Illuminated initial Stock Photos and Images

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Illuminated initial Stock Photos and Images

Alphabet of illuminated initial letters decorated with flowers and foliage from Royal songs in honor of the Virgin of Puy dAmiens. Chants royaux en l'honneur de la Vierge au Puy d'Amiens, 16th century, Alphabet du XVeme Siecle dapres un manuscrit francais 145, Bibl. Nat. Chromolithograph designed and lithographed by Ernst Guillot from his Ornementation des Manuscrits au Moyen-Age (Ornamentation from Manuscripts of the Middle Ages), Paris, 1897. Stock Photo

RM2T6A0J9–Alphabet of illuminated initial letters decorated with flowers and foliage from Royal songs in honor of the Virgin of Puy dAmiens. Chants royaux en l'honneur de la Vierge au Puy d'Amiens, 16th century, Alphabet du XVeme Siecle dapres un manuscrit francais 145, Bibl. Nat. Chromolithograph designed and lithographed by Ernst Guillot from his Ornementation des Manuscrits au Moyen-Age (Ornamentation from Manuscripts of the Middle Ages), Paris, 1897.

Crusaders and Two Men Discussing the Renewal of the Treaty between the Sultan of Egypt and the King of Jerusalem, illuminated manuscript painting, circa 1295-1299 Stock Photo

RM2PK8DPP–Crusaders and Two Men Discussing the Renewal of the Treaty between the Sultan of Egypt and the King of Jerusalem, illuminated manuscript painting, circa 1295-1299

Image taken from page 28 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' Image taken from page 28 of 'Songs of the Master's Stock Photo

RMEYT3XM–Image taken from page 28 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' Image taken from page 28 of 'Songs of the Master's

Image from page 11 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' . Stock Photo

RMPGGEN8–Image from page 11 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' .

356 Crainquebille, Putois, Riquet - Illuminated Initial - W Stock Photo

RMP9W0K4–356 Crainquebille, Putois, Riquet - Illuminated Initial - W

Illuminated Initial from Hymnal MET DP801148 Stock Photo

RMM07EW9–Illuminated Initial from Hymnal MET DP801148

Illuminated Initial 'C' 1830–62 Freeman Gage Delamotte British. Illuminated Initial 'C' 363556 Stock Photo

RM2HH60YN–Illuminated Initial 'C' 1830–62 Freeman Gage Delamotte British. Illuminated Initial 'C' 363556

Text page with illuminated initial letter, early 15th century. Artist: Unknown Stock Photo

RMW7DCAP–Text page with illuminated initial letter, early 15th century. Artist: Unknown

Decorative ornamental lion as initial letter E in Celtic style like an illustration in antique medieval illuminated manuscript Stock Photo

RFH4GWKM–Decorative ornamental lion as initial letter E in Celtic style like an illustration in antique medieval illuminated manuscript

RMG3ATXM–Illuminated letter S

Illuminated Initial, Sara Ker, Water color, gold, on paper, Design for the initial 'B'., USA, ca. 1893, graphic design, Drawing Stock Photo

RM2DME904–Illuminated Initial, Sara Ker, Water color, gold, on paper, Design for the initial 'B'., USA, ca. 1893, graphic design, Drawing

Illuminated Initial "D", 1830-62. Stock Photo

RM2C72063–Illuminated Initial "D", 1830-62.

The letter 'E' from an illuminated manuscript depicting St Stephen. Painted with gold and silver on Vellum. Dated 15th Century Stock Photo

RMF7PGHD–The letter 'E' from an illuminated manuscript depicting St Stephen. Painted with gold and silver on Vellum. Dated 15th Century

Art inspired by Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., late 15th century, French, Parchment, tempera, ink, metal leaf, 3 1/8 x 4 7/16 in. (8 x 11.3 cm); mat: 7 x 9 in. (17.8 x 22.9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31G1–Art inspired by Manuscript Leaf Cutting Probably from a Missal with an Illuminated Initial S and King David Receiving the Holy Bread from Ahimelech the Priest., late 15th century, French, Parchment, tempera, ink, metal leaf, 3 1/8 x 4 7/16 in. (8 x 11.3 cm); mat: 7 x 9 in. (17.8 x 22.9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Alphabet of initial letters and fleurons taken from 15th century illuminated manuscripts. Fleurons and design elements from Heures de Charles d'Angoulême. Alphabet est tire d’un manuscrit de la Bibl. Nat Francais 145, and fleurons tires des heures illuminees Latin 1173 Bibl. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photo

RM2D77FX4–Alphabet of initial letters and fleurons taken from 15th century illuminated manuscripts. Fleurons and design elements from Heures de Charles d'Angoulême. Alphabet est tire d’un manuscrit de la Bibl. Nat Francais 145, and fleurons tires des heures illuminees Latin 1173 Bibl. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.

Page from an ancient book, large red initial on a gold field, 1392. From the New York Public Library. () Stock Photo

RMT6YC13–Page from an ancient book, large red initial on a gold field, 1392. From the New York Public Library. ()

Miniature of the Deposition of Christ, with an illuminated initial 'D'(eus), and a full foliate border, at the beginning of the Hours of the Cross. Book of Hours, Use of Paris. France, Central (Paris); c. 1410 - c. 1420. Source: Yates Thompson 46, f.133. Language: Latin and French. Stock Photo

RMR5CR17–Miniature of the Deposition of Christ, with an illuminated initial 'D'(eus), and a full foliate border, at the beginning of the Hours of the Cross. Book of Hours, Use of Paris. France, Central (Paris); c. 1410 - c. 1420. Source: Yates Thompson 46, f.133. Language: Latin and French.

Illustrated initial, letter B, Art nouveau design by British illustrator and embroiderer Christine Drummond Angus (later Angus-Sickert), from 1900 The Stock Photo

RF2ERP5MJ–Illustrated initial, letter B, Art nouveau design by British illustrator and embroiderer Christine Drummond Angus (later Angus-Sickert), from 1900 The

19th century design, Initial letter M. Old 19th century engraved illustration, El Mundo Ilustrado 1880 Stock Photo

RM2C2JD6W–19th century design, Initial letter M. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Zodiac within an illuminated initial D (reversed), 845. Vivian Bible or the First Bible of Charles the Bald, Bibliothèque Nationale de France, MS lat 1., fol. 8r. Zodiaque. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827. Stock Photo

RM2T6953W–Zodiac within an illuminated initial D (reversed), 845. Vivian Bible or the First Bible of Charles the Bald, Bibliothèque Nationale de France, MS lat 1., fol. 8r. Zodiaque. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

Patriarch Aimery of Limoges ( -circa 1196), speaking in opposition to the marriage of Raynald of Châtillon (1125-1187) with Constance of Hauteville (1128-1163), illuminated manuscript painting, circa 1295-1299 Stock Photo

RM2PK8DPF–Patriarch Aimery of Limoges ( -circa 1196), speaking in opposition to the marriage of Raynald of Châtillon (1125-1187) with Constance of Hauteville (1128-1163), illuminated manuscript painting, circa 1295-1299

Image taken from page 38 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' Image taken from page 38 of 'Songs of the Master's Stock Photo

RMEYT7RK–Image taken from page 38 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' Image taken from page 38 of 'Songs of the Master's

Image from page 58 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' . Stock Photo

RMPGWMW6–Image from page 58 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' .

356 Crainquebille, Putois, Riquet - Illuminated Initial - T Stock Photo

RMP9W0JY–356 Crainquebille, Putois, Riquet - Illuminated Initial - T

Manuscript Leaf Showing an Illuminated Initial R with The Resurrection MET tem2321-1 Stock Photo

RMM0709N–Manuscript Leaf Showing an Illuminated Initial R with The Resurrection MET tem2321-1

Illuminated Initial from Hymnal 1830–62 Freeman Gage Delamotte British. Illuminated Initial from Hymnal 363559 Stock Photo

RM2HJ3CX8–Illuminated Initial from Hymnal 1830–62 Freeman Gage Delamotte British. Illuminated Initial from Hymnal 363559

Illuminated initial letters with scenes from the life of St Jerome, late 14th century. Artist: Unknown Stock Photo

RMW7DCKJ–Illuminated initial letters with scenes from the life of St Jerome, late 14th century. Artist: Unknown

Decorative ornamental initial letter P in Celtic style with knot ornament like an illustration in antique medieval illuminated m Stock Photo

RFH4GWKJ–Decorative ornamental initial letter P in Celtic style with knot ornament like an illustration in antique medieval illuminated m

RMG3ATXB–Illuminated letter A

Illuminated Initial G from a Prayerbook, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 140 x 74 mm Stock Photo

RM2A2HRRF–Illuminated Initial G from a Prayerbook, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 140 x 74 mm

Illuminated Initial "N", 1830-62. Stock Photo

RM2C7205H–Illuminated Initial "N", 1830-62.

The letter 'S' from an illuminated manuscript depicting Christ with Redeemer. Painted with gold and silver on Vellum. By Niccolo de Giacomo de Bologna. Dated 14th Century Stock Photo

RMF7PF7M–The letter 'S' from an illuminated manuscript depicting Christ with Redeemer. Painted with gold and silver on Vellum. By Niccolo de Giacomo de Bologna. Dated 14th Century

Art inspired by Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, second half of the 15th century, Made in Lombardy, Italy, Italian, Tempera, gold, silver, ink on parchment, 3 3/8 x 3 3/4 in. (8.5 x 9.5 cm); mat: 9 x 7 in. (22.9 x 17.8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW31FE–Art inspired by Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, second half of the 15th century, Made in Lombardy, Italy, Italian, Tempera, gold, silver, ink on parchment, 3 3/8 x 3 3/4 in. (8.5 x 9.5 cm); mat: 9 x 7 in. (22.9 x 17.8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Monstrance and Italian reliquary from the Musee de Cluny, initial letters and borders from illuminated manuscripts and a book of hours,15th century. Musee de Cluny, Ostensoir,. Reliquaire Italien, Tire d’un manuscrit Franc. 145 Bib. Nat., Bordure des heures illuminees Latin 1173, Bordure d’un manuscrit Franc. 54. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photo

RM2D77G51–Monstrance and Italian reliquary from the Musee de Cluny, initial letters and borders from illuminated manuscripts and a book of hours,15th century. Musee de Cluny, Ostensoir,. Reliquaire Italien, Tire d’un manuscrit Franc. 145 Bib. Nat., Bordure des heures illuminees Latin 1173, Bordure d’un manuscrit Franc. 54. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.

J P Gundling; The history and Deeds of King Conrad IV (1228 – 1254) Duke of Swabia (1235–1246), King of Germany (as Conrad IV; 1237–1254) Stock Photo

RMP67KNH–J P Gundling; The history and Deeds of King Conrad IV (1228 – 1254) Duke of Swabia (1235–1246), King of Germany (as Conrad IV; 1237–1254)

Illuminated initial 'E' for Edward with ivy leaves extending into the margins at the beginning of the text. Various legal texts including Magna Carta, Statutes of England , etc. England; last quarter of the 13th century or 1st quarter of the 14th century. Source: Harley 5326, f.4. Language: French and Latin. Stock Photo

RMR5HTR2–Illuminated initial 'E' for Edward with ivy leaves extending into the margins at the beginning of the text. Various legal texts including Magna Carta, Statutes of England , etc. England; last quarter of the 13th century or 1st quarter of the 14th century. Source: Harley 5326, f.4. Language: French and Latin.

Malmesbury Abbey, Wiltshire, UK. Detail (letter N) from an illuminated Latin Bible of 1407, showing John the Baptist preaching Stock Photo

RMF2A73N–Malmesbury Abbey, Wiltshire, UK. Detail (letter N) from an illuminated Latin Bible of 1407, showing John the Baptist preaching

19th century design, Initial letter E. Old 19th century engraved illustration, El Mundo Ilustrado 1880 Stock Photo

RM2C2JBT2–19th century design, Initial letter E. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Illuminated initial letters showing end of 8th century French costume. Jesus Christ with evangelists Luke and Paul in Q, Annunciation scene with Mary and an angel in O. Initiales Historiees, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo

RM2T68D3R–Illuminated initial letters showing end of 8th century French costume. Jesus Christ with evangelists Luke and Paul in Q, Annunciation scene with Mary and an angel in O. Initiales Historiees, France, VIIIe siecle (fin). Taken from a manuscript formerly kept at the Abbey of Saint-Medard de Soissons. MS 686 Sup. Latin, Bibliotheque Imperiale. Chromolithograph after Mathieu from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Godfrey of Bouillon (Godefroy de Bouillon, 1060-1100), Leader of the First Crusade and First ruler of the Kingdom of Jerusalem (1099-1100) with four Knights (Crusaders), illuminated manuscript painting, circa 1295-1299 Stock Photo

RM2PK8DPD–Godfrey of Bouillon (Godefroy de Bouillon, 1060-1100), Leader of the First Crusade and First ruler of the Kingdom of Jerusalem (1099-1100) with four Knights (Crusaders), illuminated manuscript painting, circa 1295-1299

8 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' Stock Photo

RFFG63AR–8 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]'

Image from page 62 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' . Stock Photo

RMPJM4E7–Image from page 62 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' .

. Boot - illuminated initial 136 Codex Sal IXc Boot Stock Photo

RMMWB1C8–. Boot - illuminated initial 136 Codex Sal IXc Boot

Manuscript Leaf Showing an Illuminated Initial A and The Resurrection MET tem2321-5 Stock Photo

RMM0709G–Manuscript Leaf Showing an Illuminated Initial A and The Resurrection MET tem2321-5

Manuscript Leaf Showing an Illuminated Initial A and The Resurrection second half of 14th–early 15th century North Italian. Manuscript Leaf Showing an Illuminated Initial A and The Resurrection 32833 Stock Photo

RM2HJ3FBK–Manuscript Leaf Showing an Illuminated Initial A and The Resurrection second half of 14th–early 15th century North Italian. Manuscript Leaf Showing an Illuminated Initial A and The Resurrection 32833

An initial S, illuminated with foliage of the Northumbrian type, from a German manuscript of the twelfth century From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892 Stock Photo

RF2E1KX90–An initial S, illuminated with foliage of the Northumbrian type, from a German manuscript of the twelfth century From the book ' Illuminated manuscripts in classical and mediaeval times : their art and their technique ' by Middleton, J. H. (John Henry), 1846-1896 Published in 1892

Decorative ornamental initial letter S in Celtic style in geometrical form like an illustration in antique medieval illuminated Stock Photo

RFH6H5PR–Decorative ornamental initial letter S in Celtic style in geometrical form like an illustration in antique medieval illuminated

RMG3ATX9–Illuminated letter H

Illuminated Initial G from a Bible Historiale, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 141 x 75 mm Stock Photo

RM2A2HRRG–Illuminated Initial G from a Bible Historiale, 15th century, Dutch, Netherlands, Manuscript cutting in tempera and gold leaf, with Dutch inscriptions in black and red inks, ruled in black, on parchment, 141 x 75 mm

Illuminated Initial "C", 1830-62. Stock Photo

RM2C7205C–Illuminated Initial "C", 1830-62.

Henry VII (1457-1509) first Tudor king of England from 1485. His first act of parliament with initial portrait of king. Border illuminated with flora and fauna. Thomas Pigot's 'Book of Statutes'. Stock Photo

RMD95X44–Henry VII (1457-1509) first Tudor king of England from 1485. His first act of parliament with initial portrait of king. Border illuminated with flora and fauna. Thomas Pigot's 'Book of Statutes'.

Art inspired by Illuminated Leaf with Initial 'I', 1830–62, Pen and colored inks over graphite with touches of watercolor and gold, sheet: 13 1/16 x 9 1/8 in. (33.1 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5W2A–Art inspired by Illuminated Leaf with Initial 'I', 1830–62, Pen and colored inks over graphite with touches of watercolor and gold, sheet: 13 1/16 x 9 1/8 in. (33.1 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The coronation of King Edward I of England, Edward Longshanks or the Hammer of the Scots, in 1274. The king is seated on a throne while bishops place a crown on his head. From an initial in an illuminated manuscript, Statua Antiqua, Harley MS 926. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842. Stock Photo

RM2E2FT1X–The coronation of King Edward I of England, Edward Longshanks or the Hammer of the Scots, in 1274. The king is seated on a throne while bishops place a crown on his head. From an initial in an illuminated manuscript, Statua Antiqua, Harley MS 926. Handcoloured engraving by Joseph Strutt from his Complete View of the Dress and Habits of the People of England, Henry Bohn, London, 1842.

'Initial Word from Illuminated Charter, A.D. 1446', 1911. Eton College was founded in 1440 by King Henry VI. From "A History of Eton College (1440-1910)", by Sir H. C Maxwell Lyte, K.C.B. [Macmillan and Co. Limited, London, 1911] Stock Photo

RMW6P94H–'Initial Word from Illuminated Charter, A.D. 1446', 1911. Eton College was founded in 1440 by King Henry VI. From "A History of Eton College (1440-1910)", by Sir H. C Maxwell Lyte, K.C.B. [Macmillan and Co. Limited, London, 1911]

Illuminated initial and partial border with foliate decoration, with two winged putti supporting a laurel medallion with arms probably of the Bragadin family of Venice. Institutiones. Italy, N. E. (Venice?); 3rd quarter of the 15th century. Source: Harley 4950, f.2. Language: Latin. Stock Photo

RMR5AYTG–Illuminated initial and partial border with foliate decoration, with two winged putti supporting a laurel medallion with arms probably of the Bragadin family of Venice. Institutiones. Italy, N. E. (Venice?); 3rd quarter of the 15th century. Source: Harley 4950, f.2. Language: Latin.

Writing displaying text Buy Local. Business overview Patronizing products that isoriginaly made originaly or native Head With Illuminated Light Bulb With Showing Technology Ideas. Stock Photo

RF2K2W29F–Writing displaying text Buy Local. Business overview Patronizing products that isoriginaly made originaly or native Head With Illuminated Light Bulb With Showing Technology Ideas.

19th century design, Initial letter F. Old 19th century engraved illustration, El Mundo Ilustrado 1880 Stock Photo

RM2E3BY34–19th century design, Initial letter F. Old 19th century engraved illustration, El Mundo Ilustrado 1880

Young David anointed King of Israel by Samuel. Depicted in French fashions, later 14th century. From an illuminated initial D in a manuscript Bible by Maitre Honore for King Charles V, Biblia Latina, MS 590, in the Bibliotheque de l'Arsenal, T.L.4. David, l'oint du seigneur. France XIVe Siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo

RM2T69B9M–Young David anointed King of Israel by Samuel. Depicted in French fashions, later 14th century. From an illuminated initial D in a manuscript Bible by Maitre Honore for King Charles V, Biblia Latina, MS 590, in the Bibliotheque de l'Arsenal, T.L.4. David, l'oint du seigneur. France XIVe Siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Crusades: Saladin ravaging the Holy Land, historiated initial B, illuminated manuscript painting, before 1299 Stock Photo

RM2PMMNX1–Crusades: Saladin ravaging the Holy Land, historiated initial B, illuminated manuscript painting, before 1299

RFFFXYAH–8 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]'

Image from page 8 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' . Stock Photo

RMPGWG56–Image from page 8 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' .

. Boot - illuminated initial 137 Codex Sal IXc Boot Stock Photo

RMMX79F0–. Boot - illuminated initial 137 Codex Sal IXc Boot

Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael MET DP164984 Stock Photo

RMM0780P–Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael MET DP164984

Manuscript Leaf Showing an Illuminated Initial R with The Resurrection late 13th century Rhenish. Manuscript Leaf Showing an Illuminated Initial R with The Resurrection. Rhenish. late 13th century. Parchment, tempera, ink, metal leaf. Manuscripts and Illuminations Stock Photo

RM2HJ0PFF–Manuscript Leaf Showing an Illuminated Initial R with The Resurrection late 13th century Rhenish. Manuscript Leaf Showing an Illuminated Initial R with The Resurrection. Rhenish. late 13th century. Parchment, tempera, ink, metal leaf. Manuscripts and Illuminations

Charles I (1600-1649), 1643. A portrait taken from the Easter plea roll (K.B. 27/1681). Plea rolls are parchment rolls recording details of legal suits or actions in a court of law in England. Courts began recording their proceedings in plea rolls and filing writs from their foundation at the end of the 12th century. Stock Photo

RM2NYP871–Charles I (1600-1649), 1643. A portrait taken from the Easter plea roll (K.B. 27/1681). Plea rolls are parchment rolls recording details of legal suits or actions in a court of law in England. Courts began recording their proceedings in plea rolls and filing writs from their foundation at the end of the 12th century.

Decorative ornamental initial letter C in Celtic style in form of snake like an illustration in antique medieval illuminated man Stock Photo

RFH6H5R0–Decorative ornamental initial letter C in Celtic style in form of snake like an illustration in antique medieval illuminated man

RMG3ATXG–Illuminated letter E

Illuminated Initial H from a Prayerbook, 15th century, Northern German (possibly Munster), Germany, Manuscript cutting in tempera and gold leaf, with Plattdeutsch inscriptions in light brown, red and blue inks, on parchment, 120 x 88 mm Stock Photo

RM2A2HRRA–Illuminated Initial H from a Prayerbook, 15th century, Northern German (possibly Munster), Germany, Manuscript cutting in tempera and gold leaf, with Plattdeutsch inscriptions in light brown, red and blue inks, on parchment, 120 x 88 mm

Illuminated Initial "O", 1830-62. Stock Photo

RM2C7205J–Illuminated Initial "O", 1830-62.

Parker Library Manuscripts, Corpus Christi College Cambridge, England, UK. 10 June 2016 Photo shows: Saint Matthew opening a book, initial from the illuminated manuscript Dover Bible, Canterbury,c 1150. Showing the Parker Librarian Dr. Christopher de Hamel in some of the photographs. Stock Photo

RMJ6JFX3–Parker Library Manuscripts, Corpus Christi College Cambridge, England, UK. 10 June 2016 Photo shows: Saint Matthew opening a book, initial from the illuminated manuscript Dover Bible, Canterbury,c 1150. Showing the Parker Librarian Dr. Christopher de Hamel in some of the photographs.

Art inspired by Illuminated Leaf with Initial 'E' (recto); Vine Border (verso), 1830–62, Pen and colored inks over graphite with touches of gold and gouache (recto), sheet: 14 9/16 x 9 1/8 in. (37 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5W1F–Art inspired by Illuminated Leaf with Initial 'E' (recto); Vine Border (verso), 1830–62, Pen and colored inks over graphite with touches of gold and gouache (recto), sheet: 14 9/16 x 9 1/8 in. (37 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Initial letter P with face, border with foliage, and design elements from illuminated manuscripts and a Book of Hours, 15th century. TIre du Livre d’Heures du Duc de Berry, 1.2 Bordure d’un manuscrit de la Bib. Nat. Franc. 54, 3 Initiale du manuscrit Franc. 145, Bib. Nat, 4 Angle de Bordure tire du manuscrit Franc. 20.072 Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photo

RM2D77G4Y–Initial letter P with face, border with foliage, and design elements from illuminated manuscripts and a Book of Hours, 15th century. TIre du Livre d’Heures du Duc de Berry, 1.2 Bordure d’un manuscrit de la Bib. Nat. Franc. 54, 3 Initiale du manuscrit Franc. 145, Bib. Nat, 4 Angle de Bordure tire du manuscrit Franc. 20.072 Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.

Reappearance of hand 1, with illuminated initial and smaller initials Listed in De Ricci, Seymour, Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York. N.Y.: H.W. Wilson, 1935; and Supplement, New York, N.Y.: Bibliographical Society of America, 1962. Ownership : Given by A. W. Parker. De Ricci, Supplement, 330. Chart by Dr. G.B. Guest. Note in manuscript. The final folio, f. 67, is one half of a sheet from a music manuscript; the other half functions as the back pastedown.. Service book has 18-19 lines per page, ruled in very light pen, catchwords visibl Stock Photo

RM2AMB7W3–Reappearance of hand 1, with illuminated initial and smaller initials Listed in De Ricci, Seymour, Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York. N.Y.: H.W. Wilson, 1935; and Supplement, New York, N.Y.: Bibliographical Society of America, 1962. Ownership : Given by A. W. Parker. De Ricci, Supplement, 330. Chart by Dr. G.B. Guest. Note in manuscript. The final folio, f. 67, is one half of a sheet from a music manuscript; the other half functions as the back pastedown.. Service book has 18-19 lines per page, ruled in very light pen, catchwords visibl

Inhabited illuminated initial 'P'(er) at the beginning of the prefaces to the Mass, with foliage, men, animals, hybrids and animal heads. Gradual, Sequentiary, and Sacramentary. Germany, S. (WÃ¼rzburg diocese, Komburg? or Bamburg?); 2nd quarter of the 13th century (before 1236?). Source: Arundel 156, f.101. Language: Latin. Stock Photo

RMR5HN8A–Inhabited illuminated initial 'P'(er) at the beginning of the prefaces to the Mass, with foliage, men, animals, hybrids and animal heads. Gradual, Sequentiary, and Sacramentary. Germany, S. (WÃ¼rzburg diocese, Komburg? or Bamburg?); 2nd quarter of the 13th century (before 1236?). Source: Arundel 156, f.101. Language: Latin.

RF2RJPP7N–Logo design graphic concept creative abstract premium vector stock sign letter S font cut flip like rectangular star Related to monogram initial magic

RM2C2JMPF–19th century design, Initial letter F. Old 19th century engraved illustration, El Mundo Ilustrado 1880

King Charles V and Solomon. King Charles V, in chivalric costume of a crusader knight, kneels before Solomon. He wears a tunic over chainmail armour, sallet hemet, sword and shield. Depicted in French fashions, later 14th century. From an illuminated initial D in a manuscript Bible by Maitre Honore for King Charles V, Biblia Latina, MS 590, in the Bibliotheque de l'Arsenal, T.L.4. Charles le Sage. France XIVe Siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo

RM2T68W7X–King Charles V and Solomon. King Charles V, in chivalric costume of a crusader knight, kneels before Solomon. He wears a tunic over chainmail armour, sallet hemet, sword and shield. Depicted in French fashions, later 14th century. From an illuminated initial D in a manuscript Bible by Maitre Honore for King Charles V, Biblia Latina, MS 590, in the Bibliotheque de l'Arsenal, T.L.4. Charles le Sage. France XIVe Siecle. Chromolithograph by Giare after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

King Edward III of England (1312-1377) grants the gift of Aquitaine & Gascony to his son Edward, The Black Prince, on 19th July 1362, Historiated Initial E, illuminated manuscript painting, 1390 Stock Photo

RM2PMMP6E–King Edward III of England (1312-1377) grants the gift of Aquitaine & Gascony to his son Edward, The Black Prince, on 19th July 1362, Historiated Initial E, illuminated manuscript painting, 1390

6 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' Stock Photo

RFFFXEP0–6 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]'

Image from page 7 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' . Stock Photo

RMPG06YX–Image from page 7 of 'Songs of the Master's Love. [With illuminated initial letters, etc.]' .

. Boot - illuminated initial 118 Codex Sal IXc Boot Stock Photo

RMMYD5JE–. Boot - illuminated initial 118 Codex Sal IXc Boot

Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael MET DP164985 Stock Photo

RMM07815–Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael MET DP164985

Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael second half of the 15th century Italian. Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael 32839 Stock Photo

RM2HHRN1N–Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael second half of the 15th century Italian. Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael 32839

Medieval enamel and illuminated manuscripts, (1898). 'Fig: 1: Initial from a German manuscript (Rhenish school), 11th-12th century, in the Library at Paris. Fig 2: Initial from a German manuscript of the 12th century, from a private collection at Cologne. Fig 3: Relic-cross from the first half of the 12th cent, in the Diocesan-Museum at Freising. Fig 4: Pilaster from the shrine of St. Heribertus in the Benedictine-Abbey at Deutz, mid 12th century. Figs 5 and 10: From the shrine of the great relics at Aachen, 12th century. Fig 6: From a collection at Bonn, 12th century. Fig 7: Decoration from t Stock Photo

RM2AG0J0C–Medieval enamel and illuminated manuscripts, (1898). 'Fig: 1: Initial from a German manuscript (Rhenish school), 11th-12th century, in the Library at Paris. Fig 2: Initial from a German manuscript of the 12th century, from a private collection at Cologne. Fig 3: Relic-cross from the first half of the 12th cent, in the Diocesan-Museum at Freising. Fig 4: Pilaster from the shrine of St. Heribertus in the Benedictine-Abbey at Deutz, mid 12th century. Figs 5 and 10: From the shrine of the great relics at Aachen, 12th century. Fig 6: From a collection at Bonn, 12th century. Fig 7: Decoration from t

Decorative ornamental initial letter A in Celtic style in form of a lion like an illustration in antique medieval illuminated ma Stock Photo

RFH6H5PT–Decorative ornamental initial letter A in Celtic style in form of a lion like an illustration in antique medieval illuminated ma

RMG3ATXE–Illuminated letter E

Illuminated Initial H from a Psalter or Breviary, c. 1450s, German or Southern Netherlandish (Bruges), Germany, Manuscript cutting in tempera and gold leaf, with Latin inscriptions in brown and red ink, unruled, on vellum, 135 x 98 mm Stock Photo

RM2A2HRRJ–Illuminated Initial H from a Psalter or Breviary, c. 1450s, German or Southern Netherlandish (Bruges), Germany, Manuscript cutting in tempera and gold leaf, with Latin inscriptions in brown and red ink, unruled, on vellum, 135 x 98 mm

Illuminated Initial from Hymnal, 1830-62. Stock Photo

RM2C7205F–Illuminated Initial from Hymnal, 1830-62.

RMJ6JFW6–Parker Library Manuscripts, Corpus Christi College Cambridge, England, UK. 10 June 2016 Photo shows: Saint Matthew opening a book, initial from the illuminated manuscript Dover Bible, Canterbury,c 1150. Showing the Parker Librarian Dr. Christopher de Hamel in some of the photographs.

Art inspired by Martyrdom of Saint Agatha in an Initial D, ca. 1470–73, Tempera and gold on parchment, 10 3/8 x 10 1/8 in. (26.3 x 25.7cm), Manuscripts and Illuminations, Sano di Pietro (Ansano di Pietro di Mencio) (Italian, Siena 1405–1481 Siena), This miniature was originally, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8X4K–Art inspired by Martyrdom of Saint Agatha in an Initial D, ca. 1470–73, Tempera and gold on parchment, 10 3/8 x 10 1/8 in. (26.3 x 25.7cm), Manuscripts and Illuminations, Sano di Pietro (Ansano di Pietro di Mencio) (Italian, Siena 1405–1481 Siena), This miniature was originally, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Borders and initial letters from Heures de Charles d'Angoulême, and monster, fairy and foliage from the Golden Fleece manuscript, 15th century. 1-4 Bordures et initiale tirees des heures illuminees Lat. 1173, Bib. Nat, 5-8 details tires de la Toison d’Or, Franc. 331, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photo

RM2D77G4P–Borders and initial letters from Heures de Charles d'Angoulême, and monster, fairy and foliage from the Golden Fleece manuscript, 15th century. 1-4 Bordures et initiale tirees des heures illuminees Lat. 1173, Bib. Nat, 5-8 details tires de la Toison d’Or, Franc. 331, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.

Obituary of the Abbey of Saint-Evroul: Saint Benedict handing the rules of the order to a monk 12th century Illuminated manuscript n°10062, f.98r Paris, Bibliothèque Nationale de France Stock Photo

RMGG2GGP–Obituary of the Abbey of Saint-Evroul: Saint Benedict handing the rules of the order to a monk 12th century Illuminated manuscript n°10062, f.98r Paris, Bibliothèque Nationale de France

Miniature of Luke as a scribe, with his symbol the ox, with an illuminated initial 'I'(n), and a full foliate border, at the beginning of Luke's Gospel. Book of Hours, Use of Paris. France, Central (Paris); c. 1410 - c. 1420. Source: Yates Thompson 46, f.14v. Language: Latin and French. Stock Photo

RMR5HBMR–Miniature of Luke as a scribe, with his symbol the ox, with an illuminated initial 'I'(n), and a full foliate border, at the beginning of Luke's Gospel. Book of Hours, Use of Paris. France, Central (Paris); c. 1410 - c. 1420. Source: Yates Thompson 46, f.14v. Language: Latin and French.

Decorated letters, Initials from the 11th century Stock Photo

RMHYPX5R–Decorated letters, Initials from the 11th century

An illuminated letter B with black background Stock Photo

RFGWKDKD–An illuminated letter B with black background

Design for Illuminated Initial 'F'. Date/Period: Ca. 1695. Drawing. Pen and black ink, brush and white gouache (corrections), green watercolor on paper, framing lines in pen and black ink, squared. Author: GILLES-MARIE OPPENORD. Stock Photo

RMPNCT7G–Design for Illuminated Initial 'F'. Date/Period: Ca. 1695. Drawing. Pen and black ink, brush and white gouache (corrections), green watercolor on paper, framing lines in pen and black ink, squared. Author: GILLES-MARIE OPPENORD.

Edward III of England (1312-1377), King of England (1327-1377) wearing a crown, ermine robe and holding an orb and sceptre, illustrated in an historiated initial C, miniature illuminated manuscript portrait painting, 1451-1480 Stock Photo

RM2PNNK27–Edward III of England (1312-1377), King of England (1327-1377) wearing a crown, ermine robe and holding an orb and sceptre, illustrated in an historiated initial C, miniature illuminated manuscript portrait painting, 1451-1480