No, but<br />

my brother will. .<br />

Empiric, s. ii-om £}!7rEtplKOS, i!mp(firik"'(5s, one who makes<br />

experiments. One who practises the healing art upon<br />

experience, and not theory. This. is the, true sense<br />

in which it was originally applied, in opposition to<br />

the methodists, who were actuated by some theory or<br />

other; but it is now applied, in a very opposite sense,<br />

to those who deviate from the line of conduct pursued<br />

by scientific and regular practitioners, and vcnd<br />

nostrums, or sound their own praise in the public<br />

papers. [Nostrum is a me


62 E P I<br />

frequent in French, dcmnez Ie 1II0i (give it to me).<br />

est-ce llli (is it he), and particularly in parM]e, where<br />

tlte last syllable ofparle must be accented before the<br />

Enclitic. In Italian and Spanish the Enclitic is<br />

joined." (VaZpy's Greek Grammar.) Therc are others<br />

which" may be called Proclitics, as they ,incline the<br />

nccent on the following word: thus, i~l English, the<br />

article the is pronounced quickly, as ifit mnde part of<br />

the following word. In poetry it coalesces with it,<br />

ns ' Above lit..' Aonian mount.' 11 - Valpyo .<br />

En·comiurn, s. frOtn EV, en, in, amI HW}-4at'CAJ, kumazii, I<br />

celebrate in song. Praise,<br />

En..cyclo-predia, s. from lEV, en, in, KIJKAOS, l:ukl'tJs, a circle,<br />

and "al~ela, paidlfia, education. A work which treats<br />

of the whole circle of sciences.<br />

Endeca-gon, s. See GONIA, p. 9.<br />

En-demie, a,y. See DEnIOs, 1" 7.<br />

En.ergy, s. from EV, en, in, and EnOV, erg'tJn, work.<br />

Peculiar force.<br />

Enigma, s. from alVl'l'l'a, ainigma.. A term applied to<br />

that which is expressed in an· ambiguous manner.<br />

Enigmatically, (adverb) inasense which is diflerentfrom<br />

that which words in their familiar acceptation imply.<br />

Ennea-gon, s. See GONIA, p. 9.<br />

Entelcchia, EJlTEi\eXEla:, entewcllein.Thc state of a thing<br />

when complete, perfection, form; i. e. EIOOS,'cidt>s, one<br />

of the three great principles of creation held by<br />

Aristotle. "Of the secret workings of the spirit,<br />

enteleclda, or' soul, we arc not conscious."-Haslam's<br />

Lectures.<br />

Entomo-Iogy, s. See LOGOS, p. 1S.<br />

Enthusiast, s. See THEOs, p. S1.<br />

Ep-hemeris, s. from E71"1, IIpi, upon, and ~fl'P(l"<br />

a day. ,An account of daily events.<br />

Epi-demic, adj. See DEnIOs, p. 7.<br />

'l-'i!ma,


EPO 63<br />

Epi-dcl'mis, s. from E7I"1, epi, upon, and oepJ'(I., ([erma,<br />

the skin. The scarfor outer thin skin.<br />

Epi-gram, s. See GRAM>IA, p. 9.<br />

Epi-logue, s. See LOGos, p. 13.<br />

Epi-phany, s. from Em, epi, upon, and epCUVCIJ, plzaino, I<br />

appear. . The commemoration of our Saviour's mani.<br />

festation to the world by the blazing star, which conducted<br />

the magi to the place where he was.<br />

Epi-scopal, ae[j. See SKOPEO, p. 27.<br />

Epi.stle, s. See STELLO, p. 29.<br />

Epi-s-ode, s. See AEIDO, p. 1.<br />

Epi-taph, s. frOlu E7rI, cpi, upon, and "aepo;, taph'6s, a<br />

tomb. An inscription on a tomb. The French<br />

have a proverb, ]'fenti>' eamme une epitaph; " To lie<br />

like an epitaph;" in allu·sion to the eulogics ordi.<br />

narily contained therein, which are not always rigidly<br />

just.<br />

Epi-thalamium, s. frOIn em, C!pi, upon, and ~aA.ap.os,<br />

thalamus, a marriage bed. A nuptial song.<br />

Epi.thet, s. from ~7I"l, IIpi, upon, and 'newu, titleemi, I'<br />

place. A word denoting any quality, good or bad,<br />

in the person or thing to which it is applied. In the<br />

phrase " Alexander the Great," great is nn epithet,<br />

inasmuch as it designatcsAIcxander in distinction from<br />

all other persons; it is an adjective, as it expresses a<br />

quality in distinction from the noun. Thus the same<br />

word is an cpU/let, as it qualifies the sense; it is an<br />

ndjective as it is a part of speech.<br />

Epoch, or Epocha, s. from .T'OX'l), IIp~che, signifies a<br />

resting.place, bnt appliecl to n time from which some<br />

dates nre numbered, nnd to a period of time dis.<br />

tinguished by SOlnc remarkable c\'cnt or cvent~.<br />

" The grand rebellion is an epaella in the Hi"tor)" of<br />

England."<br />

El'0ode, s. See ODE, p. I.<br />

G Q


EUT<br />

Eu-pyrion, 3~ from EV, Cll~ good, mul 7rVP; pur, fire.<br />

The 'name given to a newly invented fire-box.<br />

Erotic, avo from EpWTOS, ~rulos, genitive of EpCdS, (:1"-oS,<br />

love. Relating to the passion of love, as Erotic<br />

Poems.<br />

Ethics, s. from 7)Oos, iJlh~s. A system of morality.<br />

Ethnic,' Q(lj. from EOVOS, ctlmus. A pagan.<br />

Etymon, and Et)'mo-Iog)', s. See LOGOS, p. 13.<br />

n<br />

Ev-angelist, s. from EV, eu, good, and a"Y'YEAAw, aggtfllo.<br />

to declare. 'A nmne given to the writers .of the Four<br />

Gospels.<br />

Eucharist, s. frOln EvXaplCfTla, cllcharistia, thanksgiving.<br />

The sacrament in which we lhanlifllll!l commemorate<br />

the death of CllllSt. The Lord's.Sllpper.<br />

Eudio-meter, s. Sec l\IF.TllON, p. 19. '>.J. \.'\"\ It,.~ .. t,) ;:: \'f·<br />

Eu-logy, s. .See LOGOS, p. l~. t\ .;<br />

En-phony, s. (See PnmlE, p. 26.)-Eu--phollon. "Pinnock's<br />

Patent Grand Euphollon is submitted to the<br />

musical world as an instrument every way entitled to<br />

their notice and patronage. Its exterior bears a ncar<br />

resemblance to the upright gran'l piano-forte, but its<br />

interior construction is altogether different. It produces<br />

the most nlelodious sounds, and is n'mnrkablc<br />

for its sweetness, power, rm


GAM 65<br />

Ex~ergllc, s. from E~, eot, from or out of, and epi'oJl, (fr..<br />

g~n, a work. The space between the work and the<br />

edge of a medal, on which the inscription is usually<br />

pnt.<br />

Ex-odus, s. from fE, ex, from or out of, and DUOS, od~s,<br />

a way. A departurc from a place. The second<br />

book of Moses is so called, because it descri"es the<br />

journey of the Israelites out of Egypt.<br />

Ex-orcise, v. a. from EC;t ex, out of, and OpICft"', t1rkizo, I<br />

abjure. To deliver from the inflnence of evil spirits<br />

by re]igious rites.<br />

Exotics, $. (rmn E~CI)Tl«OS, exotik'Us, foreign. Plants<br />

brought from a foreign country, or produced in it.<br />

F.<br />

FANTASY, $. from ¢CWTuCflU, phantasia, an appearance.<br />

Something imaginar~" subsisting only in the fane)'.<br />

G.<br />

GALAXY, s. from oya;>'a, gala, milk. A stream of light<br />

in the sky, so called from its white appearance. The<br />

"galaxy or milky way is composed of an infinite number<br />

of stars.<br />

Gamut, Gammut, s. The scale of musicaluotes. Guy<br />

of Arezzo, who reformed the church music about the<br />

year ] O~4, composed a musical scale with these six<br />

words, ut, re, mi, fa, sol, lao Afterwards he placed<br />

on the side of these notes, the following seven letters,<br />

A, B, C, D, E, F, G. And by reason that IlC placed<br />

the letter G (called ill Greek gamma) on the note<br />

which he Ilad added to his ancient system, the whole<br />

scale was therefore denominated, as it is to this dn)'J<br />

gamut. [Query. I 'Vas it not gamma."t?]<br />

G :3


66 GYM<br />

Genesis, s~ from I'€Vea'iS, gcnt!sis J a generation. The<br />

first book of Scripture is so termed, because it treats<br />

of the produetion of the 'yorld.<br />

Genca-Iogy, s. See J.ooos, p. 13.<br />

Genc.arch, s. See AnclIos, p. 5.<br />

Genethlia-Iogy, s. See Laoas, p. 13.<br />

Gco-chrono:'logy, $. from I'll, ge, the earth, and xpOJlOS,<br />

cllr~n~s, time. (See Looos, p. 13.) - Geochronology<br />

of Europe. The title of a map, published by<br />

1\1r. Harris, St. Paul's Church Yard, which exhibits<br />

at one view the geographical situation of countries,<br />

and the chronological succession of the soyereigns<br />

which have governed them.<br />

Geo-graphy, s. See GRAPllE, p. 10.<br />

Geo-Iogy, s. See Laoas, p. 13.<br />

Geo-metry, s. See lVIETRON, p. 19.<br />

- Ge-orgics, s. from ')''11, ge, the earth, and 'P'Y0v, ~rg~n,<br />

work; A poem relating to husbandry.<br />

Glossary, s. from ')'AW


HEP 67<br />

O'O""O'T'l/S, $~p1liste$, a sophist. A term applied to a<br />

sect of Indian phil9Sophers who go naked.<br />

Gynmco-cracy,. $..<br />

See KRATOS, p. IS.<br />

H.<br />

HAGIO-GRAPlIA, $. Sec GRAPHO, p. 10.<br />

Halo, s. from ""OJs, h-alOs, area of a circle. A meteor<br />

surrounding the moon in the form of a ring.<br />

Harmony, $. from "ppav,o, h-arm15nia, an agreement of<br />

parts." See )\'fELODY.<br />

Harpy~ $. from "p7ratOJ, h-arpaz'ii, I snatch away. A<br />

fabulous kind of bird said to be exceedingly voracious.<br />

Hebdomad, s. from USapo, h-ebrI6ma, seven. A week.<br />

Hebdomadal publications arc those which are issue,l<br />

weekly.<br />

Hebe, $. from ~€'I/, h-ehi!, youth. The heathen goddess<br />

of youth.<br />

HecatoI)lb, $. from ~"oTav, h-ekat~n, a hundred, and<br />

(3avs, b15us, an ox. A sacrifice of a llUndred .oxen.<br />

Helio-scope, $. See SKOPEO, p. 27.<br />

Hemi-sphere, $. See SPHAIRA, p. 29.<br />

Hemi-stich,s. See STICIIOS, p. SO;<br />

Hemo-r-rhage, s. from al/Lo, h-aima, blood, and p'OJ,<br />

rMo, I flow. A flowing of blood.<br />

Hepta-gon, $. See GON'A, p. 9•<br />

. ~ " It appears that I-Iarmony, as we call it, was unknown<br />

to the ancients: they used that term as we use<br />

simple melody, when we speak of it as a thing distinguished<br />

from modulated air. The term melody was<br />

npplied ~ what we call (Air,' or 'Song.'''- Burney.


68 HYB<br />

Hept-~rchy,s. See ARCIlE, p. 5.<br />

:Heresy, s. {rmn alpEGu, h-airesis, n wrong opinion..- An<br />

opinion different from that received by the church.<br />

IIcro, s. fronl ~P(dS, h-eros, one that prescnoes. A man<br />

eminent for his bravery.<br />

Hetero.dox, s. See DOXA, 1" 7.<br />

Hetero-geneous, m{j. See GENOS, p. 8.<br />

Hetero-scii, s. See SKIA, p. 26.<br />

Hexa-gon, s. See GONIA, p. 9.<br />

Hier-archy, s. See ARCHE, p. 5.<br />

Hiero-glyphs, s. from I,pos, 1I-iifr'5s, sacred, and 7l.v'Pw,<br />

·glupllO, I carve. The symbolical characters used by<br />

the ancient Egyptiaus.<br />

Hippo-drome, s. from I".,ros, ',-ipp'i$s, allOrse, and ~pop.os,<br />

. dramas, a course. A racc-course.<br />

Homily, s. from hp.'l.


HYP 69<br />

species; these arc extremely common, and as produc.<br />

tive as the simple vegetable. /,'<br />

Hydm, s. from vowp, It-udor, waleI'. A term applied to<br />

a monstrous kind of water-serpent said to have<br />

several heads. It is supposed that the Hydra was<br />

a multitude of serpenls that infested the marshes of<br />

Lerna in Greece. These Hercules is said to have<br />

extirpated by setting fire to the reeds in which they<br />

lodged. The word is sometimes applied, as an<br />

epithet, to that which is productive of a multiplicity<br />

of evils. Thus, an outrageous mob is figurative])'<br />

termed" a hydra-headed monster."<br />

I-Iydr-a~llics, s. frOln ;'Bwp, ll·udur, water, and aVAos,<br />

aul'iJs, a pipe. The'science of conveying water hy<br />

pipes.<br />

Hydro-meter, s. See lIfE'fREO, p. 19. ~', ,~ t', ,1. '"He «.:- i"r-<br />

•<br />

H)'dro-metro-graph, s. See GR~rHE, p. 10.<br />

'\ I<br />

lI)'dro-stntics, s. fro"m {,owp, !l-udul', water, and C1TaTlK.,.<br />

stalike, the science of weighing. The science which<br />

treats of weighing fluids, or of weighing hodies in<br />

fluids.<br />

Hydro-gen, s. Sec GENO, p. 8.<br />

Hydro-phobia, s. from vowp, It-udor, waleI', and


70 JOT<br />

any thing is increased 01' decreased heyond the exact<br />

truth.<br />

Hyper-myri-orama, s. Sec ORAMA, p. 28.<br />

Hypo-chondria, s. A species of melancholy fOlme'ly<br />

supposed to arise from disease in the IIYPOCHONDRES,<br />

that is, those parts of the hody which lie under the<br />

false rihs. IIypochondres is formed of ~"o, "-1lP~,<br />

linder, and xovopos, chondr'6s, a cartilage.<br />

lIypo-thesis, $. from v7ro, Tt-upo, under, and iJ'E(nr, thesis,<br />

a position. A syslem formed on principles not absolutely<br />

certain.<br />

1.<br />

ICmlO-GRArIlY, s. See GRAr'lE, p. 10.<br />

Iehthy-o-graphy, s. Sec GRAPIIE, p. 10.<br />

Ichthy-o-logy, s. See LOGos, p. 18.<br />

Ichthy-o-phagi, s. See PIIAGO,. p. 25.<br />

Icon-a-clast, s. from ELKWV, eikun, an image, anUIi7\o.w,<br />

klao, I break. A destroyer of images.<br />

Icono-graphy, s. Sec GRArIlE, p. !O.<br />

Idea, s. from toea, idea, the image or resemblance of u.<br />

thing which, though not seen, is conceived by the<br />

mind.<br />

Idiom, s. from ,alOS, 1IZiOs, peculiar. A mode of speak_<br />

ing pecnliar to a langnage. Thus," Is Mr. A. at<br />

home?" is a phrase conformable to the idiom of the<br />

English language. If we translate this into French,<br />

and 1'e-translate the expression into English, we<br />

should say, "Mr. A. is he at home?" This would<br />

be an English phrase, wntte!\ according to the idiom<br />

of the French language.<br />

Ido-Iater, s. from Ela",;\.OV, 1!idol'iJn, an idol, and },.arpEla,<br />

Zatreio, worship. One who worships idols. -<br />

Jot, or Iota, s. from 'WTa, iota, the name of the vowel i


LAC 71<br />

ill the Greek alphabet. These words are used in a<br />

figurative sense to designate the least quantity possible<br />

of any thing.<br />

'<br />

Irony, s. from ErpCAJVEta., eiro~eia, a mode of speech in<br />

which the meaning is quite contrary to the words.<br />

Iso-ehronous, adj. See CIIIIONOS, p. 7.<br />

K.<br />

KAL-EIDO-SCOPE, s. (Sec SKOPEO" p', 27.) "Musical<br />

Kaleidoscope. A very curious invcntion has becn<br />

made in the art of musical composition. Cards are<br />

prepared, on each of which a bar of an air is arrange!1<br />

according to a certain rhythm and key; Four packs<br />

of these cards marked A, B, C, D, are mingled<br />

together; and as the cards are drawn and arrangel!<br />

before a performer in the order of that series, it ,,,ill<br />

be found an original air is obtained. The invention<br />

may be called Musical Permutation. 'It has received,<br />

however, improperly, that of Musical Kaleidoscope."<br />

[Permutation is formed from the Latin word permltlo,<br />

I change frequently.]<br />

Kalo-gynomia, s. from ICa7l.os, !caWs, beautiful, and 'YUV'fI,<br />

gUM, 'woman; ,the title of n book relative to Female<br />

Beauty.<br />

Kemmo-graphic, adj. Sec GIlArHE, p. 10.<br />

L.<br />

LACONIC, adj. from AaIC",vla, Lakon;a, the nameofa country<br />

in ancient Greece, ofwhich Sparta was the capital.<br />

The Spartans being taught to think profonndly and<br />

to express themselves concisely, obtained such a habit<br />

ofanswering sharply, and were so remarkable forthe<br />

sharpness of their repartees, that" laconic brevity"<br />

became a by-word; and the epithet laconic is still<br />

npplied to a sentence that conveys much in a few<br />

words; such, for example, is that answer returned by<br />

Il,e Spart.~ns to a long epistle of an enemy, threaten-


72 LIT<br />

iog to destroy them by fire and sword: "if, ". that is,<br />

"do if you can." Or that epistle of Cresar to the·<br />

Roman Senate, after conquering Phnrnaces, King of<br />

Pautus, ]Teni, Vidi, riel; " I came, I saw, I COilquered."<br />

Lemma, s. a thing which is taken. This term denote.<br />

a previous proposition, laid down in order to clear<br />

the way for some following demonstration.<br />

Lexico-grapher, s. See GRAl'HE, p. 10.<br />

Litany, s. from AlTav..", litall~ia, supplication. A.<br />

solemn form of supplication to God, in which the<br />

priest utters some things fit to be prayed for, and tllC<br />

people join in the intercession, saying, "·We beseech<br />

thee to hear us, good Lord," &c.<br />

At first Litanies were not fixed to any stated time,<br />

but were only employed as exigencies required. They<br />

were observed, in imitation of. the Ninevites, with<br />

ardent supplications and fastings to avert threatening<br />

judgments of fire, earthquakes, inundations, or hostile<br />

invasions. About 400 years after Christ, litanies<br />

began to be used in processions, the people walkinO"<br />

barefoot, and repeating them with great devotion~<br />

and it is pretended, that by this means seyeral counlries<br />

were preserved from great calamities. The<br />

days on which these were used were called rogation<br />

days: from the Latin word TOgO, I beseech. These<br />

were appointed by councils,until it was decreed that<br />

they should be used every month throughout the year,<br />

and thus by degrees they came to be used weekly on<br />

"\Vednesdays and Fridays, the ancient stationary da).•<br />

for fasting. To these days the rubric" of Qur church<br />

has added Sunday, as being the greatest day for as.<br />

sembling at divine service.<br />

;f Ru~ric, froul the Latin word Tuber, rcd; directions<br />

printed 111 books of law and in prayer-books, are 30<br />

termed, because they were originally distingi,i.hed by<br />

.1leing in rcd ink. .


Lye 73<br />

Defore the last review of the Common Prayer, the<br />

Litany was a distinct service by itself, amI used<br />

sometime after the morning prayer was o,'cr; at<br />

present it is made one office with the morning service,<br />

being ordered to be read after the third collect for<br />

grace, instead of the intercessional prayers in the<br />

daily service.<br />

Litho-graphy, s. Sec GRArHE, p. 10.<br />

I,it-urgy, s. from A'lITOS, ltiit'6$, public, and


74 MAN<br />

M.<br />

MACIIINE, s. in general signifies any thing that serves to<br />

nugmcnt or to }"cgulate moving powers, or it is nny<br />

hody destined to prodnce motion, so as to save either<br />

time or force. The word comes from fL'fJXa.vi], mecllalle,<br />

a machine. In strictness, a r~,achinc is something<br />

which consists morc in art and invention than in the<br />

strength and solidity ofthe materials, for which reason<br />

it is thatthe inventors ofmachines arc called engineers.<br />

The word Machine is nearly synonymous with<br />

engine, a term altogether modern, and bestowed<br />

chiefly on contrivances for executing work, in which<br />

much ingenuity and mechanical skill arc manifest.<br />

Indeed, the term engine is limited, by careful writers,<br />

to machines of considerable magnitude, or of considerable<br />

art and contrivance. Thus we say with<br />

propriety, a steam engine, and a fire engine; a copying<br />

machine, and an electrical machine.<br />

l\facro-cosm, s. See KOS'IOS, p. 18.<br />

Mamma, s. Some etymologists derive this word from<br />

the Greek papa, mama, or papp.a, mamma: but it<br />

appears that" this word, like PAPA, is one of those of<br />

which it is needless to seek the etymology in any<br />

language, and which is formed by nature in the<br />

mouth even of infants. In all countries infants begin<br />

to speak by pronouncing the labial letters (viz. m, b,<br />

p, j), because they are the most easily pronounced;<br />

and the first sounds which we hear from them are,<br />

ma, pa, em, &c.<br />

" TJlese 'words, thus dictated by nature, have been<br />

adopted by fathers and mothers in all countries.<br />

Thus, for example, in the Hebrew we find em; in<br />

the Syriac and Arabic, ~ma;in the Chaldean, imma;<br />

in Latin and Italian, mamma; in Spanish, mama;<br />

in the Dutch, mcm; and in German, memme.~J<br />

Mano-meter, s. See l\fETRON, p. 19. .


MAT 75<br />

,Mano-scope, s. See SKOTEO, p. 27<br />

Marty,r, s. See MARTua, p. 19.<br />

Mateo-techny, s. See TECIINE, p. so.<br />

~l\I~~ih-orama, S., See DRAMA, p. 23. [llfarinus is a<br />

" ,..Latin word, and signifies belonging to the sea.]<br />

r""'::" :Mathematics, s. from f'cdJ1]';.tet, '11wth2ma, a science.<br />

The science which contemplates whatever is capable<br />

of being numbered or mcasured. Mathematics is<br />

commonly distinguished into Speculative and Prac-<br />

,tical,. Pure and Mixed. Speculative :Uathcmatics<br />

simply considers the properties of things; and Practical<br />

l1Iatllematics applies the knowledge of those<br />

:. - properties to some uses in life.<br />

Pure l1Iathematics is that branch which considers<br />

quantity abstractedly", and without any relation to<br />

matter or bodies, as Arithmetic and Geometry.<br />

'l1fixed l1Iatllematics, considers quantity as subsisting<br />

in material being; for instance, length in a pole,<br />

depth in a l'iver, height in a tower, &c.-Pure l1Iathe­<br />

-malics, again, either considers quantity as abstract or<br />

discrete t (these words are synonymous in this sense),<br />

and so computable, as Arithmetic; or as concrctef,<br />

" Abstraction is formed from the Latin words, abs,<br />

from, and traho, I draw. It is that operation of the<br />

Inind, whereby we separate things naturally existing<br />

together; and form and consider ideas of things thus<br />

separated. •<br />

ri" Discrete is from dis, a particle denoting separation,<br />

and cerno (of which the participle is cretus), I consider.<br />

'V:hen we speak of 1, 2, 3, 4, 5, 6, 7, 8, 9, without<br />

applying them to any thing, they arc called discrete,<br />

Of, morc usually, abstract numbers; but if we say 2<br />

men, S womell, 4 boys, and so on, 2, 3, '4, become<br />

conC"cle numbers.<br />

* Concrete is from con, with or togcther, and (;erno.<br />

Sec the prcceding note.<br />

H 2


76 MET<br />

and so measurable, ns Geometry. lVixed l1fatllematics<br />

is very extensive, and is distinguished hy various<br />

names, according to·tllC different subjects it considcr~<br />

and the different views in which it is tal\:cn, such<br />

as. astronomy, geograph)-, optics, llydrostatics, navi<br />

gation, &e.<br />

l\Icchanics, s. from J1.7JxaV11, 11lecllane, a machine. That J<br />

branch of practical mathematics which considers<br />

motion and moving }Jowers, their nature and laws,<br />

with their effccts in machines. (Sec lI!AellIlIE.) The<br />

term is equally applied to the doctrine of th~ equilihrium<br />

of powers, more properly called statics (Sec<br />

STATICS); and to that science which treats of the<br />

generation and communication of lllations, which<br />

constitutes dynamics, or mechanics strictly so called.<br />

Sec DYNA.lICS.<br />

IIIega-cosm, s.. Sec Kos"os, p. 13.<br />

l\1ela-n-choly, s. from J.t


MET 77<br />

1\IeH\.uwrphosis, s. from p.e-ra, m/fta, again, anu p.oP'P1],<br />

':Il'6rplli, a form. The change of n person or thing<br />

into another form. l\Iost of the ancient Inetamor- .<br />

}lhoscs include some allegorical lucaning, relating<br />

either to ph)'sics or moralil),. Some authors arc of<br />

opinion, that a great part of the ancient philosoph), is<br />

couched under them.<br />

1\1eta-phor, s. from fl.ETa, 1Il~ta, heyond, and CPEp"', pMro,<br />

I carry. The application of a word to a usc to which<br />

in its original import it cannot be put, as "he bridles<br />

his anger;" "the golden harvest."<br />

l\Iela-ph)'sics, s. from fl.ETa, 1Il~la, be)'ond, and cpu'1Ir,<br />

~_ plmsis, nature. The science which considers beings<br />

as abstracted from all matter, particularl)' beings<br />

llurely spiritual, as God, angels, the human soul; or<br />

it may he defined, the science of the principles and<br />

causes of all things existing. HOllce it is that mind<br />

or intelligence, and especiaIIy the Supreme Intelli.<br />

gence, which is the cuuse of the universe, and of every<br />

thing which it contains, is the principal subject of this<br />

science.<br />

The word originatec] with Aristotle, who has termed<br />

a treatise which chiefly relates to the intellectual<br />

world, and which is l;laced after his physics (Sec<br />

l'nyslCs), META TA rnus,s. So that it may mean<br />

either something "beyond ph)'sics," "or merely an<br />

appendix to physics," or natural history.<br />

l\Ict-cm-ps)'chosis, s. from p.c"Ta, meta, again, r:p., em,<br />

in, aml t[JuX7l, pSl/cltii, the soul. (Sec note, p. 17.)<br />

Transmigration, or the supposed passage of the soul<br />

from one bod)' to another. Pythagoras ancl his followers<br />

believed that, uftcr death, Im~n's souls passed<br />

into other hodies, of this -or that kind, according to<br />

the manuel' of life the)' had led. If the)' had been<br />

Yicious, they were imprisoned in the bodies of miserable<br />

beasts, there to do penance for several ages, at<br />

the expiration whereof, they retnrned afresh to animnte<br />

lnen. llut if the~' lived virtuously, S0111(' hap-<br />

JI ~\


78 MET<br />

pier brute, or even n human creature', was to be their<br />

lot, Pythagoras is supposed to have horrowed this<br />

notion from the ancient Brachmans (certain inhahitants<br />

of India). The notion still makes the principal<br />

foundation of their religion. lIIany not only<br />

forhear eating any thing which IIOS life, hue even<br />

refuse to defend themselves from wild heasts.<br />

1\lct-oor, s. from ;CETct, meta, beyond, and aerp"', ai'!iro, I<br />

lift up. A body in the air, of a luminous and transitOT)'<br />

nature.<br />

nIet.hod, s. from !.tETe


MNE 79<br />

,.<br />

~:.'<br />

sonic path or way of transit from one to the olher of<br />

the things related; -there must be some Inw of<br />

agreement or of contrast between theln; there must<br />

be some tnodc of comparison; in short, there must·be<br />

meUwc/.<br />

l'flet.on)'my, s. Sec ONO>lA, p. 22.<br />

IIIetre, s. Sec MURON, p. 19.<br />

l'fletro-polis, s. from f''1T'1P, miiliir, mother, and ",oAI.


80 MYR<br />

thus, by means of such compartments or symbols, a<br />

whole discourse might be committed to memory, amI<br />

recollected when occasion required.<br />

. "Upon these principles was founded the topical<br />

memory of the ancients; and from this source, without<br />

doubt, are derived all the various systems of local<br />

and symbolical memory that have been practised in<br />

more modern times."<br />

Monachal, adj. from pov"xos, m~nacMs, solitary. Belonging<br />

to monks.<br />

lVlon-archy, s. Sec AltCIIE, p. 5.<br />

Monastic, mg. from pov"rw, mtlna.ii, I lead a solitary<br />

life Guavas, ?nonos, [lIane, and atw, azu, I worship].<br />

Mou-ody, s. Sec AElDo, 1" 1.<br />

l\Iono-gamist, s. See GAnas, p. 8. '<br />

Mono-gram, s. Sec GltAMMA, p. 9.<br />

Mono-logue, s. Sec LOGos, 1'. 18.<br />

l\Iono-maehy, s. Sec MACIlE, 1" 18.<br />

Mono-stich, s. Sec STICHas, 1'. 80.<br />

l\fono-poly, s. from }lovas, munus, alone, and 7TWi\ECtJ,<br />

puleo, I sell. The sale powe!', or an assumption of<br />

the sale power, of selling any commodity.<br />

lIIono,syllable, s. Sec SULI,ABE, p. 80.<br />

1\Iono-tony, s. from }J.OVOS, munos, alone, and TOPOS,<br />

tonus, a tone. A want of proper cadency or variation<br />

in pronunciation.<br />

lVIono-theism, s. Sec TUEOS, p. 81.<br />

My-apia, s. from pvw, muii, I wink, and Oljt, 0]1s, an<br />

eye. The state of being ncar-sighted.<br />

Myl'iad, s. from pvp"'s, mur;as, ten thousand. Pro.<br />

verbiallya very great number.<br />

Myri-areh, s. Sec ARCIm, p. 5.<br />

lVIyri.orama, s. Sec ORAMA, p. 23.


NUM 81<br />

r'.<br />

Mystery, s. from I'VCTT1JP'OV, 11l11stiiri'iln, something secret,<br />

,'impossible, or difficult to he eompl'ehemled. Mystery<br />

is plimarily used in speaking of certain truths<br />

revealed in Scripture, into the full'understandin" of<br />

which human reason cannot penetrate. 0<br />

Mytho-logy, s. Sec LOGOS, p. 13.<br />

N.<br />

NAU-~IACHY, s. See MACH", p. 18.<br />

Necro-logy, s. Sec LOGOS, p. 13.<br />

,Nectar; s. from VEKTCtp, nectar, a pleasant liquor, said<br />

- to be drunk by the heathen deities. Their food Was<br />

called ambrosia. Sec AMBROSIA.<br />

Necro-mancy, s.<br />

Nco-logy, s.<br />

Sec ApPENDIX.<br />

Sec LOGOS, p.13.<br />

Neo-gamist, s. Sec GA'IOS, p. 8.<br />

Neo-phytc, s. from VEOS, n~ils, new, and cpu"" pTmo, I<br />

, grow. A person regenerated.<br />

N e-penthe, s. from V1j, nu, not, and "'Ev8os, penthils,<br />

pain. A kind of potion, which made persons forget<br />

aU their pains and misfortunes. The nepenthe mentioned<br />

by ancient authors was the juice of a plant<br />

now unknown. The word is now used, by some of<br />

our poets, as a figurative expression for any thing<br />

which affords consolation to the mind.<br />

Nouse, s. from voos, n'6~s, or VOL'S, 'Il'6us, the Dlind, is<br />

used in familiar language to denote" understanding"<br />

or Ie prudence."<br />

Nomo-graphy, s.<br />

Sec GnAPIIE, p.10.<br />

Numismatic, mij. that which has relation to ancient<br />

medals or coins, from VO"'CTI'Ct, llilm;s7llo, a medal or<br />

piece of money. '


82 ONO<br />

Nyctal-opia, s. from VVI


OUT 83<br />

Onomato-preia, s. Sec ONO>lA, p. 22.<br />

Opistho-graphy, s. Sec GaArIIE, p. 10.<br />

Ophthalmia, s. from oepea;\p.or, ~p!lthalm~s, the eye. An<br />

inflammation in the coats of the eye.<br />

Opsi-mathy, s. Sec 1\IANTIlANO, p. 19.<br />

Optic3, s. from 00/, ~ps, ,m eye. Relating to the science<br />

of.vision.<br />

Orcheso-graphy, s. Sec GaAPIlE, p. 10.<br />

Organ, s. fr01n opj'Ctv"Ov, tlrgan~n, nn instrument. The<br />

nnme given to no particular tnusical instrument, as<br />

, heing the instrnment, in preference to all others. As<br />

. in English we sa)", I am, going to TowN', that is, the<br />

Town in preference to all others, namely, London.<br />

Sec BIBLE and CATIlEDaAL.<br />

Ornilho-Iogy, s. Sec LOGOS, p. 13.<br />

Orphan, s. from ,opepavos, ~'l'han~s, destitute. A fatherless<br />

or motherless child.<br />

Ortho-dox, /lev. Sce DOXA, p. 7.<br />

Ortho-epy, s. from opeos, ~rtl,~s, correct, and Err"',


PAN<br />

is every body's business is nobody's business. Tho<br />

Outinian Lectures'are givcn at No. 10. New Street,<br />

Spring Gardens," - London Museum.<br />

Oxy-gen, s. See GXNNAO, p. 8.<br />

Oxy-mel, s. from o~us, ~xus, sharp, and 1'


PAN 85<br />

Pan.dect, $. from ",av, pan, all, and a.Xo!'"" rl;tch~maj,<br />

I contain. A treatise that comprehends the whole<br />

of any science.<br />

Pan-demic, adj. Sec DE~IOS, p. 7.<br />

Pan-egyric, s. An oration in praise of some person<br />

01' thing. The word is formed of ",av, pan, all, and<br />

aj'Elpw, ageiro, I assemble; because panegyric~ were<br />

anciently prononnced in pnblic and solemn assemblies<br />

of the Greeks, both at their games and religious<br />

meetings. To make their" panegyrics the more<br />

solemn, the Greeks used to begin with the praise of<br />

the; Deity in whose hononr the games, &c., were<br />

celebrated; then of the magistrates who presided at<br />

" them; and, lastly, of the champions who had gained<br />

the prizes in them.<br />

Panic, s. is :l terln used for a needless or ill.grounded<br />

fright. The most mtional account of the origin of<br />

this expression is the following: "Pan was the name<br />

of ri. general, who, with a few men, put a numerous<br />

,enemy to the rout, by a noise in a rocky valley,<br />

favoured by a great number of echoes. This stra ...<br />

tagem making their ~umbcr appear much greater<br />

than it really was, the enemy qnitted a very commodions<br />

encampment and fled. Hellee all ill.<br />

gronnded fears hiwe been called panics, 01' panic<br />

fears."- The imaginary Being termed the heathen<br />

God PAN was Inercly an emblem of universal nature.<br />

The ,,",ord pan signifies" all. II<br />

Pun-oply, s. from ",av, 1'an, all, and p"'Aa, ~pla, armour.<br />

Complete armour.<br />

Pan-orama, So (Sec ORA"1., p.2S.)-Pan-orama-copia,<br />

or Picture of Endless Transposition, is another pro...<br />

fessed improvement upon the lVlyriorama.. Pa", all;<br />

copia is a Latin word, and signifies ce abundance."<br />

Pan-theon, $. Sec TIIEOS, p. SI.<br />

P:mto.mimc, s. fronl 1TCtJI'TOS, POl1t'()S, genitive of ?rav<br />

I


86 .PAR<br />

1,an, all, and JlIJlOS, mim~s, mimicry. A talc exhibitel1<br />

only in gestme and dumb


PAS 87<br />

were still to remain at her disposal, IInless there was<br />

some provision Inade to the contrary in the marriage<br />

contract.<br />

Para-phrase, s. from 7rapa, para, ncar to, similar, and<br />

eppao"LS, phmsis, a speeeh. An interpretation according<br />

to the sense, and not merelr according to the words.<br />

Para-site, s. from 7rapa, para, with, and crtTOS, sitos, corn,<br />

was the title given br the Greeks to those who had<br />

the'care of the corn used in loeligious ceremonies;<br />

and who had a share of the sacrifice at the altar:<br />

afterwards it ,,;as applied to those who frequented<br />

the tables of great men, and earned their welcome br<br />

flatterr. Pamsite plants are those which grow upon<br />

othcrs. ___<br />

..Par-cnthesis, s. from 7rapa, para, between, EV, en, into,<br />

.. and ·nen,.,.', tithilmi, I place; that is, the act of pntting<br />

) between. A sentence so included in another sentence,<br />

' __us that it tuay be taken out without injuring the sense<br />

'if that which incloses it. In speaking, parentheses<br />

are to be pronounced in a different tone; and in<br />

writing, they arc marked thus (), to distinguish them<br />

from the rest of the discourse.<br />

Parish, s. frqm 7rapolKta.} paroi/cia, ,tlIe union of neighbouring<br />

houses. Our realm was first divided into<br />

parishes by Honorius, Archbishop of Canterbury,<br />

ill the year of our Lord 636: the word has the same<br />

origin as Parochial. See OIKEO, p. 22.<br />

Par-od)', s. Sec Amno, p. I.<br />

Par-OIl)'mOUS, acij. See ONOMA, p. 22.<br />

Paroxysm, s. from '1l"~PO~VO'fWS, paroxusmos, irritation.<br />

The periodical exacerbation or increase of a disease.<br />

Paschal, adj, from 1racrxa, pasclza, a passage. Relating<br />

to the .Jewish pa~sovcr. It is called Easter, in<br />

Englisb, from the goddess Eastre, worshipped by the<br />

Saxons with peculiar ceremonies in the month of<br />

April. - Pasch-egg, is all egg d~'etl or stained, pre..<br />

I 2


88 PEN<br />

sented to young people about the time of Easter, in<br />

several parts of the north of England. Such egg.<br />

arc sold ycry commonly in France during Lent.<br />

l~athclic, mY. from '1rw90s, pathos, feeling, affecting the<br />

feelings.<br />

Patho-gnomy, s. Sec PATHOS, p. 25.<br />

Patri-arch, s. See AncHos, p. 5.<br />

Patriot, s. from 1rctTpU.lJT71S, l'alriotes, a layer of his<br />

country.<br />

Patr-onymic, my; Sec ONOMA, p. 2S.<br />

Ped-agoguc, s. See AGo, p. 4.<br />

Peda-meter, s. from 7I"OOOS, jJoclos, gen. of 1rotJS, pOllS, a<br />

foot, and P.ETpOP, melrun, a mensure. An instrument<br />

in the form of a watch, consisting of various wheels<br />

with teeth catching in onc another, whirh, by means<br />

of a chain or string fastened to a man'sfoot, or to the<br />

wheel of a chmiat, advances a notch eacl) slep, or each<br />

revolution of the wheel; so that the number being<br />

marked on the edge of each wheel, one may number<br />

the paces, or measure the exact distance from one<br />

place to another.<br />

Racing Pedometer. "An instrument has lately<br />

been invente(l in France which precisely marks the<br />

time that not only the winning, but every other horse<br />

takes in running the course, even if there should be<br />

SO of thein, and the interval between eaeh only a<br />

'lua.ter of a second. The' Jury of the Races,' at<br />

Paris, have expressed their full approbation of the<br />

instrument."-Annals ifPhilosophy, No. xi.<br />

Penta-gon, s. See GONIA, p. 9.<br />

Penta-teuch, s. from 1TEVTE., p'iJnle, five, and 'TEVXOS,<br />

t~llchos, a volume. The five books of 1\1oses. •<br />

Pentecost, s. from 'Il"EVT7JKOUTOS, p~ntekoSlos, fiftieth. A<br />

feast among the Jews, so called because it was celebrated<br />

fifty days after the Passover.


PHA 89<br />

Peri-cranium, $. from 'fr'epl, peri, about, and Kpa.VWV,<br />

kmniun, the skull. The memhrane that covers the<br />

skull.<br />

Peri-ad, s. from 7rEpl, peri, about, and t5aos, It-()(lOs; a war.<br />

The term period is variously emplo)"ed, hut still preserving<br />

the primitive acceptation of a way about, a<br />

circuit. Thus a period is said to be "a round of<br />

,vards, which renders the sense completc,1I or a<br />

"course of eyents." Time, included within any<br />

given points, is termed a period. Thus the period<br />

ofday, or of night, is the space oftime comprehended<br />

hetween the rising ahd setting, or the setting and<br />

rising of the sun. The period of a year comprehends<br />

the space which the earth requires for its annual<br />

revolution. So in an extended and moral application,<br />

we have stated periods in our life.<br />

Peri-oeci, s. See OIKEO, p. 22.<br />

l:>eri-osteum, s. from 'lTEpl,peri,.about, and OG''TEOV, osteon,<br />

a hone. The memhrane that covers the hones.<br />

Peri-pateti.c, adj. from 7rEpt, peri, about, and '1rctTEW,<br />

pat;Hi, I walk. A sect of philosophers were so named,<br />

hecause they discoursed while '.walking.<br />

Peri-phery, s. from "'


90 PHI<br />

"pparatus, by means of which the appearance oC per.<br />

sons and things is produced.<br />

Ilhcnorocnon, s. from tpalvop.ac, phainomai, I appear.<br />

A striking or peculiar appearance in the works of<br />

nature.<br />

Phil-anthropy, $. See ANTIlRoros, p. 5•.<br />

Phil-harmonic, ar!i. A title lately adopte,l by a IIInsical<br />

Society: it is formed of pl?or, phillis, lover of,<br />

and harmonia. See HARMO"Y. ~<br />

Philo-logy, s. See LOGOS, p. 13.<br />

Philo-math, s. See MANTIlANO, p. 19.<br />

Philo-sopher, s. from


PHY 91<br />

consid


92 POE<br />

I<br />

I 1\<br />

\L<br />

I<br />

p}i)'sio~gnomr, s. frolu epVC1lS, phllSis, nature, and<br />

7IVWrJICCr1, giniis","tJ, I know. This term is usually employed<br />

to designate the science or knowledge of the<br />

corresponding analogy between the confonnation of<br />

the features and the ruling passions of the Mind.<br />

Lavater ~ays, "Physiognomy, opposed to .Pathognomy,<br />

is the knowledge of the signs of the<br />

powers and inclinations of men. Pathognomy is the<br />

kuowledge of the signs of the passions. Physiognomy,<br />

therefore, teaches the knowledge of characters at rest,<br />

and pathognomy of characters in motion. The former<br />

shows what man is in general; the latter what he<br />

becomes at particular moments."<br />

Pirate, s. from ';'etpa'T1]s, pfJirates, onc that robs on the<br />

sea. The term Piracy is also applied to literary thefts.<br />

Plague, s. from Tril.7/")% pliJgi!, a stroke. A very contagious<br />

and destructive disease. Any thing more<br />

than commonly troublesome, as we say, The plagues<br />

of Egypt.<br />

Planet, s. from Tril.avaaJ1.a" plana~71lai, I wander. Those<br />

heavenly bodies that move round the. sun. 'Ve<br />

number the earth among the primary planets, because<br />

we know that it moves round the sun; and<br />

the moon is accounted among the secondary planets,<br />

or satellites of the primary, since she moves round<br />

the earth.<br />

Plani-sphere, s. See SPlIAIltA, p. 29.<br />

Pleonasm, s. from Tril.Eavatw, pll!1Jnazo, I abound. .A<br />

mode of speech in which more words are used than<br />

what arc necessary.<br />

Pneulnatics, s. from 7rVEvp.a, pn~umet, air. That part<br />

of natural philosophy which treats of the mechanical<br />

properties of air, and the different elastic fluids.<br />

Pneumato-Iogy, s. See LOGOS, p. IS.<br />

Poet, s. from Tra«w, p~i~o, I do or make. The.author<br />

of a fiction; poems being for the most part works of<br />

fiction.


PRA 93<br />

Polemic, acfj. frOIn 7ro'Ae/-,os, p~lem'6s, war. Belonging<br />

"to controversy.<br />

Poly-gamy, s. See GAMOS, p. 8.<br />

IJoly-glot, $. from '1i"OAVS, polus, many, and 7i\wO'


94 PRO<br />

by Great Britain, France, and most of the powers of<br />

Europe.<br />

Presbyter, s. from lI"pfcrl!UTfpOS, IJresbut11r~s, old. An<br />

elder, One of the second order of ecclesiastics among<br />

the first Christians, bishops being the highest order,<br />

and deacons the lowest.<br />

Problem, s. from lI"potlA7)J.'a, l)r~bli!ma, which is formed<br />

of lI"pO, pr~, before, {3aAAw, ballo, I place. A problem.<br />

in logic, is a proposition that neitherappears ahsolutely<br />

true nor false; but which is probahle on both sirles,<br />

and may be asserted either in the negative or affirmative,<br />

with equal 'evidence. Thus, that the moon and<br />

the planets are inhabited by animals in SOme respects<br />

like ourselves, is a problem; that the fixed stars are<br />

also suns, and eaeh the centre of a separate system of<br />

planets and" comets, is a problem.<br />

A problem, in geometry, is a proposition given to<br />

be demonstrated, in which something is required to be<br />

done; and what is done to be proved to be the thing<br />

required. See THEOItEM.<br />

Pro-chronism, s.<br />

See CHItONOS, 1'.7.<br />

Pro-gnostic, s. from 7fpO, pro, -before, and I'l",/vwrrKW,<br />

gignosko, I know. A prediction or knowledge beforehand.<br />

Pro.gramme, s. Sec GRA'MMA, p. 9.<br />

Prolegomena, from 1rpOAE'Y"" pr'lUegu, I llreface, or speak<br />

belore, is a term applied to certain preparatory<br />

observations, or discourses, prefixed to a bo·ok, con.<br />

taining something necessary for the reader to .be<br />

apprised of, to enable him the better to understand<br />

the book.<br />

Prolepsis, from lI"pOA7)'jltS, pr~li!psis, anticipation, a term<br />

applied to a previous and concise view of a subject,<br />

or an anticipation of objections.<br />

Pro-loglle, s. Sec LOGOS, p. 13.


PYR 95<br />

Pro-phccy, s. from "'po, pr~, beforc, and r~~opo-proia, s. from 7rpoa'oorrov, prosopon, a person,<br />

. and "lTO~EW, poi(1o, I tnake. A personification.<br />

Proto-col, s. from 1rp"'TOf, protos, the first, and IlDl\l\a,<br />

kulla, gluc. Thus protocol means the writing that is<br />

glued the first; because, among the ancients, writings<br />

.were glued together. Protocol is now used to<br />

.express a writing which is at first briefly noted, and<br />

afterwards ameuded and furthcr enlargcd. A rough<br />

draft.<br />

Proto-martyr, s. See l\TARTUR, p. 19.<br />

Proto~type, s. Sce Toros, p. 32.<br />

Psalm, s. from >/JaAAw, psall'ii, I sing. A sacrcll song.<br />

Psalm-ody, s. See AEIDO, p. 1.<br />

Pseudo-apostle, s. Scc STELLO, p. 29.<br />

Pseudo-dox, s. See DOXA, p. 7.<br />

Pscudo-marty,·, s. Scc MARTUR, p. 19.<br />

Pseudo-prophct, s. from '!'


96 SCH<br />

by 1\11'. Garden, an eminent chemist in Oxford Street,<br />

for producing instantaneous light by the aClion of<br />

inflammable air upon a metallic substance.<br />

R.<br />

RHAPS-ODIST, s. Sec AElDO, p. I.<br />

Rhetoric, s. from In1TCtJp, rhetor, a declaimer. The art<br />

. of speaking with eloquence and persuasion.<br />

Rheum, s. from pew, rh1l0, I flow. The technical term<br />

for a disease usually called a cold.<br />

Rhyme, s. Rhyme was, in the first edition, on the<br />

authOl·ity of the sixth edition of Dr. Johnson's<br />

Dictionary, said to be derived from the Greek word<br />

IJV6p.os, rlmtll1nos, a rule; but the writer has since<br />

found the following remark on the subject: "Rhyme<br />

and Rhythm are two distinct things; the latter only<br />

is derived from {wOp.as, rlmthmos, which signi~es the<br />

proportion which the parts of motion bear to each<br />

other. Rhythm, as applied to poetry, denotes the<br />

measure of the feet, or the number and combination<br />

of long and short syllables. Rhyme is from the<br />

Gothic ryma, or rim, and signifies properly the<br />

correspondence of the last sound of one verse to the<br />

last sound of the next." [A foot (so called from the<br />

ancient custom ofbeating time by the foot) is·a part<br />

of a verse, and consists of two or more syllables.] See<br />

page 20.<br />

S.<br />

SAN-HEDRI:U, s. from O'l'V, sun, with, and Eopa, l~ ..edra, a<br />

scat. The supreme council among the Jews.<br />

Sarco-phagus, s. Sec PHAGO, p. 25.<br />

Scheme, s. from


SOP 97<br />

through diversity of opinions mnong people of the<br />

same religion and faith. Thus the Romanists bestow<br />

the name of English schism on the reformation of<br />

religion in this kingdom. Those of the church of<br />

England again apply the term schism to the separa.<br />

tion of the Nonconformists; viz. the Preshyterians,<br />

Independents, and Baptists, who contend for a farthcr<br />

reformation.<br />

School, s. axol\:rr, sclz'6Ze, case, leisure, freedom from<br />

lnhour; "a school, i. e. a place or huilding where<br />

persons, being at leisure from hodily labour and<br />

business, attend to the improvement of the Inind.<br />

The word occurs in Acts xix. 9. The Greek writers<br />

in like manner use this. word for the Schools of the<br />

Philosophers." - Parkhurst.<br />

Sidero-graphy, s. from C1&811POS, sider'lJs, iron, or steel.<br />

(See GRAPHO, p. 10.) Engraving on steel.<br />

Simony, s. The act of buying or selling a church preferment,<br />

so termed from Simon the Sorcerer, who<br />

wished to buy of St. Peter the gift of conferring the<br />

Holy Ghost. See Acts, viii. 18.<br />

Skeptic, s. from CfKE'Tf''Top.al, skept'6mai, I look round<br />

about. One who doubts or pretends to doubt of<br />

. every thing.<br />

Solecism, s. from (fo"A.olK'o-jJ.O~, solOikismosJ an impropriety<br />

in la:nguage. A DARBAnIsn may be in one word, a<br />

SOLECIS>t must be in more. The SOLI, a people of<br />

Greece, lost the purity of their ancient tongue, and<br />

became ridiculons to the Athenians for their impro_<br />

prietics of speech; hence originated the expression.<br />

The termination ismos. marks" imitation. U<br />

Sophist, s. from O'oepos, s~ph~s, wise, or O'OeplO'T'1S, s~pllist'iiJ,'<br />

an impostor or deceiver. A person who frames<br />

sophisms; that is, subtile argnments, with design to<br />

deceive those liC would persuade or convince.<br />

The term sophist, which is now reproachful, was<br />

nr.ciently honourable; it signified a rhelor, or professor<br />

K


98 STE<br />

of eloquence, nnd Wns npplicd indifferently to nil<br />

who excelled in any art or science; whether ilivincs,<br />

pocts, physicians, lawyers, orators, or musicians.<br />

However, ns rhetoricinns often employed their nrt<br />

rnther to vindicnte whnt wns fnlse nnd unjust thnn to<br />

support truth nnd virtue, their conduct brought discredit<br />

both upon themselves nnd their professions;<br />

nnd therefore the nnme Sophist hns been more<br />

generally used in ;Ill ill sense, to signify one skillcd<br />

rather in the art of cavilling thnn qunlified to spenk<br />

well and accurately upon any subject.<br />

A sophism is nn argument which, with some subtHty,<br />

carries much appearance of truth, but little solidity,<br />

and only invented to amuse and embarrass tbe person<br />

to whom it is addressed; as, "You have every thing<br />

you hnve not lost; you have not lost horns, therefore<br />

rou have horns. " See PHILOSOPHY•.<br />

Span, s. from O'1raw, spau, I draw or extend. "Spannew,<br />

properly of cloth just extended on the rack and<br />

smoothed. Spick-and-span-new, just taken from the<br />

spicks, or spikes." - J:.lugenJ.<br />

Spasm, s. from O''1I"a"" spaa, I draw. A sudden and<br />

violent contraction of any part.<br />

Statics, s. from CT'raTUtos, statz1'os, having the power of<br />

remaining still, or in a state of equilibrium. That<br />

branch of meehnnics_ which·treats of the doctrine of<br />

forces considered as they balance each other in a stnte<br />

of rest. (See D:n,A>ncs and MECHANICS.) Such is<br />

the strict meaning of the term Stntics. The general<br />

definition of it is, the science which considers the<br />

weight of bodies; the science of weighing.<br />

Statistics, s. A term of very recent adoption, which is<br />

intended to express a comprehensive view of the various<br />

pnrticulnrs constituting the natural and political<br />

strength and resources of a country. It is derived<br />

from the same source as statics. Sec STATICS.<br />

Steno-graphy, s. Sec GItAPIJE, p. 10.<br />

lltentorian, adj. from Stentor, the name of a herald who.e


S T I 99<br />

_voice was said to be as loud as that of fifty men. A<br />

person who talks very loud is said to have stentorian<br />

lungs.<br />

Stereo-type, s.<br />

See Turos, p. S\?<br />

Stigma, s. This term offers an example of the various<br />

uses to which words arc applied, and which llevcrthc":'<br />

less preserve their primitive signification.<br />

1. If 'YO seck for stigma in an English dictionary,<br />

we find "a brand, a mark with n hot iron, a 111ark of<br />

infamy; -,-" it is unjust to attach a stigma to a whole<br />

body of men for the speculative views of some one<br />

among tlicm;"-" the cross which our Saviour's<br />

enemies thought was to stigmatize him with ioHnny,<br />

became the ensign of his renown." (Blair.) - [Slig­<br />

1natize. 'rhe ancients wore accustomed to punish<br />

their slaves by applying a red-not iron, marked with<br />

certain letters, to their foreheads. The word is now<br />

lIsed figuratively, and means to brand or mark with<br />

some token of infamy. Among some nations, however,<br />

stigmatizing was considered as a distinguished<br />

mark of honour and nobilit)·, and such is still the<br />

case with many of tho inhabitants of the islands ill<br />

the South Sea.]<br />

II. Ifwe seek in a Latin dictionary, we findsti'gma,<br />

genitive stigmatis, a lnark or brand on the forehead,<br />

reproach, infamy.<br />

II1. If in a dictionary of Medical terms, we find<br />

stigma, a small red speck in the skin, occasioning 110<br />

elevation of the cuticle.<br />

IV. If we seek the meaning of stigma in a Glos.<br />

sary of Botanic Terms, we find, "The stigma, or<br />

summit, is the upper part of the pistil. The pistil is<br />

an organ in the centre of the flower, which adheres to<br />

the fruit, and is destined for the reception of the pollen.<br />

The pistil is denominated the female part of the<br />

flower: it consists of three parts; 1st, the germcll, or<br />

seed-bud, which is the lowest part; 2d, the style or<br />

shaft, which is the part that stands upon the gcrmcn,<br />

K2


100 S T 0<br />

and snpports the 3d part, i. e. the stigma."-" In<br />

most flowers the stigma is single; in some there arc<br />

two stigmata." (Bingley.) -." For the preparation of<br />

saffron (which word is derived from the Arabie Sap"aran),<br />

the flowers arc gathered early in the morning,<br />

jnst as they are about to blow; they are then spread<br />

upon a table, and the stigmas, with a proportion of<br />

the style, carefnHy picked ant of the flower, which<br />

is thrown away as useless. The stigmas arc then<br />

dried on a portable kiln, of a peculiar construction."<br />

(Thomson.) .<br />

V. The term Stigmata is also applied to the apertures<br />

in different parts of the bodies of insects, which<br />

serve for the office of"rcspiratiol1.o<br />

VI. If we refer to a Greek Lexicon, we find<br />

"O"TtrW, slizo, I prick, stamp, or imprint a mark, distinguish<br />

by points, draw in miniature; metaphorically,<br />

prick or bite a person, slander or asperse him.<br />

::S'ni'}la, stigma, a mark or spot imprinted upon an)"<br />

thing." (Nugent's Primitives if the Greek 7'ongue.)<br />

Thus it appears, from the l,,:st research, that stigma<br />

meant, in the original, simpI)· a mark, and was subsequently<br />

applied to a mark made by a hot iron; an,l<br />

also to the upper part of the pistil, as being the m9st<br />

marked.<br />

Stoics, s. A sect ofancient Philosophers, the followers<br />

of Zeno; thus called from UToa, stoa, a portico, oecause<br />

Zeno used to teach under a portico. The<br />

Stoics led a very austere life, and affected an indifference<br />

to all things. One of their doctrines was,<br />

that pain is no real evil; but that a wise. tpan is<br />

happy in the midst of the severest torture. Hence,<br />

we sometimes hear it said, "he bore the pain like a<br />

Stoic;" or " with stoical fortitude. U<br />

Stole, s. from UTOA7), st~li!, a long robe. The G nooM<br />

OF THE STOLE is the eldest lord of his Majesty's hedchamber,<br />

whose office and honour it is to present and<br />

put on his l\I'\iesty's first garment every morning:<br />

t!lis is usually done by proxy. .


SYM 101<br />

Stratagem, s. from


"<br />

102 S Y S<br />

I<br />

I I<br />

comprehends in its figure a representation of somcthing<br />

else. The Freueh term the Apostle's Creed (that<br />

which we usually call" The Belief") "La Symbole,"<br />

because it is a collection and abridgment of theil' faith.<br />

Sym-metry, s. See METRO", p.19.<br />

Sym-pathy, s. See PATHOS, p.25.<br />

Sym-phon)', s. Sec PUONE, p. 25.<br />

Sym-ptom, .t;. from f1VP., sum (for (fVP, sun), together,<br />

and 1I'Twp.a, pluma, a fall. Something which happens<br />

concurrently with something else, not as the original<br />

cause, nor as the necessary or constant effect.<br />

Syn-agogue, s. See AGO, p. 4.<br />

S)·n.chronism, s. ClIROHOS, p. 7.<br />

Syn.dic, s. from erup,_ sun, with, and oHt1], dike, justice.<br />

A person deputed to act on behalf of a'corporation<br />

or community.<br />

Synod, s. from crvvooos, sun'6d'6s, an assembly' called for<br />

consultation: used particularly of ecclesiastics. 'Ve<br />

speak of a provincial synod and :t general council.<br />

Sunodos (from O"VV, sun, together, and 600s, h..f';aos, a<br />

way or journey) is, literally, a meeting of those who<br />

arc travelling in the same path. This has figuratively<br />

heen understood of the Christian pastors.<br />

Syn-onymy,~. See ONO>tA, p. 22.<br />

Syn.opsi~, s. from o'VV, sun, witl~, and 011', ~ps, a view.<br />

A general vicw, all the parts being brought into one<br />

view.<br />

Syn..tax, s. fr~m erup, sun, together, nnd Tarro'CIJ, tasso, I<br />

put in order. That part of grammar which teaches<br />

the construction of words in a sentence.<br />

Syn.thesis, s. from cruv, sun, together, and 'Tt97)f'.t, tithiimi,<br />

I put. The act ofjoining, the contrary to analysis.<br />

Sy..stem, s. from t1VV, sun, with, and 100'T77/·U, istemi, I<br />

stand, signifies that which is put together so as to


TEL 103<br />

form a whole. "System is an arrangement of many<br />

single or individual objects according to some given<br />

rule, so as to make them coalesce. :Uethod is thc<br />

manner of this arrangement, or the principle upon<br />

which this arrangement takes place." - Crabb.<br />

Sy-stole, s. from O'VV, sun, .together, and U'TEI\I\W, sma;,<br />

I draw. A contraction, the contrary to diastole.<br />

T.<br />

1'ACllY...DIDAXY, $. from 'TctXVS, tacTtUs, short, and a,OCtXl1,<br />

didachii, instruction. In the 15th No. 'of the London<br />

Magazine, the Editors remark, "'Ve have invented<br />

this term, in order to designate one of the most<br />

wonderful inventions, even in this age of invention<br />

and discovery. A German, of the name of Kastner,<br />

has written two works that may justly he called a<br />

short Cllt to the learned languages. One of these is<br />

the art of learning Greek in two months! the other,<br />

that of learning to read and to understand Hebrew<br />

in four weeks! ! 'I<br />

Tachy-graphy, s. Sec GRArHE, p. JO.<br />

Tactics, s. from .,-al


104 THE<br />

Tele-scope, s. See SKOPEO, p. 27.<br />

Tetr-areh, s. Sec AncHE, p. 5.<br />

Tetra-gon, s: See GONIA, p. 9.<br />

Thauma-trope, from ~c'"f'a, ilwlI1na, ,~onder, and TpEI. - .<br />

Theory, s. from S-Ewpla, th'ifona, a speculation: A plal~<br />

or system yet subsisting only in the mind. A doctrine<br />

which terminates in the sale speculation .or consideration<br />

ofits object, withoutany view to the practice<br />

(lr application of it. To be learned in an art, &c.,


TRA 105<br />

the theory suffices; to be master of it, both the theory·<br />

and the practice of it arc required. Machines, muny<br />

times, promise very well in the theory, yet fail in the<br />

practice. The sciences arc ordinarily divided into<br />

theorelical, as theology, philosophy, &c.; andpmctical,<br />

as medicine, law, &c.<br />

Thermo.meter, s. See l\fETaoN, p. 19.<br />

Thesis, s. from iJ"fClU, t!lesis, a position, fanned from<br />

.,.,OW


I"<br />

(l<br />

"<br />

lOG<br />

TYR<br />

Dr. lllair says, "A Greek Tragedy is the relation<br />

of any distressful or mc1ancllOly ineident; somethnes<br />

the cflcct of passion or crime, oftener of the decree of<br />

the gods, simply exposed; without much variety of<br />

parts or events, but naturally and beautifully setbefore<br />

us; heightened, by the poetry of the chorus.<br />

" A F,'eneh Tmgedy is a series of artful and refined'<br />

conversations, founded upon a variety of tragical and<br />

interesting situations, carried on with little action and<br />

vehemence; but with much poetical beauty, and high<br />

propriety amI decorum.<br />

•<br />

"A" English Tragedy is the combat of strong<br />

pil~sions, set b.cfore us in all their violence; producing<br />

deep disasters; often irregularly conducted;<br />

abounding in action; and filling the spectators with<br />

grief. - The ancient Tragedies were more natural<br />

and simple; the modern are more artfnl amI complex.<br />

',~<br />

Tri-gon, $. Sec GONIA, p. 9.<br />

Tri-phthong, $, Sec PIlTIIOGGOS, 1" 26.<br />

Tri-gl)'ph, $. (Sec GLY!'II.) An ornament in the Doric<br />

order of architecture, consisting of three glyphs.<br />

Tri-syllable, $. See SULLAlJf:, p. 30.<br />

Trope, Trophy, and Tropic, from TpE1ro), irepu, I turn.<br />

'Prope is used to denote the change of a word from a<br />

literal to a figurative sense, as "the cloudsforetelrain. It<br />

'l"'l'OpTtV' the spoils of an enemy with which n. victorious<br />

army turns homeward, and which are preserved in<br />

,token of victory.<br />

For an explanation of Tropic, the reader must refer<br />

to some book on Geography. The '1'1'O]>ic8 derive their<br />

name from the circumstance of the sun appearing to<br />

us to tum back.<br />

Typo-graphy, 8. See GRArJIE, p. 10.<br />

Tyrant, s. Among the Greeks the word Tvpavvos,<br />

lurannos, whence tyrant, implied no more t11UI1 what<br />

we now understand by despot, namely, a possessor of


zon 107<br />

unlimited power; but from the natural abuse of such<br />

power, it has acquired the significatioll now attached<br />

to it, namely, of exercising power to the injury of<br />

another.<br />

URANO-ORAPHV, s.<br />

u.<br />

Sec OUU.ANOOItAPUY.<br />

Urano-scopy, s. See SKOPEO, p. 27.<br />

V..tapin, s. from OU, ~u, not, and 'T01rOS, tlSpus, n place.<br />

UTOPIA is the title of a work written by Sir '1'. More,<br />

relative to an imaginary country. Hence the tCl"IU<br />

'utopian is used as synonymous with imagiharyo<br />

z:<br />

ZEAL, s. from g~1I.os, z;;los, a passionate ardour for any<br />

person or thing,<br />

Zephyr, s. from reepvpos, zlfp!",':;;s, for z;;p"~r~s, lif,,­<br />

bearer, a soft western wind which brings the fine<br />

weather, aml with it life and health to mankind.<br />

Zodiac, s. from ~w~la"os, zodiakos (rwov, zoon, an animal),<br />

the line in tbe heavens throngh which the snn<br />

appears to move. This line is divided by twelve<br />

signs which take their denominations from different<br />

animals.<br />

The twelve signs of the Zodiac were intended to<br />

represent some remarkable natural occurrence in each<br />

month of the year, as the sun was pmising through<br />

his annual circuit.<br />

The first three months, from the vemal equino",<br />

(March, April, May), were remarkable for the production<br />

of those animals which were the most employed<br />

and valued, viz. sheep, kine, and goats. The<br />

lambs came first, which are represented bytheir parent,<br />

1110 Ram; next, the calves, represented by the Bnll;<br />

. then the kids, which commonly come in pairs. But,<br />

instead of the twin kids, the Greeks substituted the<br />

Twin Brothers, Castor and Pollux.


108 zoo<br />

"When in the fonrth month (June) the sun is arrived<br />

nt tho summer solstice, he hegins to go back again<br />

to the southward; which ret.rograc1c tnation the<br />

Egyptians expressed by the Crab, which is said to go<br />

backward.<br />

The excessive heat, which "usually follows in the<br />

next month (July), is expressed by the Lion, for its<br />

fierceness, and strength.<br />

The symbol for the harvest month (August) is the<br />

Virgin Reaper, with an caf of corn.<br />

'Vhen the snn arrives at the autumnal equinox (in<br />

September) it is expressed by the Balance or Scales,<br />

in equilibria, because the days and nights arc then<br />

every where equal.<br />

October is a sickly season, when'the hot months of<br />

the summer produce their fatal effects: the symbol<br />

therefore is the Scorpion, whose sting is deadly.<br />

The diversion of hunting, which is chieny followed<br />

in N ovemher, is signified by the Archer.<br />

As the Crab, which goes haekward, signified the<br />

summer solstice, when the sun begins to go back from<br />

the northern tropic; so the Goat, which delights to<br />

browse up hill, is the symbol of the winter solstice,<br />

when the sun (in Deccmher) hegins to ascend from<br />

the southern tropic, and is continually mounting for<br />

the ensuing half year. .<br />

Aquarius, or the 'Vatering Pot, fitly represents the<br />

rains and snows of the winter (January).<br />

And the<br />

Two Fishes appear to have a reference to the fishing<br />

season, which takes place in February.<br />

Zone, s. from ~"'V71> %on", a girdle. A division of the<br />

earth.<br />

Zoo-logy. See LOGOS, p. IS.<br />

Zoo-phyte, s. fl'Om t",ov, %0011, an animal, and rpvrov,<br />

1,kttt~1I, a plant. A telID applied to certain snbstance.<br />

which partake of the nature ofvegetable. and ~nimals.


109<br />

Tf,e following words are i,el'e inserled to illustl'ale the<br />

remark made in the Preface to the Second Edition.<br />

" Phalanx, f6Aa~ks, orfal-laliks. The second manner<br />

of pronouncing this word is morc general, but<br />

the first is more analogical. The quantity" of the<br />

original has very little to ,10 in this case, and )'et<br />

nothing but an absurd regard to this could h3\'C influenced<br />

the generality of speakers to pronounce this<br />

word with the first vowel short. The authority of<br />

Mr. Sheridan, lVIr. Scott, and Dr. Ash, who make<br />

the first vowel long, ought to outweigh that of Dr.<br />

}{enrick, Mr. Perry, Entick, and Buchanan, who<br />

make it short." Walker. - PHALANX is from '1'ar..a"~,<br />

phalanx, a square compact battalion, formed of infantry,<br />

set close to one another, with their shields<br />

joined, and pikes turned cross-wa)'s; so that it was<br />

almost impossible to break them.<br />

H Drama, dra-ma, or clram.ma. The last mode of prollouncing<br />

this word is that which was universally<br />

current tin within these few yenrs; but the first has<br />

insensibly stolen into u£c, as we may observe from the<br />

several dictionaries which have adopted it. 1\Ir. Sheridan,<br />

'V. Johnston, IVlr. Nares, and, as far fiS we can<br />

judge by the position of the accent, Entick and Baile)",<br />

pronounce it with the first a long; an,l Dr. Kenrick,<br />

Buchanan, and, if we may guess at Dr. Ash by his<br />

accent, with the same letter short. 1\11'. Scott gives it<br />

both ways; but, by placing the sound with the long a<br />

first;scems to prefer it. The authorities m:e certainly<br />

on the side I have adopted: but I wish also to establish<br />

it 1,>y analog)'." Walker•<br />

. Pharmaceutical, pronounced by ·Walker far-ma-s';-Iekal;<br />

and by Perry thus, phar-ma-c!l-ti-cal. - PharlUaC)",<br />

from epapp.a.1Cov, l'lzarmakun) a remedy, denotes<br />

that branch of medicine which teaches the choice,<br />

preparation, and mixture of medicines.<br />

~ See note, page 3.<br />

L


APPENDIX.<br />

DIVINATION, SEE MANTEIA, rAGE 16.<br />

DIVINATION is the pretended act or art of foretelling<br />

future events. This art or science, in which the<br />

Pagans thought themselves sure of success, if they<br />

proceeded nccordillg to certain established rules, was<br />

founded on their system of theology. They had deified<br />

all the parts and powers of nature, and more especially<br />

the heavenly bodies; ascribing to the latter not ouly life<br />

and intelligence, but a forc.pcrcciving notion, and a<br />

sovereign influence On e\'ery thing here below.<br />

DIVINATION was divided, by the ancients, into llatural<br />

and Artificial.--Natuml Divination is that which<br />

presages things from a mere internal sense and pcrsug.­<br />

sian of the mind under a particular cmotion or agitation,<br />

wi~hout any assistance of signs. This was not to be<br />

attained by any rules of art, but infused or inspired into<br />

the diviner, without his taking any farther care about it<br />

than to purify and prepare himself for the reception of<br />

the divine afflatus. Of this kind were all those who<br />

delivered oracles, and foretold future events by inspiration,<br />

without observi!1g external signs. '*<br />

'* Natural Divinatiort, again, is of two kinds; the onc<br />

native, and the other by influx. Thefirst is founded on<br />

Ihe supposition that the soul, which was thought 10 be<br />

1.2


11Z<br />

APPENDIX.<br />

Artificial Divination is that whid;proceeds by reasoning<br />

upon certain external signs, considered as indications<br />

of futurity. This, contrary to Natural Divination, was<br />

not obtained by direct inspiration; but proceeded upon<br />

certain experiments and observations arbitrarily instituted<br />

and mostly superstitious. Infinite are the s)'siems<br />

ofdivination reducible to this head; the principal species<br />

thereof, and their names, arc imdermclltioned.<br />

PS!Jclwmancy, Sciomancyo 'Vhich consi8tcd in calling<br />

.up the souls or shades of the dead, to learn of them<br />

something l'€quired. -Daetyliomaney. Performed by<br />

one or nlore rings.-Hydromancyo Performed with<br />

sea water.-Pegomancyo Performed \vithspring watc1'.­<br />

OrnitllOmaney, Augury. Divining by the actions of<br />

birds. - Clidomaney. Performed by keys. - AlpMto.<br />

maney, Aleuromaney. Performed by /lour. - Capnomaney.<br />

Performed by smoke. -Pyromaney. Performed<br />

by fire. - LitllOmaney. Performed by stones. - Lye"­<br />

nomaney. Performed by lamps. - ~Veeromaney. Performed<br />

by the dead or their bones. - Oneiromaney,<br />

Oneiroeritiea. Performed by dreams. - Gastromaney.<br />

Performed by the stomach. - CMromaney. Performed<br />

by the lines of the hand. - Aritlmzomaney. Performed<br />

by numbers.<br />

n particle of the divine air or spirit, taken out of God, .<br />

and to have existed from eternity, collected within itself,<br />

and not diffused or divided among the organs of the<br />

body, h::.s., from its own nature and essence, some fOl"cknowledge<br />

of future things; witness whaf is seen in<br />

dreams, ecstasies, the confines of death. The second is<br />

founded on this, that the soul receives, after the manner<br />

of a mirror, some secondary illumination from the presence<br />

of God, and other spirits, and hence proceed<br />

oracles; for it was a received opinion among the Heathens<br />

that the Gods were wont to converse familiarly<br />

with some men, whom they eudowed with extraordinary<br />

powers, and admitted to the knowledge of their councils<br />

and designs.


APPENDIX. 113<br />

Di,ination ojall kbul$ was necessarily made an occult<br />

science, which naturally remained in.the hands of the<br />

priests and priestesses, the false prophets, and other like<br />

professors, till tlie time of the coming of Jesus Christ.<br />

The light of the Gospel, it is true, has dissipated much<br />

ofthe darkuess; but it is more diflicult than is commonly<br />

conccived, to eradicate from the human ulind a deeprooted<br />

superstition, even though the truth be set in the<br />

strongest light, especially when the error has been believed<br />

almost from the beginning of the worId: so we<br />

still find existing among us the remains of this pagan<br />

superstition in the following chimeras*-, which enthusiasts<br />

and designing .men have formed into arts and<br />

sciences; though it lunst be owned, to the honour of<br />

the nineteenth century, that the pure doctrines of Christianity,<br />

ami the spirit of Philosophy, which become<br />

every day more diffused, equally concur in banishing<br />

t.hese visionary opinions. The. "ogue for these prc-<br />

"to Chimera waS a monster which the Pocts feign to<br />

have had the heatl of a lion, the body of a goat, and the<br />

tail of a dragon. Thc foundation of the fable is this:<br />

" There was in Lydia a volcano, or burning mountain,<br />

of this name; the top whereof was inhabited only by<br />

lions: the middle, having good pastures, was frequented<br />

by goats; and the foot, being marshy, by serpents.<br />

Dellcrophon being the first who caused this mountain to<br />

be inhabited, it was feigned that he slew the Chimera."<br />

Among other explanations that have been given of this<br />

fable, some ha,'c supposed that the Chimera was a<br />

pirate ship, whose prow bore the figure of a liol1, her<br />

middlc that of a goat, and her stern a scrpcnt. 1\11'.<br />

Parkhurst supposes Chimera to be one of the heathen<br />

imitations of the cherubic emblems. - In common<br />

language, Chimera (as in the instance above) denotes a<br />

lucre creature of the imagination. lIenee we have the<br />

mljcclive chimerical, which means fanciful, as chimerical<br />

ideas. .. . - L 3 .


114 APPENDIX.<br />

tended sciences and arts, morcover, is past, and they can<br />

no longer be named without exciting ridicule in all<br />

sensible people. By relating them here, tberefore, and<br />

drawing them from their obscnrity, it is only intended<br />

to show theit· futility. For the attaining of these super.<br />

natural qualifications, there are still existing in the world<br />

the remains of Astrology, Horoscopy, Cliiromallcyo<br />

I. Astrology is divided into :lolatural Astrology and<br />

Judicial Astrology.-Nal1l1·al Astrolof},y, or meteorology,<br />

is confined to the foretelling of natural effeets, as the<br />

wind, rain, hail and snow, frosts and tempests. In this<br />

consists one branch of the art of Almanack makers;<br />

and by merely confronting these predictions in the<br />

calendar, with. the weather which each day produces,<br />

every person of sense will see what regard is til be<br />

paid to this part of Astrology. Almost ever since<br />

Almanacks have been known, astrological and other<br />

predictions llOve been ·considered, if not an essential<br />

part, at least a very uEeful auxiliary: this. continues<br />

to be the case to the present day; notwithstanding that<br />

?:lost people pretend to disbelieve such predictions.<br />

It is a curions fact, that in the year 1800, about<br />

400,000 copies were sold of Moore's Almanack; while<br />

other much more useful and instructive Almanacks, as<br />

the Lm;1.ies' and Gentlemen's Diaries, were confined in<br />

thcir circulation to a few thousands. ·See " Almanack,"<br />

in the Cyclopredia called Pantalogia. It must be con_<br />

fessed that, with one or two exceptions, the Almanacks<br />

published in t!lis country are very inferior, in point of<br />

utility, to what might naturally be expected, considering<br />

the state of human knowledge amongst us. "They<br />

rnannge these tbings better in France." STERNE. - It<br />

is much to be wished, that our Almanacks ,'esembled<br />

in some measure the departmental Almanacks published<br />

in France, which contain, in addition to some general<br />

information relative to the kingdom atlarge, much valuable<br />

information conl)ecled with the particular'department<br />

i1l which they are printed. -Judzcial Astrology is<br />

still far more illusive and rash than the former: und


APPENDIX. 11.5<br />

having been at first the wonderful art of visionaries, it<br />

afterwards became that of impostors. This art pretends<br />

to teach the method of predicting all sorts of events that<br />

shall happen upon the earth, as well such as relate to<br />

public as to private persons; and that by the inspection<br />

of the stars and planets.<br />

II. Huroscopy, or casting of nativities, which Inay<br />

also be considered as a part of astrology, is the art by<br />

which they draw a fignre, or celestial scheme, containing<br />

12 houses, wherein they mark' the disposition of<br />

the heavens at a certain moment; for example, that at<br />

which a man is born, in order to forete111~is fortune, or<br />

the incidents of his life. But as there cannot be any<br />

. probable or possible relation between the constellations<br />

and the human race, all the principles they lay down,<br />

.and the prophecies they draw from them, arc chimerical,<br />

false, absurd, and a c!'iminal imposition on mankind.<br />

Surely it is not less absurd, to pretend to predict future<br />

events by the inspection of the ~rmmds of a cup of tea<br />

or coffee, or by cards, ~liti many other like matters.<br />

III. Chiromancy is the art "!lich teaches to know,<br />

by inspecting the hanrl, not only the iuclination of a<br />

man, but his future destiny. The impostors who practise<br />

this art, pretend that the different parts, or the lines,<br />

of the hand have a relation to the internal parts of the<br />

body. - The notion connected with the substance sold<br />

under the name of tho" Chinese Sensitive Leaf,It is to<br />

be considered equally as ridiculous as Chiromancy. By<br />

putting this substance into the hand, a person's disposition<br />

is supposed to be ascertained.<br />

In Scripture we find mention made of several kinds<br />

of Divinations.<br />

The ancient Britons were greatlY'addictcd to Divination,<br />

and excelled so much in the practice of all its<br />

arts, that they might have given a lesson to the ancients<br />

themselves. Besides those which the Britons practised<br />

in common with other nations, they hall one of a very'<br />

horrid Datur::. "On great occasions," says an histo­<br />

Tian, Hthe Britonfi pr'llcthse a "CJ'jT strange and incrcdibl


---------_.,- --' - -_.- ---_. - _. ~ ._- ~,---~-,•• -~---.....-••_---- >--- .--- - - --- -~-<br />

Jl6<br />

APPENDIX.<br />

manner of divination. They take a man who is to<br />

be sacrificed, and kill him by one stroke of the sword;<br />

mid by observing the posture in which he falls, his dif­<br />

Ferent convulsions, and the direction in which the blood<br />

flows from the body, they form their predictions, according<br />

to certain rnles which have been left them by their<br />

nnceetor.!."<br />

THE END.<br />

LONnON:<br />

J'IU~'i'r.D Dr srorXIs.woOn:E AXD CO.<br />

NE1Y-STltEET SQUAI:E.


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proportions.<br />

While most of the selections have been carefully abridged, and<br />

otherwise adapted for tlle present series, the peculiarities of thongllt<br />

and expression of the originals have been l"etain~d; and, for obvious<br />

reasons, any effort to originate directions for emphasis, modulation,<br />

&c., has been considered superfluous. In this stng-e of advancement,<br />

such directions at once uiscourag-e individual effort 011 the part of the<br />

reader, and deprive the teacher of a valuable test for measuring the<br />

compnratiye capacities of his pupils; they arc therefore diametrically<br />

opposed to th~ aim and object ofreading.<br />

It is intended that the FmsT .BOOK should be pnt into the hands<br />

of cllildren who have goone through tlmt rudimentar}' stage in which<br />

tlle pronunciation of single words or the enunciation of simple sen~<br />

tences is commonly taug"ht. The lessons which it contains arc all of<br />

so colloqnial and homely a cast that it is.believed they present no<br />

obstacles which snch children will not surmount with alacrity. In<br />

London: LONGMAN, GREEN, and CO. Paternoster Row.<br />

a


Gmauatea Series if Ellglish Reculilll/-LesSOll Books.<br />

the tirst section no attempt has been made to furnish information<br />

.or instruction of any Idnc1; the object aimed at bein~ merely to induce<br />

the child to read. It will prore nO disadvantag-e, but rather an ad.<br />

"antage, if his car happens to be already familiar with some of tlle<br />

carlier rhymes and tales. The occasional repetition of certain words<br />

and phrases which will be noticed in this part of the volume, is de.<br />

signed to put the children at their ease, and so, by adding to their<br />

amusement, to facilitate the acquirement of reading. The second<br />

section consists of a collection of casy fdbles and parables, which will<br />

prove influential in the Imnds of the teacher ,,,ho can pqint a 1no1'ul<br />

with elTect. 'fhe pieces forming the miscellaneous section, ,,,jth<br />

which the First ilooI, closes, arc desi~ncd to introduce the young<br />

learner to 'that kind of variety in the treatment of simpl~ themes<br />

. which he will meet with on n sligl1tly extended scale when he passes<br />

to the Second noo],.<br />

The rcading-.lessons of the SECOKD BOOK nrc arranged in three<br />

groups, under the heaus of 1.1Iiscellaneous, BiD1'ics of Animals, and<br />

Advent"re. To these a small collection of simple IJnllae!s has been<br />

added. In this, as in the other books, the grand end aimed at has<br />

been to cultiratc a taste for reading br presenting to the pupil only<br />

that sort of material which he is capable of assimilating in an easy<br />

and healthy manner. A glance at the subjects of the pieces will<br />

show that tlle Editor has made a diligent endeavour to furnish, in<br />

ample variety, some congenial food for those f


Graauated Series if Englislt Reading-Lesson Books.<br />

on nc~ount of their comhination of simplicity nnd substantialinterest.<br />

The' V1'ose lessons occasionally take a didactic t1Jrn, but without detri~<br />

ment, it is believed, to their entertaining features, and without em·<br />

barrassing the learner with suhtleties of thou~ht or expression. The<br />

Descriptive Travel of the third volume, being' introductory to the<br />

corresponding department in Dooks IV. and V., has reference to<br />

North Europe only. A few technical or scientific expressions, the<br />

usc of which could not well be dispensed ,,,ith, and which rather lie<br />

out of what may be sUPIlosed to be the average rlln~c of tho- pupil'13<br />

knowledge, arc explaiu£:u in brief notes. Th~ Natural History<br />

tonches chiefly on that portion of nnhuateu nature with Which, in<br />

.this country, ,ye are uUin more Of less frequent and familiar contact.<br />

To certain descriptions which nre furnished of the most marvellous<br />

displays of instinct, the Editor attaches, in nn educational point of<br />

view, n high importance. Under the head of History will be found<br />

a series of sketches, freell as much as possible from nIl detail that is<br />

not graphic. These sketches are intended to present a general, fwlimcntnryt<br />

and, as it were, a panoramic view of the more important or<br />

entertaining features of English history, up to the date of the Battle<br />

of Waterloo.<br />

TIOOK the FOURTII, which wus published first on- account of the<br />

more pressin~ demands for such n volume, carries the series a step<br />

in advance in the snme direction, nnd is dcsig-ned for the hi~hest class<br />

of small rural schools. "The contents of the Fourth 13.ook,"<br />

observed a criticnl writer in the Inquirer newspaper, " nre gathered<br />

" from the richest and most varied fields of literature. In the first<br />

(r .:1Iiscellalleous section, we harp, among mnny others, ·the works of<br />

n Herschel, Channin!{, Rusldn, Leigh Hunt, Irving-, Sterne, Charle!)<br />

H Lamb, Gnizot, Scott, and Emerson, bid undcr contribution. In<br />

" the part which treats of Descriptive Travel, we have some of the<br />

"finest word-painting from the works of ParIq'us, 'Varburtont<br />

"Kin~lakc,Hettner, W. Ware, GaUenga, Laing, and Wills. The<br />

" NaturGlllistol'Y is written hy'Yaterton; I{irby, Spence, A. Ran',<br />

" nUcldnnd, Lewes, GonIon Cumming, Livin~stone,and other·natu­<br />

"ralists i whilst the HistoJ'y is gathered from the finest passages in<br />

H the works of Arnold, Macaulay, Hallam, Froutle, Cayendis]l,<br />

" Stanley, H.ussell, Bancroft, Carlyle, and D'lsraeli. The Biography<br />

" and Natural Science and Pltysics arc equally attractive and excel..<br />

" lent. •.. For children of ten years old and upwards there is not a<br />

U selection that is not full of interest, and that is not &Ure to com­<br />

"mand their sympathiN!. The book is onc of the cheapest, as well<br />

TJonelon: LONGMAN, GREEN, anel CO. Paternoster Row.


Graauutea Series qj' English Reaaing-Lessoll Bool·s.<br />

u ns t110 best, that has come under our notice. 'Y'bcommend it ,"cry<br />

" strongly to the attention of every teacher, wllctllCf in our clemen­<br />

".tary schools or in our homes, and earnestly hope it mny attain tIte<br />

I' eml its compiler had in view, of training up some good renders to<br />

,{ cheer and charm the poor man's fireside, nnd to pour the rich<br />

It stream of modern attainment into thirsting, though humble, souls."<br />

'fhe arrangement of the FJFTII BOOK corresponds with thnt of<br />

Dook IV., embracing the same departments of knowledge, but, of<br />

coursc, from n more advanced point of view. The l\liscellancol1s<br />

section 'presents, in ample variety, typical specimens of our best<br />

writers from the Johnsonian era to the present day. The Descriptive<br />

'rravel has reference to those portions of the globe Which, in accordance<br />

with the J:reneral plan, the preceding volumes 11a\'c left un"<br />

touchcd; and its chief aim is to dircct attention to the results of<br />

scientific inquiry with regard to cosmical phenomena in general.<br />

The section on Natuml History has been restricted to the more<br />

interesting examples of fel'ce naturre. The History continues the<br />

thread where it is broken off in Book IV., viz. from 1688 to the present<br />

time, and it necessarily dwells largely on the events which<br />

attended the administration or the acquisition of OUf chief foreign<br />

possessions. The chapters on the English Constitution, with which<br />

this section closes, present a g-eneml tableau of leading- points of<br />

interest and importance. To the division on Natural Science a<br />

series of valuable chapters on the prominent questions connected<br />

witb Social Science is appended.<br />

The l~ive Books of this series are arranged, eaell in corresponding<br />

sections, on a serial and uniform scheme of progressh'e, ret constantly<br />

varied, selections. BOOK the FIRST is adapted to the com·<br />

prehension of clli1dren who hayc mastered the first steps in re~ding.<br />

BOOK the SECO~D contains miscellanies, tales of ml\·cnture, imngi.<br />

n~ti\'e :md real, anccdotes in natural llistor.r, amI baUnt! poctrr,­<br />

011 preliminary to tbe Third Book. BOOK the TlIlnn comprises<br />

literarr selections in prose and verse, dcscriptive trnrel, natural<br />

bistor~r (with reference to the pre,·iolls section), and nnrrati\'cs of<br />

English I,islory. BonK the FounTH, to which tllC Third Book is<br />

intrOductory, is a further extension of the same general plan, with<br />

the addition of a·division on the more popnlar branches o( Natuml<br />

Science and Physics, sequentially arranged. nOOK the FIFTHwhich<br />

completes the Course, forms n furtller advance and a comple,<br />

tion of the general plan, and aims at allsweringthe practical purposes<br />

of a Clnss.Book of later English Literatnre.<br />

London: LONGMAN, GREEN, and CO. Paternoster Row.


GLEIG'S SCHOOL SERIES.<br />

A NEW SERIES OF ELEMENTARY<br />

SCHOOL..BoOKS; EACH DOOK" (IN l'.IOST ~<br />

INSTANCES) COMPLETE IN ITSELF, PRICE NINEPENCE.<br />

INTENDED TO 'COMPRISE A COMPLETE COURSE OF ELEMENTARY<br />

EDUCATION. PnOJECTED AND EDITED BY THE 'REY.<br />

G. R. GLEIG, M.A., CHAPLAIN·GENERAL TO<br />

IlER MAJESTY'S FORCES. ASSISTED BY<br />

'. WALTER l\lACLEOD,'F.R,G,S. \ Dr. R. J. MANN, l\l.R.C.S.E.<br />

WILLIA~I HUGHES, F.ltoG.S. Prof. R. W. BROWNE, l\l.A.<br />

lIlr. JAMES OWEN.'<br />

THO~IAS TATE, F.R.A.S.<br />

The Rev. J. HUNTER, liLA. A. K. ISllISTER, liLA.<br />

W. J. REYNOLDS, III.A. &c.<br />

m;r New and greatly improved editions of the following works may<br />

nowbehad:-<br />

Reading.~<br />

1\1.Y FIRST SCHOOL BOOK to Teach me .Reading and<br />

1\ 'Vriting, By WALTER MlLEOD, F.R.G.S., Royoll\lilitnry Asylum, Chelsea.<br />

lama. prico Ga.<br />

My SECOND SCHOOL BOOK to Teach me Reading and<br />

Spellinc. By WALTER !I'LEOD, F.R.G.S., RoyalltIilitary Asylum, Chelsea..<br />

18mo. price 9a.<br />

SIMPLE TRUTHS, in Easy Lessons;<br />

A<br />

being an abridged<br />

Scriphrre History, arrnngedns n. RendingwBook for Junior Classes. lama. price6d.<br />

Writing.<br />

GRADUATED SERmS of NINE COPY-BOOKS, mainly<br />

. on the :Method of:Mlllhnuser: with cn~rtl:\'"CdCopy-henus,conveying useful In.<br />

formntion, llistoricnl, Geographicnl, !lnd Scicntific. By W ALTP:R l\l'L:eon, F .R.G.!:t.<br />

ObloD!: 4tO. price Threepence ench CopY-Dook.<br />

1. Ruled ~·ith dia~onnl nnel horizontnl lines, contains Exerci!!lcs in Right-lined<br />

Letters i ns i, u. n, m, l(,:C.<br />

·5: ~~'ImnJl~~~~~t'n~~eh~:iio~~SuJ~~~,n~1te~~~fJ)~~i~~;~f&~:rnaL~I;p:J¥.e~i~~:<br />

4. c~~ith~~ t~~'g~'ft:;"d,andTInlfTcxt.<br />

~: i~~~~[Lii'n~~:)\!lt~~i:~~~~.rSe~~lt~n~W.!lllIInnd,<br />

7. lInlfTcxt nnd Small linDd.<br />

R. ~mnlI Hnnd.<br />

9. For ExercIscs in Dictntion and Compo~!ition.<br />

-,.. or thCfC COP)' Dooks collectivelY' nbol"c a. million and n. half (l,lJI2,(06) have<br />

now been sold.<br />

London:. LONGMAN, GREEN, nIHl CO. Paternoster Row.


I<br />

2 List of IVor1ls in Gldg's School Serics.<br />

A<br />

Arithmetic, Booh-liCcp;,'g, lIfcllsllration.<br />

MANUAL of ARITHl'ilETIC: Containing a Gmduotcd<br />

Seric! of 1,7W Questions for Class Instruction. Dy WAr.TER l\IILEOD, F.R.a.S.<br />

l8ma. price fJd.<br />

)/!l/f:+'<br />

Dfthis Arithmetic nbo,c 21,000 copies have been sold.<br />

ELEMENTS of BOOK-KEEPING by SINGLE and DOUBLE<br />

ENTRY. With Practical Explanations nnd Exercises on the most useful Forms<br />

of Dusiness. Dy A. K. ISDJSTER, l\I.A•••••••••••.•••••••••••••.••••••.• ,ISma. Dr/.<br />

ISBISTER'S SET of EIGHT ACCOUNT BOOKS by<br />

SINGLE and DOUDLE ENTRY, R(Inptcd to the above Elements of Book·<br />

keeping•••. •••••••••••••••••.••••••Oblong 4.to. price Sixpence each Account Dook.<br />

ELEMENTS of MENSURATION: With Demonstrntive Explanations<br />

of the va.TioU'l Rules and Processes of Calculation. and numcrou~<br />

Ori,!!inal Problems. Dy the Hev. J. lIONTF.R, M.A., formerly Yice·Principalof<br />

the National ~ociety'sTraining College, Battersen. •••••••.•••••••••18mo. priee 9d.<br />

KEY, by the Author, containing full Solutions ofuU the Exercises•••• I8mo. price 9d.<br />

Thc English Language.<br />

E<br />

XPLANATORY ENGLTSH GRAMMAR for Beginners;<br />

with Practical Exercises on the Pa.rts of Speech, u Gradua.ted Course ofParsing.<br />

l.essons, nmI nn Appendix on the Conjugntion of Compound Verbs. By ,VALTER<br />

l\l'LEOP, F.It.G.S 18Ino. price 9d.<br />

Or, for the convenience ofElcmentnry Schools, in"Fourseparnte Parts :_1. nnd III.<br />

One lIenor ench; II.· FourIlence ; nnd IV. Sixpenee._AIso, Definitions, for Home<br />

Study, One Penny.<br />

~*.. Of this Grammnr above 53,000 copies have been sold.<br />

HISTORY of the ENGLTSH LANGUAGE, tracing it from<br />

its Celtic n.nd Anglo·Snxon Source ~ 'Vith Thirt;r-one Specimens ofeminent Eng..<br />

Bi~l )/f1:g~t;::.ro~ix~~it~rtJlk~W~nft~~ ~f°J}u~W~R?~li~~s ~~det11~hiIfJ;g/ 6~a~:~:~~<br />

T<br />

Schools. By JOITN EO'VAHDS 18mo. price 9d.<br />

Physiology and Domestic Economy.<br />

HE BOOK of HEALTH.<br />

By ROBERT JAMES MANN, M.D.,<br />

- l\l.R.C.S.E., Author ofA Guide to the Knowledge oftlte IIcarens•• I8mo. price 9d.<br />

DOl\1ESTIC ECONOMY: Comprising Housekeeping; Choice<br />

ofn. Dwelling; Domestic Expenditure; Household Work; Needlework. Wnsh-·<br />

~~~~i~r::nlr~l~i~·~,og~.n:dn\~~\h81p~~iiii~~~g~~~Ct~~~~~}lit~1~'Mi~ti~g~?tgl~13f~<br />

drcn j l'rayers ••••••••••••••••••••••••••••••••••••••••••••••••••••••1Bmo. price 9d.<br />

Geography.<br />

THE CHILD'S FIRST BOOK of GEOGRAPHY, arranged<br />

in It Series of Easy Reading-Lessons. By 'Y'LLl.ul lIuonEs. F.R.G.S. 'Vith<br />

'Voodcuts 18mo. price 9d.<br />

GEOGRAPHY of the BHITISH Ei\IPIRE. For the use of<br />

Beginners.<br />

By 'VtLLtUr lIu(JuEs, F.R.G.S•••••••I8mo. pp. 158, price Ninepencc.<br />

fl<br />

. London: LONGMAN, GREEN, and CO. rnternQstcl' Row, "


List of W01'lls in Gleig's School Series. 3<br />

GENEHAL GEOGRAPHY for Beginners. By WrLLrAM<br />

llconr:s,F.R.G.S.••••••••••••••••••••••••••••••••.•••••••••••••••••18me. price 9d.<br />

-**' Of'thesc three Geographical 'Yorks above 87,000 copies have been sold.<br />

HAND-ATLAS of GENERAL GEOGRAPHY: Comprising<br />

29 fuU·colourcrl Maps. nnd containing nearly every Plnce mentioned in the Geo~<br />

graphical nnd Historical 'Yorks of the Series. By 'YALTER 1\1' LEOP, F.R.G.B.<br />

i Sma. price 39. half-bound; or sewed, 28. Gd.<br />

CJ~ASS-ATLAS of PHYSICAL GEOGRAPHY: Comprising<br />

20 full-coloured Maps, nnd 10 Sections nnd Diagrnms : preceded by explo.nator)~<br />

letterpress, forming It concise Synopsis ofrhysicnl·Geograph)~. Dy'VALTEIt<br />

l'Il'LEOD, }"It.G.S•••••••••••••••••••••••••••18mo. 3s. half-bo:und; or sewed, 2s. ekl.<br />

~ql!* Of these two Atlases above 15,500 copies havc been sold.<br />

BOWMAN'S QUESTIONS on M'LEOD'S CLASS-ATLAS of PllYSICAL<br />

GEOGRAPIIY ••••••••••••••••••••••••••••••••••••••••••••••••••••• IBmo. price Js.<br />

Hislory and Biography,<br />

'FIRST BOOK of HISTORY-ENGLAND,<br />

By the Rev.<br />

G. R. GLEIO, 1\f.A••••••••••••••••••••••••••••••••••••••••••••••••••J8mo. price 2s.<br />

To be lind nlso in Two Parts, pricc Ninepence cacho<br />

*'ll!* Of this History ofEngland above J23,OOO copies hnve been·sold.<br />

The BRITISH COLONIES.<br />

Forming the Second Book of<br />

History. Dy the Rcv. G. R. GLEIO, l\I.A•••••••••••••••••••••••••••J8mo. price Del.<br />

BRITISH INDIA.<br />

Forming the Third Book of History.<br />

Dy the Rev. G. R. GLEIO, 1\I.A•••••••••••••••••••••••••••••••••••••••••••••••••Dd.<br />

SACRED HISTORY. Forming the Fourth Book of History.<br />

Dy the Rev. G.ll. GLElo, 1\I.A•••••••••••••••••••••••••••••••••••••••••••••••••••28.<br />

18mo. pricc 23. cloth; or, in Two Pnrts,9el. cacho<br />

HISTORICAL QUESTIONS, PART 1. On the above Four<br />

JIistories••••••••••••••••••••••••••••••••••••••••••••••••••••••.••••••18mo. price 9d.<br />

BOOK of BIOGRAPHY: Comprising Lives of S. Cromplon,<br />

:~~ f.~~~~tfs~ °fJ.t~~c~h~~~i~ih~rE~Cgi~rer~~c;dei~~l.rl~~t.~:~fOt~~'If~;,{ {Y!l~~~~i~cr<br />

the Rev. ~. n. GLEIO,!tI.A•••••••••••••••••••••••••••••••••••••••••18mo. prIce r:!(r.<br />

HISTORY of FRANCE, By Capt. A. C. GLEIG, R.A.,<br />

Assilltnnt-InsIlcctor of !\~ilitnn'Schools ••••••••••••••••••••••••••••••••••••••• •9d.<br />

HISTORY of ROllIE. By the Venernble R. W. Bnom.-r-:,<br />

M.A., ArclHlencon of Taunton, and Professor of Classical Literature in )\Jn~'a<br />

College. wndon•••••••••••••••••••••••••• ~ ••••••••••••••••••••••••••l8mo. price 9d.<br />

HISTORY of GREECE. Dy the Venerable R. W. Bnomm,<br />

M.A., Archdeacon of TauntoD, nnd Professor of Classical Literature in Kin~'lJ<br />

CoJlCi,iC, :London ••••••••••••••••••••••••••••••••••••••••••••••••••••18mo. price 9d•<br />

••- Ofthe above Historics (c.J:cluslt"c ofthe llistory of England) 1!J71~0copics hnt"c<br />

been sold.<br />

London: LONGMAN, GREEN, nnd CO. Paternoster Row.


4 List of Works in Gleig's School Series.<br />

E<br />

Algebra, Euclid, and GeoVlelry.<br />

LEMENTARY ALGEBRA for Beginners.. By W. J.<br />

REYNOLDS, M.A., ROYal Mi1itn.11" Allylum, Che18ea. LA SECOND PAnT is in the<br />

pre8sJ PART I. 18~o. price 9d.<br />

ANSWERS to the EXAMPLES for PRACTICE in REYNOLDS'S ALGE:DRA,<br />

PART I ..•.••.............•••........................•................18mo. price 3d.<br />

The FIRST THREE BOOKS of EUCLID'S ELEi'oIENTS<br />

ofGEOMETRY. ~Y' T. TATE, F.R.A.S. ·W1thDiagrnms lama. price 9d.<br />

PRACTICAL GEOUETRY, containing. the Construction of<br />

N<br />

nIl the most useful Geometrical Problems, with their-Applications. By T. T.A.TF.,<br />

F.R.A.S. With 261 'Voodcuts 0' II 11',.0 II II •••• o •••••18ma.price Is.'<br />

Science simplified for Beginners.<br />

ATURAL HISTORY for BEGINNERS: A Reading-Book<br />

for Schools and Families. Dy JA.MES OWE:'l. 'VHh Woodcuts. .<br />

lama. price 28. cloth i or, in Two Parts,9d. cach.<br />

ASTRONOMY and the USE of the GLOBES simplified for<br />

the Instruction ofBeginners.<br />

Dy Tno:.u.s TA.TE, F.R.A.S. 1Yith Woodcuh.<br />

lame. price gel.<br />

EXPERIMENTAL CHEMISTRY simplified for the Instruction<br />

of Beginners, nnd illustrll.ted b)' Dingrams nnd Wood Engro.vings. By T.<br />

TATE, F .R.A.S..•. ,....II ••••••••••••••••••••••••••••••••••••II ••••18me. price !ld.<br />

HYDROSTATICS, HYDRAULICS, ul1(l PNEUlIIATICS<br />

simplified for the Instruction ofDeginners. By T. TATE, F.R.A.S. 'Vith numerous<br />

'Voodculs ,.. 0 •••••• IIII •••••••••• IIII 11.0 •••••••• IIIIIIII I •••••18mo. price 9d.<br />

MECHANICS and the STEAi\f-ENGINE simplified for the<br />

Instruction of Ucginners, and elucidnted with Diagrams amI Woodcuts. Dy<br />

T~ TATE, F .R.A.S..............•• 0 •• I •••••••••••••••••••••••••••••••ISmo. price 9el.<br />

LIGHT and HEAT, familiarly explained and illustrated, for<br />

the me ofBeginners. By T. TATE, F.H..A.S. With WOOdCl!tS ISmo. 9(~.<br />

ELECTRICITY, familiarly explained ant1 iIInstrated for the<br />

use ofBeginnera. BY,T. TAT£, F.R.A.S •............•..••....•.... 18mo. price 9el.<br />

:MAGNETISM, VOLTAIC ELECTRICITY, and ELECTHO-<br />

DYNAMICS, familiarlY explained for the Usc of Beginners. By T. Tuv<br />

F.R.A.S ISmo. ,\·ith 'VOOdCUt3, price 9d.<br />

• ;:~ Of the 'l're:ltis'e's' on: Nahirnl Philosophy collectively above 42,000 copies have<br />

been sold.<br />

London: LONGMAN, GREEN, and CO. Paternoster Row;

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